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General Category => General Scottish => Topic started by: Stirling Thompson on August 11, 2008, 06:16:17 AM

Title: Scottish Poetry
Post by: Stirling Thompson on August 11, 2008, 06:16:17 AM
I have always loved poetry so lets try some here!

From Best Scottish Poems of 2007   http://www.spl.org.uk/best-poems/006.htm

The Big Mistake by Jim Carruth

The Big Mistake

the shepherd on the train told me

is to clip hill milking ewes too soon

I put my newspaper down;
he'd got my attention.

Nothing puts the milk off them quicker
than just a day like last Wednesday.
And when it goes off at this time of year,
it never comes back.


His warning continues

They never get so rough in the backend,
and have less protection
against the storms and the winter chill.


He glances up,
checks his crook in the luggage rack

And another thing
is that the wool neither weighs so heavy
nor looks so well. It's the new growth
that brings down the scales.

A fleece from a ewe that's near
hasn't the same feel as one from a ewe
that has plenty of rise and a good strong stoan.

In the beginning of July the new wool on a thin ewe
will grow more in one week under the fleece
than it will do in three with the fleece clipped off.


He summarised his argument for me

Experienced flock masters never clip hill stocks
before the second week of July.
In terms of the sheep's sufferings
a strong sun is little less severe than a cold rain.


He stopped there
looked out the window at the passing fields
then fell asleep to Waverley
content that a stranger in a suit
had listened to his wisdom
this wisdom I now share with you.

Title: Re: Scottish Poetry
Post by: Stirling Thompson on August 11, 2008, 06:32:21 AM
“This poem is said to have been a favourite of Queen Elizabeth, the Queen Mother. Considering the last verse (by the boastful McAllister) it must be assumed that the Queen Mum had that famous twinkle in her eye when she said she liked it! The poem is by the late D.M. Mackenzie”

McAllister Dances Before the King

Clansmen, the peats are burning bright,
Sit round them in a ring,
And I will tell of that great night
I danced before the king! For as a dancer in my youth,
So great was my renown,
The king himself invited me,
To visit London town.

My brand new presentation kilt
And ornaments I wore;
And with my skein dhu,
I rapped upon the door.

Soon I heard a Lord or Duke
Come running down the stairs,
And to the keyhole put his mouth,
Demanding who was there!

“Open the door” I sternly cried,
“As quickly as you can.
Is this the way that you receive
A Scottish gentleman?”

The door was opened; word went round,
“McAllister is here.”
And with the news, the palace rang
With one tremendous cheer.

The King was sitting on his throne,
But down the steps he came.
Immediately the waiting Lord,
Pronounced my magic name.

And all the ladies of the court
With pearls and jewels bedecked,
Did blush and tremble as I
Bowed to them with due respect.

Slowly at first with hands on hips,
I danced with ease and grace.
Then raised my hands above my head,
And swifter grew my pace.

At last no human eye could see
My step so light and quick.
And from the floor great clouds of dust
Came rising fast and thick.

The King was greatly moved,
And shook my hand in friendship true.
“Alas,” he said, “Although a king,
I cannot dance like you.”

And then the gracious queen herself
Came shyly o’er to me,
And pinned a medal on my breast,
For everyone to see.

Her whisper I shall n’er forget,
Nor how her eyes grew dim.
“Ach, where were you, McAllister,
The day I married him!”

Title: Re: Scottish Poetry
Post by: Barbara on August 11, 2008, 09:06:50 PM
 ;D  Love that poem.  ;D  Always liked the Queen Mum too, think she was a better Queen than her daughter.

Barbara
Title: Re: Scottish Poetry
Post by: Donna on August 11, 2008, 10:51:46 PM
Thank you for the poem, Stirling.

Donna

Title: Re: Scottish Poetry
Post by: Stirling Thompson on August 12, 2008, 06:09:09 AM
Can't do Scottish poetry without Rabbie Burns!

Robert Bruce's March To Bannockburn

Robert Burns

Scots, wha hae wi' Wallace bled,
Scots, wham Bruce has aften led,
Welcome to your gory bed,
Or to Victorie!

Now's the day, and now's the hour;
See the front o' battle lour;
See approach proud Edward's power-
Chains and Slaverie!

Wha will be a traitor knave?
Wha can fill a coward's grave?
Wha sae base as be a Slave?
Let him turn and flee!

Wha, for Scotland's King and Law,
Freedom's sword will strongly draw,
Free-man stand, or Free-man fa',
Let him on wi' me!

By Oppression's woes and pains!
By your Sons in servile chains!
We will drain our dearest veins,
But they shall be free!

Lay the proud Usurpers low!
Tyrants fall in every foe!
Liberty's in every blow!-
Let us Do or Die!



Title: Re: Scottish Poetry
Post by: Graham Thompson on August 12, 2008, 08:29:12 PM
I love that poem
Title: Re: Scottish Poetry
Post by: Stirling Thompson on August 13, 2008, 02:56:55 PM
I also am owned by a cat named Smokey so how could I resist this one! The lead-in is from the site where I found this poem.

This poem appeals to me on two counts. Firstly, I used to be owned by a cat called Smokey (anyone who owns a cat will know what I mean). Secondly, because of the story of "Towser" the former distillery cat at Glenturret Distillery near Crieff. She lived in the distillery for almost 24 years and during that time caught 28,899 mice. While it is well known that the barley stores in a distillery attract mice like bees to a honeypot, that's an average of over three a day. I'm not sure how the numbers of mice were measured so accurately, but Towser is now in the Guiness Book of Records as a result of her feat!

The poem below is by Robin Laing.



Smokey the Cat

Smokey the cat came from nowhere;
Just whisped in under some door;
Sniffed quietly around
And knew that she'd found
The best place to stay in Bowmore.

She'd arrived at Bowmore distillery
Where the finest malt whisky is made.
There was no welcome mat
For Smokey the cat
But she liked the place - so she stayed.

They say cats have more than one life
With re-incarnation and that.
Whether it's true
All that cat déja vu,
Smokey's a born again cat.

There's something about her that takes you
Back to the Lords of the Isles
When the cats of Finlaggan
Would go scallywaggin'
For miles and miles and miles.

It's the way she melts into the shadows
Or suddenly creeps up on folk
She'll always find you
Slinking behind you
The cat who was named after smoke.

She sits on the sill of the maltings
On days when the weather is nice
And while one eye sleeps
The other one keeps
A lookout for small birds and mice.

Small birds and mice eat the barley
So Smokey confronts them foursquare
But she pulls in her claws
And quietly ignores
The Angels who come for their share.

Felines don't care for whisky
Everyone understands that
But that peaty odour
Beneath the pagoda
Owes something to Smokey the cat.

On Islay people made whisky
Long before it was chic.
The cat from Bowmore
Is nothing more
Than the ghost of the island's peat-reek.



Meaning of unusual words:
The Angels who come for their share=When whisky is maturing, a small percentage evaporates - that's the "Angel's share"
Title: Re: Scottish Poetry
Post by: Donna on August 13, 2008, 07:48:12 PM
Now that was a nice one, Stu!   I'm owned by two little heathen cats and I wouldn't have it any other way!  They're either eating, sleeping, or thinking how I might make their lives more wonderful.

Donna
Title: Re: Scottish Poetry
Post by: Donna on August 13, 2008, 08:36:13 PM
         I am a small and precious child,
           my Daddys been sent to fight.
         The only place I will see his face
           is in my dreams at night.
         He will be gone too many days
           for my young mind to keep track.
         I may be sad, but I am proud,
           my Daddys got your back.

         
          I am a caring mother,
            my son has gone to war.
          My mind is filled with worries
            that I have never known before.
          Every day I try to keep my
            thoughts from turning black.
          I may be sad, but I am proud,
            my son has got your back.


          I am a strong and loving wife,
            with a husband soon to go.
          There are times that I am terrified
            in ways most never know.
           I bite my lip and force a smile
            as I watch my husband pack.
           My heart may break but I am proud,
             my husbands got your back.


            I am a soldier, serving proudly,
              standing tall.
            I fight for freedom, yours and mine,
              by answering this call.
            I do my job while knowing
              the thanks it sometimes lacks.
            Say a prayer that I come home,
              its me that's got your back.
           


Donna


         
Title: Re: Scottish Poetry
Post by: Stirling Thompson on August 14, 2008, 05:11:54 AM
Donna, Did you write this? It is absolutely beautiful... brought a tear to my eyes. If this is yours would you mind if I pass it on to my Nam Vet buddies and others?
Title: Re: Scottish Poetry
Post by: Barbara on August 14, 2008, 11:24:41 AM
Donna, that was beautiful!  So poignant and heart felt.

Barbara
Title: Re: Scottish Poetry
Post by: Donna on August 14, 2008, 03:05:40 PM
The poem was given to me attached to a small American flag, last Memorial Day, when I visited the National Cemetery near my home.  The Boy Scouts place a small flag at each grave.  It's a beautiful thing to see!
I don't know who wrote the poem but I'm sure it was ment to be shared.

Donna
Title: Re: Scottish Poetry
Post by: Stirling Thompson on August 20, 2008, 07:06:25 AM
Take warning lads!

The Women Folk
by James Hogg

O Sarley may I rue the day
I fancied first the womenkind;
For aye sin syne I ne’er can ha’e
Ae quiet thought or peace o’ mind!

They ha’e plagued my heart, an’ pleased my e’e
An’ teased an’ flatter’d me at will,
But aye, for a’ their witchery,
The pawky things I lo’e them still.

O, the women folk! O, the women folk
But they ha’e been the wreck o’me;
O, weary fa’ the women folk,
for they winna let a body be!

I ha’e thought an’ thought, but darena tell,
I’ve studied them wi’ a my skill,
I’ve lo’ed them better than mysel,
I’ve tried again to like them ill.
Wha sairest strives, will sairest rue,
To comprehend what nae man can;
When he has done what man can do,
He’ll end at last where he began.

That they ha’e gentle forms an’ meet,
A man wi’ half a look may see;
An gracefu’ airs, an’ faces sweet,
An’ waving curls aboon the bree;
An’ smiles as soft as the young rose-bud,
An’ e’en sae pawky, bright, an’ rare,
Wad lure the laverock frae the clud-
But, laddie, seek to ken nae mair!

Even but this night, nae farther gane,
The date is neither lost nor lang,
I tak ye witness, ilka ane,
How fell they fought, and fairly dang,
Their point they’ve carried, right or wrang,
Without a reason, rhyme, or law,
An’ forced a man to sing a sang,
That ne’er could sing a verse ava’.
 
Title: Re: Scottish Poetry
Post by: Donna on August 20, 2008, 10:56:15 AM
              Mom Doesn't Want A Dog
                by Judith Voirst

      Mother doesn't want a dog.
        Mother says they smell
        and never sit when you say sit
        or even when you yell.
     
      When you come home late at night
         and there is ice and snow,
         you have to go back out because
         the dumb dog has to go.

       Mother doesn't want a dog.
         Mother says they shed,
         and always let the strangers in
         but bark at friends instead.

       They do disgraceful things on the rug
         and track mud on the floor,
         and flop upon your bed at night
         and snore their doggy snore.

       Mother doesn't want a dog.
         She's making a mistake.
         Because, more than a dog, I think
         she will not want this SNAKE!
       

Donna
Title: Re: Scottish Poetry
Post by: Barbara on August 21, 2008, 04:19:41 PM
Liked your poem, Donna.   ;D

Barbara
Title: Re: Scottish Poetry
Post by: Stirling Thompson on August 24, 2008, 12:23:50 PM

"Pride comes before a fall" is a constant theme in Scots poetry (and life) and that comes through in this poem about Mrs Purdie's apple tart by an anonymous writer.


      Mrs Purdie's Aipple Tart

The bakin' at oor village show's the best ye've ivver seen.
   Fowk come frae far an' near, frae ilka airt.
But listen till I tell ye a' aboot ma guid aul' freen,
   An' the tale o' Mrs Purdie's aipple tert.
Pair Mrs Purdie took it as an unco fashious slight
   That her pastry nivver seemed tae mak' the grade.
For the judges didna even cut a slice tae hae a bite
   O' the aipple tert that Mrs Purdie made.

It wis in an' oot the freezer wis Mrs Purdie's pie,
   Sma' wunner that ma freen wis losin' hert.
It nivver won a mention an' the judges passed it by.
   Whit could be wrang wi' Mrs Purdie's tert?

'I doot,' said Mrs Thomson, ' that the judges must hae kent
   Her d'oyley' (upon which the tert wis laid).
For in ivvery flooer show roon aboot, the plate wis evident
   Wi' the aipple tert that Mrs Purdie made.

Last spring the frost had nipped the blossom: aipples there were nane.
   Dame Nature cam' tae Mrs Purdie's aid.
For naebody had ony fruit, an' so it stood alane,
   The aipple tert that Mrs Purdie made.

Her aipple tert wis nae the best, nor wis it yet the worst.
   But by itssel' an' in a class apairt.
Sae the judges had nae option an' they had tae pit it first
   And gie the prize tae Mrs Purdie's tert.

She wis a happy wumman: she wis quite puffed up wi' pride.
   Ower the triumph that pit ithers in the shade.
She'd be mentioned in the paper, tellin' fowk the coonty wide
   O' the aipple tert that Mrs Purdie made.

The show wis ower: she picked it up and went tae tak' it hame.
   'We'll hae this tae oor Sunday tea,' she said.
An' she proodly gethered up the winnin' ticket wi' her name
   Aside the tert that Mrs Purdie made.

Bit then, pride aften gangs afore a fa', o' that I'm shair.
   She drapt the plate, an' crash! Awa' it gaed.
It lay in near a hunner wee bit pieces on the flair,
   The aipple tert that Mrs Purdie made.

Meaning of unusual words:
frae ilka airt=from every part
unco fashious=very vexacious
d'oyley=a small round piece of linen or paper placed under a dish or bowl
aside=beside
gaed=went

Title: Re: Scottish Poetry
Post by: Ernest Thompson on August 24, 2008, 04:48:54 PM
I must admit I've been enjoying this poetry section so much I thought I'd throw my tuppence worth in.
Poetry is not my forte as with my horrific memory I can never remember the words so here's just a couple of facts relating poetry to Thom(p)sons'.
DID YOU KNOW
that Robbie Burns poem "COMPOSED IN AUGUST" is said to have been inspired when he met Margaret Thompson at Kirkoswald.
George Thomson of Limekilns, Dumfernline, FIFE. who had a long term relatioship with Robbie Burns  was responsible for putting music to his poetry. George was married to Katherine Miller of Kelso. One of their Grand Daughter's married the famous writer Charles Dickens. George is buried at Kensal Green Cemetery, London and the inscription on his tombstone was written by Charles Dickens. Raeburn painted his portrait.
Buried in the same cemetery is Charles Thompson (1st Lord Ritchie of Dundee)(1836-1906) Politician.

Ern of Oz
Title: Re: Scottish Poetry
Post by: Stirling Thompson on August 25, 2008, 07:05:16 AM
Marriott Edgar
was born in Scotland in 1880 and died in London on May 5th, 1951.
He worked with Stanley Holloway as writer and performer and wrote
many of the monologues that made Holloway famous.

The Lion And Albert
by Marriott Edgar
 
There's a famous seaside place called Blackpool,
That's noted for fresh air and fun,
And Mr and Mrs Ramsbottom
Went there with young Albert, their son.

A grand little lad was young Albert
All dressed in his best; quite a swell
With a stick with an 'orse's 'ead 'andle
The finest that Woolworth's could sell.

They didn't think much to the Ocean
The waves, they were fiddlin' and small
There was no wrecks and nobody drownded
Fact, nothing to laugh at, at all.

So, seeking for further amusement
They paid and went into the zoo
Where they'd lions and tigers and camels
And old ale and sandwiches too.

There were one great big lion called Wallace
His nose were all covered with scars
He lay in a somnolent posture
With the side of his face on the bars.

Now Albert had heard about lions
How they was ferocious and wild
To see Wallace lying so peaceful
Well, it didn't seem right to the child.

So straight 'way the brave little feller
Not showing a morsel of fear
Took his stick with its 'orse's 'ead 'andle
And shoved it in Wallace's ear.

You could see the lion didn't like it
For giving a kind of a roll
He pulled Albert inside the cage with 'im
And swallowed the little lad 'ole

Then Pa, who had seen the occurrence
And didn't know what to do next
Said "Mother! Yon lions 'et Albert"
And Mother said "Well, I am vexed!"

Then Mr and Mrs Ramsbottom
Quite rightly, when all's said and done
Complained to the Animal Keeper
That the lion had eaten their son.

The keeper was quite nice about it
He said "What a nasty mishap
Are you sure it's your boy he's eaten?"
Pa said "Am I sure? There's his cap!"

The manager had to be sent for
He came and he said "What's to do?"
Pa said "Yon lion's 'et Albert
And 'im in his Sunday clothes, too."

Then Mother said, "Right's right, young feller
I think it's a shame and a sin
For a lion to go and eat Albert
And after we've paid to come in."

The manager wanted no trouble
He took out his purse right away
Saying "How much to settle the matter?"
And Pa said "What do you usually pay?"

But Mother had turned a bit awkward
When she thought where her Albert had gone
She said "No! someone's got to be summonsed"
So that was decided upon.

Then off they went to the Police Station
In front of the Magistrate chap
They told 'im what happened to Albert
And proved it by showing his cap.

The Magistrate gave his opinion
That no one was really to blame
And he said that he hoped the Ramsbottoms
Would have further sons to their name.

At that Mother got proper blazing
"And thank you, sir, kindly," said she
"What waste all our lives raising children
To feed ruddy lions? Not me!"


Come back tommorrow for the rest of the story! Stu
Title: Re: Scottish Poetry
Post by: Ernest Thompson on August 25, 2008, 05:38:45 PM
Hey Stu,
I thought I might spur you on to Scotlands Greatest Poet or possibly poetry related in some way or other to Thom(p)sons. Obviously you have an extensive knowledge in this area and even though I am a fan I have to use reference books to jog the memory. I look forward to this segment and your input. In the mean time here's another Thomson involved in the poetic world.
Jessy Lewars (1778-1855)
The last of Robbie Burns' heroines.
Jessy was heard by the Bard singing 'the Robin cam' to the Wren's Nest' and composed for the air in his own words 'O wert thou in the cauld blast'.
Jessy helped nurse him in his last 6 months and after his death cared for the poets' 4 small boys.
Jessy Lewars married James Thomson, a writer in Dumfies, in June 1799 and had 5 sons and 2 daughters. She was buried in St. Michael's Churchyard, Dumfies not far from Burns's own grave.

O WERT THOU IN THE CAULD BLAST

O wert thou in the cauld blast,
On yonder lea, on yonder lea,
My plaidie to the angry airt,
I'd shelter thee, I'd shelter thee;
Or did Misfortune's bitter storms
around thee blaw, around thee blaw,
Thy bield should be my bosom,
To share it a', to share it a'.

Or were I in the wildest waste,
Sae black and bare, sae black and bare.

The desert were a Paradise,
If thou wert there, if thou wert there;
Or were I Monarch o' the globe,
Wi' thee to reign, wi' thee to reign,
The brightest jewel in my Crown
Wad be my Queen, wad be my Queen.
Title: Re: Scottish Poetry
Post by: Stirling Thompson on August 26, 2008, 05:25:51 AM
Ern, Thanks for the kind words! I must admit however that my expertise is virtually non-existent. I simply enjoy poetry and like to share that with others. Whatever notes may accompany the poems I post were most likely also on the site where found the poem and has been included in the hope it will add to your enjoyment of the poem. Truth to tell also, I've rather been avoiding posting Burns material simply because he is so well known. I look for lesser known Scots poets and poems of a more humorous nature (these tend to appeal more to those that say they don't like poetry) to broaden exposure.
Title: Re: Scottish Poetry
Post by: Stirling Thompson on August 26, 2008, 05:31:28 AM
As promised (threatened?) the rest of the story!

Albert's Return
by Marriott Edgar
 
You've 'eard 'ow young Albert Ramsbottom
At the zoo up at Blackpool one year
With a stick with an 'orse's 'ead 'andle
Gave a lion a poke in the ear?

The name of the lion was Wallace,
The poke in the ear made 'im wild
And before you could say, "Bob's yer uncle!"
E'd upped and 'e'd swallowed the child.

'E were sorry the moment 'e done it;
With children 'e'd always been chums,
And besides, 'e'd no teeth in his muzzle,
And 'e couldn't chew Albert on't gums.

'E could feel the lad movin' inside 'im
As 'e lay on 'is bed of dried ferns;
And it might 'ave been little lad's birthday-
'E wished 'im such 'appy returns.

But Albert kept kickin' and fightin'...
And Wallace got up, feelin' bad.
Decided 'twere time that 'e started
To stage a comeback for the lad.

Then puttin' 'ead down in one corner,
On 'is front paws 'e started to walk;
And 'e coughed, and 'e sneezed, and 'e gargled
'Till Albert shot out... like a cork!

Now Wallace felt better directly
And 'is figure once more became lean.
But the only difference with Albert
Was 'is face and 'is 'ands were quite clean.

Meanwhile Mr. and Mrs. Ramsbottom
'Ad gone back to their tea, feelin' blue.
Ma said, "I feel down in the mouth, like.
" Pa said, "Aye, I bet Albert does, too."

Said Mother, "It just goes to show yer
That the future is never revealed;
If I'd thowt we was goin' to lose 'im,
I'd 'ave not 'ad 'is boots soled and 'eeled."

"Let's look on the bright side," said Father,
"Wot can't be 'elped must be endured;
Each cloud 'as a silvery lining,
And we did 'ave young Albert insured."

A knock on the door came that moment
As Father these kind words did speak.
'Twas the man from Prudential - 'e'd come for
Their tuppence per person per week.

When Father saw 'oo 'ad been knockin',
'E laughed, and 'e kept laughin' so -
The man said, "'Ere, wot's there to laugh at?"
Pa said, "You'll laugh an' all when you know!"

"Excuse 'im for laughing," said Mother,
"But really, things 'appen so strange
Our Albert's been et by a lion;
You've got to pay us for a change!"

Said the young man from the Prudential,
"Now, come, come, let's understand this...
You don't mean to say that you've lost 'im?"
Pa said, "Oh, no, we know where 'e is!"

When the young man 'ad 'eard all the details,
A purse from 'is pocket he drew
And 'e paid them with interest and bonus
The sum of nine pounds, four and two.

Pa 'ad scarce got 'is 'and on the money
When a face at the window they see
And Mother cried, "Eee, look, it's Albert!"
And Father said, "Aye, it would be."

Albert came in all excited,
And started 'is story to give;
And Pa said, "I'll never trust lions
Again, not as long as I live."

The young man from the Prudential
To pick up the money began
But Father said, "'ere, wait a moment,
Don't be in a 'urry, young man."

Then giving young Albert a shilling,
'E said, "'Ere, pop off back to the zoo;
Get your stick with the 'orse's 'ead 'andle...
Go and see wot the tigers can do!"
Title: Re: Scottish Poetry
Post by: Stirling Thompson on August 26, 2008, 06:03:24 AM
This one's a crossover just for Ern of Oz!

The Scottish hospital

An English doctor is being shown around a Scottish hospital. Towards the end of his visit he is shown into a ward with several beds, whose occupants seem to have no obvious signs of injury. But as he approaches the first bed, the patient pipes up:

"Fair fa' yer honest sonsie face,
Great chieftain e' the puddin' race!
Aboon them a'ye tak your place, painch, tripe, or thairm:
Weel are ye wordy o'a grace as lang's my arm."


Being somewhat taken aback, he goes to the next patient and is immediately greeted with:

"Some hae meat, and canna eat,
And some wad eat that want it.
But we hae meat and we can eat,
And sae the Lord be thankit."


This continues with the next patient:

"Wee sleekit, cow'rin, tim'rous beastie,
O, what aq panic's in thy breastie!
Thou need not start awa sae hasty,
Wi bickering brattle
I wad be laith to run and chase thee,
Wi murdering pattle!"


He quietly asks the doctor accompanying him if they have unexpectedly entered the psychiatric ward. "Och, Nay," replies his guide; "this is the serious Burns unit."
Title: Re: Scottish Poetry
Post by: Ernest Thompson on August 26, 2008, 03:56:34 PM
Stu,

You've made my day.

Ern
Title: Re: Scottish Poetry
Post by: Stirling Thompson on August 28, 2008, 04:54:59 AM
By one of our own!

Gifts by James Thomson

GIVE a man a horse he can ride,
Give a man a boat he can sail;
And his rank and wealth, his strength and health,
On sea nor shore shall fail.

Give a man a pipe he can smoke,
Give a man a book he can read:
And his home is bright with a calm delight,
Though the room be poor indeed.

Give a man a girl he can love,
As I, O my love, love thee;
And his heart is great with the pulse of Fate,
At home, on land, on sea.
Title: Re: Scottish Poetry
Post by: Donna on August 29, 2008, 12:34:52 AM
Ohhhhhh!   How sweet!

Donna
Title: Re: Scottish Poetry
Post by: Stirling Thompson on August 29, 2008, 06:59:07 AM
I first heard this as a song by the Chad Mitchell Trio! Shows how old I am!

A. A. Milne - Disobedience



James James            
Morrison Morrison         
Weatherby George Dupree         
Took great            
Care of his Mother         
Though he was only three.      
James James            
Said to his Mother,         
"Mother," he said, said he;      
"You must never go down to the end of the town, if
you don't go down with me."      


James James            
Morrison's Mother         
Put on a golden gown,         
James James            
Morrison's Mother         
Drove to the end of the town.      
James James            
Morrison's Mother         
Said to herself, said she:      
"I can get right down to the end of the town and be
back in time for tea."         

King John            
Put up a notice,         
"LOST or STOLEN or STRAYED!      
JAMES JAMES            
MORRISON'S MOTHER         
SEEMS TO HABE BEEN MISLAID.      
LAST SEEN            
WANDERING VAGUELY         
QUITE OF HER OWN ACCORD,      
SHE TRIED TO GET DOWN TO THE END OF   
THE TOWN - FORTY SHILLINGS REWARD!   


James James            
Morrison Morrison         
(Commonly known as Jim)         
Told his            
Other relations            
Not to go blaming him.         
James James            
Said to his Mother,         
"Mother," he said, said he,      
"You must never go down to the end of the town with-
out consulting me."         


James James            
Morrison's Mother         
Hasn't been heard of since.      
King John            
Said he was sorry,         
So did the Queen and Prince.      
King John            
(Somebody told me)         
Said to a man he knew:         
"If people go down to the end of the town, well, what
can anyone do?"            

(Now then, very softly)         
J. J.               
M. M.               
W. G. du P.            
Took great            
C/o his M*****            
Though he was only 3.         
J. J.               
Said to his M*****         
"M*****," he said, said he:      
"You-must-never-go-down-to-the-end-of-the-town-if-
you-don't-go-down-with ME!"   
Title: Re: Scottish Poetry
Post by: Stirling Thompson on September 01, 2008, 10:34:40 AM

Bernard Barton (1784 - 1849) was born of Quaker parentage and passed nearly all his life at Woodbridge, for the most part as a clerk in a bank. Although he has no known genealogical connection with Scotland, one of the poems he wrote concerned the story of Robert the Bruce and the motivation provided by a spider, to continue with his fight against the English who were occupying Scotland. As all Scottish schoolchildren used to know: "If at first you don't succeed, try, try, try again."


   Bruce and the Spider

For Scotland's and for freedom's right,
   The Bruce his part has played;
In five successive fields of fight,
    Been conquered and dismayed:
Once more against the English host,
    His band he led, and once more lost
The meed for which he fought;
    And now from battle, faint and worn,
The homeless fugitive, forlorn,
    A hut's lone shelter sought.
And cheerless was that resting-place,
    For him who claimed a throne;
His canopy, devoid of grace,
    The rude, rough beams alone;
The heather couch his only bed -
    Yet well I ween had slumber fled,
From couch of eider down!
    Through darksome night till dawn of day,
Absorbed in wakeful thought he lay,
    Of Scotland and her crown.

The sun rose brightly, and its gleam
    Fell on that hapless bed,
And tinged with light each shapeless beam,
    Which roofed the lowly shed;
When, looking up with wistful eye,
    The Bruce beheld a spider try
His filmy thread to fling
    From beam to beam of that rude cot -
And well the insect's toilsome lot,
    Taught Scotland's future king.

Six times the gossamery thread
    The wary spider threw;
In vain the filmy line was sped,
    For powerless or untrue,
Each aim appeared, and back recoiled,
    The patient insect, six times foiled,
And yet unconquered still;
    And soon the Bruce, with eager eye,
Saw him prepare once more to try
    His courage, strength, and skill.

One effort more, his seventh and last!
    The hero hailed the sign!
And on the wished-for beam hung fast
    That slender silken line!
Slight as it was, his spirit caught
    The more than omen; for his thought
The lesson well could trace,
    Which even "he who runs may read,"
That Perseverance gains its meed,
    And Patience wins the race.


Title: Re: Scottish Poetry
Post by: Stirling Thompson on September 02, 2008, 08:06:35 AM
Border Ballad by Sir Walter Scott

March, march, Ettrick and Teviotdale,
Why the deil dinna ye march forward in order!
March, march, Eskdale and Liddesdale,
All the Blue Bonnets are bound for the Border.
Many a banner spread,
Flutters above your head,
Many a crest that is famous in story.
Mount and make ready then,
Sons of the mountain glen,
Fight for the Queen and our old Scottish glory.

Come from the hills where your hirsels are grazing,
Come from the glen of the buck and the roe;
Come to the crag where the beacon is blazing,
Come with the buckler, the lance, and the bow.
Trumpets are sounding,
War-steeds are bounding,
Stand to your arms, then, and march in good order;
England shall many a day
Tell of the bloody fray,
When the Blue Bonnets came over the Border.
Title: Re: Scottish Poetry
Post by: Stirling Thompson on September 03, 2008, 09:31:12 AM
MacT, this one's for you! Could you translate the acronyms in the last stanza?

Marksman Sam
by Marriott Edgar
 
When Sam Small joined the regiment,
'E were no' but a raw recruit,
And they marched 'im away one wint'ry day,
'Is musket course to shoot.

They woke 'im up at the crack o' dawn,
Wi' many a nudge and shake,
'E were dreaming that t' Sergeant 'ad broke 'is neck,
And 'e didn't want to wake.

Lieutenant Bird came on parade,
And chided the lads for mooning,
'E talked in a voice like a pound o' plums,
'Is tonsils needed pruning.

"Move to the right by fours," he said,
Crisp like but most severe,
But Sam didn't know 'is right from 'is left,
So pretended 'e didn't 'ear.

Said Lieutenant, "Sergeant, take this man's name."
The Sergeant took out 'is pencil,
'E were getting ashamed o' taking Sam's name,
And were thinking o' cutting a stencil.

Sam carried a musket, a knapsack and coat,
Spare boots that 'e'd managed to wangle,
A 'atchet, a spade... in fact, as Sam said,
'E'd got everything bar t'kitchen mangle.

"March easy men," Lieutenant cried,
As the musket range grew near,
"March easy me blushing Aunt Fanny," said Sam,
"What a chance with all this 'ere."

When they told 'im to fire at five 'undred yards,
Sam nearly 'ad a fit,
For a six foot wall, or the Albert 'All,
Were all 'e were likely to 'it.

'E'd fitted a cork in 'is musket end,
To keep 'is powder dry,
And 'e didn't remember to take it out,
The first time 'e let fly.

'Is gun went off with a kind o' pop,
Where 'is bullet went no-one knew,
But next day they spoke of a tinker's moke,
Being killed by a cork... in Crewe.

At three 'undred yards, Sam shut 'is eyes,
And took a careful aim,
'E failed to score but the marker swore,
And walked away quite lame.

At two 'undred yards, Sam fired so wild,
That the Sergeant feared for 'is skin,
And the lads all cleared int' t' neighbouring field,
And started to dig 'emselves in.

"Ooh, Sergeant! I hear a scraping noise,"
Said Sam, "What can it be?"
The noise that 'e 'eard were lieutenant Bird,
'Oo were climbing the nearest tree.

"Ooh, Sergeant!" said Sam, "I've 'it the bull!
What price my shooting now?"
Said the Sergeant, "A bull? Yer gormless fool,
Yon isn't a bull... it's a cow!"

At fifty yards 'is musket kicked,
And went off with a noise like a blizzard,
And down came a crow looking fair surprised,
With a ram-rod through 'is gizzard.

As 'e loaded 'is musket to fire agen,
Said the Sergeant, "Don't waste shot!
Yer'd best fix bayonets and charge, my lad,
It's the only chance yer've got.

Sam kept loading 'is gun while the Sergeant spoke,
Till the bullets peeped out of the muzzle,
When all of a sudden it went off bang!
What made it go were a puzzle.

The bullets flew out in a kind of a spray,
And everything round got peppered,
When they counted 'is score... 'e'd got eight bulls eyes,
Four magpies, two lambs and a shepherd.

And the Sergeant for this got a D.C.M.
And the Colonel an O.B.E.
Lieutenant Bird got the D.S.O.
And Sam got... five days C.B.
Title: Re: Scottish Poetry
Post by: MACTAVISH on September 03, 2008, 10:56:24 PM
ACRONYMS=
DCM-DISTINGUISHED CONDUCT MEDAL
OBE-ORDER OF THE BRITISH EMPIRE
DSO-DISTINGUSHED SERVICE ORDER
CB-CONFINED TO BARRACKS!

I DO HAVE SEVERAL MEDALS; BUT THE ONLY ONE I CAN RELATE TO OF THE ABOVE IS THE LAST ONE!
Title: Re: Scottish Poetry
Post by: Stirling Thompson on September 04, 2008, 05:41:29 AM
Something a bit more contemporary from the Scottish Poetry Library website. This poem is all about the lesser watercourses of the Upper Tweed.

Stream Rhythm by Valerie Gillies from 'Tweed Journey' (Canongate, 1989)

The Powskein, the knife-slash,
then Cor Water, the long marsh,
Badlieu, all mossy-grey,
a wet spot through the day,
Smid Hope, the blacksmith’s yards,
Glencraigie, rock-hard,
Fingland, with white gravel,
shining on bright pebbles,
and Hawkshaw, if it could talk,
the haunt of the hunting hawk.
Fruid water, the running one,
swift flow in shallow current,
Glenbreck, in speckled folds,
Glenwhappen, the whaup calls.
Menzion, at the standing stones,
Talla, the waterfall foams
Gameshope, a winter month,
back of the wind, a shivery one,
Glencotho where the cuckoo’s heard,
Glenrusco whose skin is fair,
bark from wood, the stripping-bare,
Kirk Burn of the grouse hen,
the hare’s stone at Hearthstane,
Glenheurie has the yew wood.
The wolfhunt land is a Polmood
where Kings came to hold assize,
every kind of fruit tree thrives.
Kingledores, the champion’s gateway,
Holms’ meadows, islands of greenery.
Hopecarton, old fort in the midden,
Drumelzier, Medlar’s dun is hidden.
The Scrape burn, the gash in the hill,
a rough scart, see it you will,
the little Louran, a chatterbox burn,
the loud voice, the shouting one.
Manor’s stony settlements rise,
Posso the pleasance, earthly paradise,
Hundleshope and Waddenhope,
a man’s name in hollow court.

Time passing, blooms in places,
people there tell differences
on the ground by a tributary,
name a feature, give stability.
It’s for a man who’s not yet born,
it’s a place for a future dawn.

Title: Re: Scottish Poetry
Post by: Stirling Thompson on September 05, 2008, 07:46:19 AM
Summer's nearly gone... then the Autumn with final burst of color... and then...

Scotland's Winter by Edwin Muir

Now the ice lays its smooth claws on the sill,
The sun looks from the hill
Helmed in his winter casket,
And sweeps his arctic sword across the sky.
The water at the mill
Sounds more hoarse and dull.
The miller's daughter walking by
With frozen fingers soldered to her basket
Seems to be knocking
Upon a hundred leagues of floor
With her light heels, and mocking
Percy and Douglas dead,
And Bruce on his burial bed,
Where he lies white as may
With wars and leprosy,
And all the kings before
This land was kingless,
And all the singers before
This land was songless,
This land that with its dead and living waits the Judgement Day.
But they, the powerless dead,
Listening can hear no more
Than a hard tapping on the floor
A little overhead
Of common heels that do not know
Whence they come or where they go
And are content
With their poor frozen life and shallow banishment.
Title: Re: Scottish Poetry
Post by: Stirling Thompson on September 08, 2008, 07:16:03 AM
Lochinvar by Sir Walter Scott

O young Lochinvar is come out of the west,
Through all the wide Border his steed was the best;
And save his good broadsword he weapons had none,
He rode all unarm'd, and he rode all alone.
So faithful in love, and so dauntless in war,
There never was knight like the young Lochinvar.
He staid not for brake, and he stopp'd not for stone,
He swam the Eske river where ford there was none;
But ere he alighted at Netherby gate,
The bride had consented, the gallant came late:
For a laggard in love, and a dastard in war,
Was to wed the fair Ellen of brave Lochinvar.

So boldly he enter'd the Netherby Hall,
Among bride's-men, and kinsmen, and brothers and all:
Then spoke the bride's father, his hand on his sword,
(For the poor craven bridegroom said never a word,)
"O come ye in peace here, or come ye in war,
Or to dance at our bridal, young Lord Lochinvar?"

"I long woo'd your daughter, my suit you denied; --
Love swells like the Solway, but ebbs like its tide --
And now I am come, with this lost love of mine,
To lead but one measure, drink one cup of wine.
There are maidens in Scotland more lovely by far,
That would gladly be bride to the young Lochinvar."

The bride kiss'd the goblet: the knight took it up,
He quaff'd off the wine, and he threw down the cup.
She look'd down to blush, and she look'd up to sigh,
With a smile on her lips and a tear in her eye.
He took her soft hand, ere her mother could bar, --
"Now tread we a measure!" said young Lochinvar.

So stately his form, and so lovely her face,
That never a hall such a gailiard did grace;
While her mother did fret, and her father did fume
And the bridegroom stood dangling his bonnet and plume;
And the bride-maidens whisper'd, "'twere better by far
To have match'd our fair cousin with young Lochinvar."

One touch to her hand, and one word in her ear,
When they reach'd the hall-door, and the charger stood near;
So light to the croupe the fair lady he swung,
So light to the saddle before her he sprung!
"She is won! we are gone, over bank, bush, and scaur;
They'll have fleet steeds that follow," quoth young Lochinvar.

There was mounting 'mong Graemes of the Netherby clan;
Forsters, Fenwicks, and Musgraves, they rode and they ran:
There was racing and chasing on Cannobie Lee,
But the lost bride of Netherby ne'er did they see.
So daring in love, and so dauntless in war,
Have ye e'er heard of gallant like young Lochinvar?
Title: Re: Scottish Poetry
Post by: Stirling Thompson on September 09, 2008, 07:17:46 AM
From the Scottish Poetry website...

The Bridge at Breich

Big, black stain,
Incongruous,
Insidious,
in once buff stone,
symbol of an age;
stark ingrained reminder
of a time long gone,
when iron horse
with belching breath
galloped along
the iron road
beneath the arch.
Back and forth
it daily strode
with wagons’-worth
of deep-earth lode,
to feed the fire
that made the smoke
that stained the stone
that built the bridge
that carries cows
across the road
whereon once strode
the iron horse,
with the belching breath
and the sparks that flew,
the clouds of steam,
the clank of wheels,
the squeal of brakes,
the last big gasp
at the end of the day
as the daylight died
like the men who toiled
to mine the coal
that fed the boiler
on the train
that caused the stain
on the bridge at Breich.

 

Copyright © Donnie MacNeill 2008

Title: Re: Scottish Poetry
Post by: Barbara on September 09, 2008, 08:14:05 PM
Love the poetry here everyone, thanks.

Barbara
Title: Re: Scottish Poetry
Post by: Stirling Thompson on September 10, 2008, 09:26:04 AM
Hills of Heather by Raymond A. Foss

A long way from home,
My own home,
Back in the Highlands,
Once walked by my kin
Before they came to this place.
Returning, heading out
From the cities,
Out into the Highlands
Hills, shades of rust,
Of plumb, of heather
In full flower. Heather, that
Set Burns’ pen to writing,
Like the thistle, a part of me,
Echoing in my sight,
My history
Title: Re: Scottish Poetry
Post by: Stirling Thompson on September 11, 2008, 08:35:46 AM
Today is the birthday of the Scottish poet James Thomson!

Thomson, James, 1700–1748, Scottish poet. Educated at Edinburgh, he went to London, took a post as tutor, and became acquainted with such literary celebrities as Gay, Arbuthnot, and Pope. His most famous poem, The Seasons, was published in four parts, beginning with “Winter” (1726), which achieved an immediate success. “Summer” (1727) was followed by “Spring” (1728) and then “Autumn” in the first collected edition (1730); a revised edition appeared in 1744. In The Seasons, Thomson's faithful, sensitive descriptions of external nature were a direct challenge to the urban and artificial school of Pope and influenced the forerunners of romanticism, such as Gray and Cowper. His other important poems are Liberty (1735–36), a tribute to Britain, and The Castle of Indolence (1748), written in imitation of Spenser and reflecting the poet's delight in idleness. Thomson also wrote a series of tragedies along classical lines, with a strong political flavor. The most notable were Sophonisba (1730); Edward and Eleanora (1739), which was banned for political reasons; and Tancred and Sigismunda (1745). In 1740 he collaborated with his friend David Mallet on a masque, Alfred, which contains his famous ode “Rule Britannia.”

Rule Britannia by James Thomson

When Britain first, at Heaven's command,
Arose from out the azure main;
This was the charter of the land,
And guardian angels sung this strain:
"Rule, Britannia, rule the waves;
Britons never will be slaves."

The nations, not so blest as thee,
Must, in their turns, to tyrants fall:
While thou shalt flourish great and free,
The dread and envy of them all.
"Rule, Britannia, rule the waves;
Britons never will be slaves."

Still more majestic shalt thou rise,
More dreadful, from each foreign stroke:
As the loud blast that tears the skies,
Serves but to root thy native oak.
"Rule, Britannia, rule the waves;
Britons never will be slaves."

Thee haughty tyrants ne'er shall tame:
All their attempts to bend thee down,
Will but arouse thy generous flame;
But work their woe, and thy renown.
"Rule, Britannia, rule the waves;
Britons never will be slaves."

To thee belongs the rural reign;
Thy cities shall with commerce shine:
All thine shall be the subject main,
And every shore it circles thine.
"Rule, Britannia, rule the waves;
Britons never will be slaves."

The Muses, still with freedom found,
Shall to thy happy coast repair:
Blest isle! with matchless beauty crown'd,
And manly hearts to guard the fair.
"Rule, Britannia, rule the waves;
Britons never will be slaves."


Title: Re: Scottish Poetry
Post by: Ernest Thompson on September 15, 2008, 04:55:49 PM
43 years after the death of James Thomson a monument was erected in his honour at Ednam, Roxburghshire(just north of Kelso) and Robert Burns was called upon to give the address:

While virgin Spring by Eden's flood,
Unfolds her tender mantle green,
Or pranks the sod in frolic mood,
Or tunes Eolian strains between.

While Summer, with a matron grace,
Retreats to Dryburgh's cooling shade,
Yet oft, delighted, stops to trace
The progress of the spiky blade.

While Autumn, benefactor kind,
By Tweed ercts his aged head,
And sees, with self-approving mind,
Each creature on his bounty fed.

While maniac Winter rages o'er
The hills whence classic Yarrow flows,
Rousing the turbid torrent's roar,
Or sweeping, wild, a waste of snows.

So long, sweet Poet of the year!
Shall bloom that wreath thou well hast won;

While Scotia, with exulting tear,
Proclaims that Thomson was her son.

Robert Burns 1791
Title: Re: Scottish Poetry
Post by: Mary on September 15, 2008, 07:03:40 PM
Wow.......somehow, I've missed reading that one, I think.

It's surprising how many memorials of various kinds there are to Thom(p)sons all around the world.

Title: Re: Scottish Poetry
Post by: Ernest Thompson on September 16, 2008, 12:17:05 AM
I forgot to mention the inscription on his monument, it reads;

"Erected in Memory of James Thomson, Author of the Seasons,
Born at Ednam 11 Sep 1700".
His most famous piece being "Land of Hope and Glory".
Title: Re: Scottish Poetry
Post by: Stirling Thompson on September 17, 2008, 06:30:29 AM
From a younger Scottish poet...

The Clydeside Highlander
   
 
 My folks are from here;
I have travelled South as
They once travelled North
To find...something.

My ma never got used to Highland ways,
Her thinly veiled scorn poured through me,
Indentity becoming a giant blotch,
As I dreamed of the big city
In all its delirious splendour.

Now I am here I know
That I am a Highlander,
And I lament my earlier lack
Of pride in this fact.

This city is beautiful,
Its vibrancy shudders through my bones,
To be in Glasgow is to feel
The constant breath of life and change
Laughing through your hair.

It is different.
The tongue, the sights,
The men, the women -
These ways are not my ways.

Hollywood never gets it right.
We are a tiny country, yes.
But myriad cultures lie
And stand and narrate
Within our border.
I love them all.

But home is always best loved
From a distance.
Glasgow was fashioned by
A people full of warmth
And a drive to make the most.
The Highlands were fashioned
By the hands of God.

Anna Russell

More of her work can be found here: http://www.poemhunter.com/anna-russell/poems/
 
 
Title: Re: Scottish Poetry
Post by: Stirling Thompson on September 18, 2008, 07:25:03 AM
The poem is named after a deserted township located on the south-eastern corner of the Hebridean island of Raasay, the poet's birthplace. It is a reflection on the nature of time and the historical impact of the Highland Clearances, leaving an empty landscape populated only by the ghosts of the evicted and those forced to emigrate.



Hallaig by Sorley MacLean, translated by Seamus Heaney

Time, the deer, is in Hallaig Wood

There's a board nailed across the window
I looked through to see the west
And my love is a birch forever
By Hallaig Stream, at her tryst

Between Inver and Milk Hollow,
somewhere around Baile-chuirn,
A flickering birch, a hazel,
A trim, straight sapling rowan.

In Screapadal, where my people
Hail from, the seed and breed
Of Hector Mor and Norman
By the banks of the stream are a wood.

To-night the pine-cocks crowing
On Cnoc an Ra, there above,
And the trees standing tall in moonlight -
They are not the wood I love.

I will wait for the birches to move,
The wood to come up past the cairn
Until it has veiled the mountain
Down from Beinn na Lice in shade.

If it doesn't, I'll go to Hallaig,
To the sabbath of the dead,
Down to where each departed
Generation has gathered.

Hallaig is where they survive,
All the MacLeans and MacLeads
Who were there in the time of Mac Gille Chaluim:
The dead have been seen alive,

The men at their length on the grass
At the gable of every house,
The girls a wood of birch trees
Standing tall, with their heads bowed.

Between The Leac and Fearns
The road is plush with moss
And the girls in a noiseless procession
Going to Clachan as always

And coming boack from Clachan
And Suisnish, their land of the living,
Still lightsome and unheartbroken,
Their stories only beginning.

From Fearns Burn to the raised beach
Showing clear in the shrouded hills
There are only girls congregating,
Endlessly walking along

Back through the gloaming to Hallaig
Through the vivid speechless air,
Pouring down the steep slopes,
Their laughter misting my ear

And their beauty a glaze on my heart.
Then as the kyles go dim
And the sun sets behind Dun Cana
Love's loaded gun will take aim.

It will bring down the lightheaded deer
As he sniffs the grass round the wallsteads
And his eye will freeze: while I live,
His blood won't be traced in the woods.
Title: Re: Scottish Poetry
Post by: Stirling Thompson on September 19, 2008, 11:54:43 AM
To A Highland Girl
William Wordsworth

(At Inversneyde, upon Loch Lomond)

  Sweet Highland Girl, a very shower
Of beauty is thy earthly dower!
Twice seven consenting years have shed
Their utmost bounty on thy head:
And these grey rocks; that household lawn;
Those trees, a veil just half withdrawn;
This fall of water that doth make
A murmur near the silent lake;
This little bay; a quiet road
That holds in shelter thy Abode—
In truth together do ye seem
Like something fashioned in a dream;
Such Forms as from their covert peep
When earthly cares are laid asleep!
But, O fair Creature! in the light
Of common day, so heavenly bright,
I bless Thee, Vision as thou art,
I bless thee with a human heart;
God shield thee to thy latest years!
Thee, neither know I, nor thy peers;
And yet my eyes are filled with tears.

      With earnest feeling I shall pray
For thee when I am far away:
For never saw I mien, or face,
In which more plainly I could trace
Benignity and home-bred sense
Ripening in perfect innocence.
Here scattered, like a random seed,
Remote from men, Thou dost not need
The embarrassed look of shy distress,
And maidenly shamefacedness:
Thou wear’st upon thy forehead clear
The freedom of a Mountaineer:
A face with gladness overspread!
Soft smiles, by human kindness bred!
And seemliness complete, that sways
Thy courtesies, about thee plays;
With no restraint, but such as springs
From quick and eager visitings
Of thoughts that lie beyond the reach
Of thy few words of English speech:
A bondage sweetly brooked, a strife
That gives thy gestures grace and life!
So have I, not unmoved in mind,
Seen birds of tempest-loving kind—
Thus beating up against the wind.

      What hand but would a garland cull
For thee who art so beautiful?
O happy pleasure! here to dwell
Beside thee in some heathy dell;
Adopt your homely ways, and dress,
A Shepherd, thou a Shepherdess!
But I could frame a wish for thee
More like a grave reality:
Thou art to me but as a wave
Of the wild sea; and I would have
Some claim upon thee, if I could,
Though but of common neighbourhood.
What joy to hear thee, and to see!
Thy elder Brother I would be,
Thy Father—anything to thee!

      Now thanks to Heaven! that of its grace
Hath led me to this lonely place.
Joy have I had; and going hence
I bear away my recompense.
In spots like these it is we prize
Our Memory, feel that she hath eyes:
Then, why should I be loth to stir?
I feel this place was made for her;
To give new pleasure like the past,
Continued long as life shall last.
Nor am I loth, though pleased at heart,
Sweet Highland Girl! from thee to part;
For I, methinks, till I grow old,
As fair before me shall behold,
As I do now, the cabin small,
The lake, the bay, the waterfall;
And thee, the spirit of them all!
Title: Re: Scottish Poetry
Post by: Stirling Thompson on September 19, 2008, 12:05:20 PM
I can't even look at this poem without wiping away tears. Since I was looking at Wordsworth I thought I'd post this one as well. Not Scottish... but it could be.

We Are Seven
William Wordsworth

       —A simple Child,
That lightly draws its breath,
And feels its life in every limb,
What should it know of death?

I met a little cottage Girl:
She was eight years old, she said;
Her hair was thick with many a curl
That clustered round her head.

She had a rustic, woodland air,
And she was wildly clad:
Her eyes were fair, and very fair;
—Her beauty made me glad.

“Sisters and brothers, little Maid,
How many may you be?”

“How many? Seven in all,” she said,
And wondering looked at me.

“And where are they? I pray you tell.”
She answered, “Seven are we;
And two of us at Conway dwell,
And two are gone to sea.

“Two of us in the church-yard lie,
My sister and my brother;
And, in the church-yard cottage, I
Dwell near them with my mother.”

“You say that two at Conway dwell,
And two are gone to sea,
Yet ye are seven!—I pray you tell,
Sweet Maid, how this may be.”

Then did the little Maid reply,
“Seven boys and girls are we;
Two of us in the church-yard lie,
Beneath the church-yard tree.”

“You run about, my little Maid,
Your limbs they are alive;
If two are in the church-yard laid,
Then ye are only five.”

“Their graves are green, they may be seen,”
The little Maid replied,
“Twelve steps or more from my mother’s door,
And they are side by side.

“My stockings there I often knit,
My kerchief there I hem;
And there upon the ground I sit,
And sing a song to them.

“And often after sunset, Sir,
When it is light and fair,
I take my little porringer,
And eat my supper there.

“The first that died was sister Jane;
In bed she moaning lay,
Till God released her of her pain;
And then she went away.

“So in the church-yard she was laid;
And, when the grass was dry,
Together round her grave we played,
My brother John and I.

“And when the ground was white with snow,
And I could run and slide,
My brother John was forced to go,
And he lies by her side.”

“How many are you, then,” said I,
“If they two are in heaven?”
Quick was the little Maid’s reply,
“O Master! we are seven.”

“But they are dead; those two are dead!
Their spirits are in heaven!”
’Twas throwing words away; for still
The little Maid would have her will,
And said, “Nay, we are seven!”
Title: Re: Scottish Poetry
Post by: Ernest Thompson on September 19, 2008, 04:52:25 PM
Encore
Title: Re: Scottish Poetry
Post by: Michael Thompson on September 20, 2008, 02:30:54 PM
translated by Seamus Heaney

Thanks for that Stu. Interesting to see the name of Seamus Heaney here, he is Poet Laureate of Ireland and has written some amazing stuff in his own right.

Since yours was in regard to Hallaig on an island; here's one of his regarding islands:

Quote
Lovers on Aran by Seamus Heaney

The timeless waves, bright, sifting, broken glass,
Came dazzling around, into the rocks,
Came glinting, sifting from the Americas

To posess Aran. Or did Aran rush
to throw wide arms of rock around a tide
That yielded with an ebb, with a soft crash?

Did sea define the land or land the sea?
Each drew new meaning from the waves' collision.
Sea broke on land to full identity.

Michael
Title: Re: Scottish Poetry
Post by: Stirling Thompson on September 24, 2008, 11:02:37 AM
Found this one in South Africa!

 
Where Goes my Heart?
If my body lays mouldering 'neath the Hot African soil
Where goes my heart?

 
It soars, with eagles, among snow topped Highland mountains

Among the green Angus Glens it meanders loath to part

High on the Struie it delights in Northern Lights cascading fountains

Along the swift flowing Spey it tumbles joyously through Moray parts

Then to Culloden, Bannockburn, Flodden and Falkirk fields shedding a tear

Remembering our past, Wallace and the Bruce and a Bonnie Prince frae a far

Perchance conversing with Burns, Sir Walter, Andrew Selkirk and Tranter too

It laments with the haunting sound of Great Pipes that rise with the curlew

And humbly looks at the Flowers of the Forest - those Flowers o' Scotland

While I lay slumbering silently in solitude 'neath a different, different land

Must I. with these few words, you convince, for are you not Scottish too?

 

That is where a Scot's heart should be - under Saint Andrew's sky.
 
Terry Isaac
Mombasa, Kenya
20 June 2005
Title: Re: Scottish Poetry
Post by: Stirling Thompson on September 25, 2008, 11:24:38 AM
From the Border Reivers website.

To the Scots the Battle of Flodden was more than a defeat, it was a national disaster.  So many fathers, sons, brothers, men and boys, never returned to the families.  Grief was widespread throughout the country and no class was  spared. The cream of the nobility was almost wiped out, including the King.

The poem Flowers of the Forest is generally regarded as the Scots lament for Flodden.  It was written in the mid 18th century by Miss Jane Elliott daughter of Sir Gilbert Elliott of Minto.

 
 
                                 
                                        Flowers of the Forest

I’ve heard the liltin' at our ewe-milkin',
Lasses a-liltin’ before dawn o' day;
Now there’s a moanin’ on ilka green loanin’.                     milking park
The flowers of the forest are a’ wede away.                   withered

As buchts in the mornin’, nae blithe lads are scornin’         sheep- pen
Lasses are lanely, and dowie and wae.                            sad
Nae daffin’, nae gabbin’, but sighin’ and sabbin’,               dallying
Ilk ane lifts her leglin, and hies her away.                        stool

In har’st at the shearin’ nae youths now are jeerin’           harvest
The bandsters are runkled, and lyart, or grey.        binder of sheaves   grizzled
At fair or at preachin’, nae wooin’, nae fleechin’,              flatter
The flowers of the forest are a’ wede away.

At e’en in the gloamin’, nae swankies are roamin’,             gallants
‘Bout stacks, with the lasses at bogle to play.                 hide and  seek
But ilk ane sits dreary, lamentin; her dearie,
The flowers of the forest are a’ wede away

Dool and wae the order sent our lads to the Border,           grief
The English for ance by guile wan the day.
The flowers of the forest, that foucht aye the foremost,
The prime of our land now lie cauld in the clay

We’ll hae nae mair liltin’, at the ewe-milkin’,
Women and bairns are dowie and wae.
Sighin’ and moanin'on  ilka green loanin’,
The flowers of the forest are a' wede away.

 
Title: Re: Scottish Poetry
Post by: Stirling Thompson on October 03, 2008, 11:03:23 AM
Cuddle Doon

by Alexander Anderson

The bairnies cuddle doon at nicht
Wi muckle faught and din.
"Oh try an' sleep, ye waukrife rogues,
Your faither's comin' in."
They niver heed a word I speak,
I try tae gie a froon,
But aye I hap' them up an' cry
"Oh, bairnies, cuddle doon!"

Wee Jamie wi' the curly heid,
He aye sleeps next the wa'
Bangs up and cries, "I want a piece!"
The rascal starts them a'.
I rin and fetch them pieces, drinks,
They stop a wee the soun',
Then draw the blankets up an' cry,
"Noo, weanies, cuddle doon."

But ere five minutes gang, wee Rab
Cries oot frae neath the claes,
"Mither, mak' Tam gie ower at aince,
He's kittlin' wi' his taes."
The mischief in that Tam for tricks,
He'd bother half the toon,
But aye I hap them up an' cry,
"Oh, bairnies, cuddle doon!"

At length they hear their faither's fit
An' as he steeks the door,
They turn their faces tae the wa'
An Tam pretends tae snore.
"Hae a' the weans been gude?" he asks,
As he pits aff his shoon.
"The bairnies, John, are in their beds
An' lang since cuddled doon!"

An' just afore we bed oorsel's
We look at oor wee lambs,
Tam has his airm roun' wee Rab's neck
An Rab his airm roun' Tam's.
I lift wee Jamie up the bed
An' as I straik each croon,
I whisper till my heart fills up:
"Oh, bairnies, cuddle doon!"

The bairnies cuddle doon at nicht
Wi' mirth that's dear tae me.
But soon the big warl's cark an' care
Will quaten doon their glee.
Yet come what will to ilka ane,
May He who rules aboon,
Aye whisper, though their pows be bald:
"Oh, bairnies, cuddle doon!"


Any know what the highlighted terms mean? I'm easily confused.
Title: Re: Scottish Poetry
Post by: Michael Thompson on October 05, 2008, 07:49:25 PM
Waukrife is wakeful. See The Waukrife Minnie by Robert Burns.
http://www.worldburnsclub.com/poems/translations/a_waukrife_minnie.htm (http://www.worldburnsclub.com/poems/translations/a_waukrife_minnie.htm)

Kittlin' is tickling. I imagined so from the context, and confirmed it at
http://www.britannia.org/scotland/scotsdictionary/k.shtml (http://www.britannia.org/scotland/scotsdictionary/k.shtml)

Cark is worry or trouble, also as one might imagine from the context. The phrase "cark and care" even appears in the Arabian Nights and other places.
http://dictionary.reference.com/browse/cark (http://dictionary.reference.com/browse/cark)
Title: Re: Scottish Poetry
Post by: Ernest Thompson on October 05, 2008, 10:41:32 PM
Michael,
I hope you still have that dictionary open.
We have a term commonly used here in Oz when someone dies in that we say "they carked it".
Anybody know it's origin.

Aye
Ern
Title: Re: Scottish Poetry
Post by: MACTAVISH on October 06, 2008, 03:37:58 AM
G'DAY ERNIE..............TO CARK IT HER IN THE MOTHERLAND....WE MAKE IT WATERFPROOF; WONDER IF IT COMES FROM CARCUSS?/
Title: Re: Scottish Poetry
Post by: Michael Thompson on October 06, 2008, 12:06:06 PM
We have a term commonly used here in Oz when someone dies in that we say "they carked it".
Anybody know it's origin.

Most commentators either don't talk about origins, or speculate that it's related to carcass, but I think the latter is only based on the sound of the word.

I did find one fellow who put them together:

Quote
“cark it”  verb, Aussie slang: to die

From Middle English carken; Old French carkier; Late Latin carcare > carricare, to load

So it seems to stem from a word meaning load or care, burden, etc. Maybe the Aussies take it to mean dumping a burden or dropping the load of life.
Title: Re: Scottish Poetry
Post by: Stirling Thompson on October 08, 2008, 03:06:12 PM
Loch Lomond
There are many interpretations of this song, the most common is that two of Bonnie Prince Charlie's men were captured and left behind in Carlisle after the failed rising of 1745. One of the young soldiers was to be executed, the other released. The Spirit of the dead soldier travelling by the 'low road' would reach Scotland before his comrade, who would be struggling along the actual road over high, rugged country

By yon bonnie banks
And by yon bonnie braes,
Where the sun shines bright
On Loch Lomond
Oh we twa ha'e pass'd
sae mony blithesome days,
On the bonnie, bonnie banks
O' Loch Lomond.

Oh ye'll tak' the high road
and I'll tak' the low road,
An' I'll be in Scotland before ye',
But wae is my heart until we meet again
On the Bonnie, bonnie banks
O' Loch Lomond.

I mind where we parted
In yon shady glen
On the steep, steep side
O' Ben Lomon'
Where in purple hue
The highland hills we view
And the morn shines out
Frae the gloamin'

Oh ye'll tak' the high road
and I'll tak' the low road,
An' I'll be in gloaming before ye',
But wae is my heart until we meet again
On the Bonnie, bonnie banks
O' Loch Lomond.

The wee bird may sing
An' the wild flowers spring;
An' in sunshine the waters are sleepin'
But the broken heart
It sees nae second spring,
And the world does na ken
How we're greetin'

Oh ye'll tak' the high road
and I'll tak' the low road,
An' I'll be in greeting before ye',
But wae is my heart until we meet again
On the Bonnie, bonnie banks
O' Loch Lomond.

Title: Re: Scottish Poetry
Post by: Michael Thompson on October 08, 2008, 07:47:29 PM
Here's the version of the story I learned:

Quote
The Jacobite Rebellion Rising came to an end with the Jacobites' disastrous loss at the Battle of Culloden, April 16, 1746. After the battle, many of the captured Scottish soldiers were taken by the English to Carlisle, where they were imprisoned at Carlisle Castle. The English treated the Scotsmen rather capriciously, selecting some -- apparently at random -- to be hanged. Others, also seemingly chosen at random, were simply released, and told to walk home, over the roads, to Scotland.

One of the captured Scottish soldiers was Donald MacDonald. He felt sure that he would be one of those hanged by the English, and he wrote this song. One can suppose it was meant as a memorial, a message of hope for his fellow Scotsmen, and a last love letter to his beloved Moira, who lived back in the Scottish highlands, near Loch Lomond.

The song is originally written to be sung not by Donald, but by Moira. It tells of the journey of Donald's spirit after his death. He returns to Scotland not by the high road -- the ordinary road over which his countrymen are walking home -- but by the low road of death, a much faster and surer route. Donald's spirit visits Moira and makes love to her one last time. But she can tell that he is gone, and that she will not see him again, in this life.

And then there is this older, possibly original version of the lyrics, as it would be sung by Moira:

Quote
O whither away my bonnie month of May
Sae late and sae dark in the gloamin?
The mist gathers gray oer moorland and brae.
O whither sae far are ye roamin? CHORUS

I trusted my ain love last night in the broom,
My Donald wha loves me sae dearly.
For the morrow he will march for Edinburgh toon,
Tae fecht for his King and Prince Charlie. CHORUS

O, weel may I weep for yestreen in my sleep.
We lay bride and bridegroom together.
But his touch and his breath were cold as the death,
And his hairtsblood ran red in the heather. CHORUS

As dauntless in battle as tender in love,
Hed yield neer a foot tae the foeman.
But never again frae the fields o the slain
Tae his Moira will he come by Loch Lomond. CHORUS

The thistle may bloom, the king hae his ain,
And fond lovers will meet in the gloamin.
And me and my true love will yet meet again
Far above the bonnie banks o Loch Lomond. CHORUS

Of course it's been reinvented and reinterpreted over the years, so it's hard to say what the original version actually was.

Michael

Title: Re: Scottish Poetry
Post by: MACTAVISH on October 09, 2008, 10:06:17 AM
NEVER  EVER  EVER EVER USE THE TERM JACOBITE REBELLION HERE IN SCOTLAND. IT GIVES GREAT OFFENCE. THE TERM IS THAT COINED BY THE ENGLISH.IF YOURE TALKING TO A SCOT AND USE THAT TERM YOU'LL SEE HIS EXPRESSION CHANGE AND HIS ATTITUDE WILL BECOME BRUSQUE. ENSURE THAT; AS JACOBITE DESCENDANTS, YOU USE THE CORRECT TERM=
JACOBITE RISING

Title: Re: Scottish Poetry
Post by: Michael Thompson on October 09, 2008, 08:59:27 PM
Thanks for the tip, MacT, I wasn't aware of the difference. I'm familiar with Irish history more than Scottish. In Ireland, we have the 1798 Rebellion and the 1916 Rising and nobody makes much difference between the two. So I was unaware that the Scots make a distinction. I'll be more careful in the future.

Cheers,

Michael
Title: Re: Scottish Poetry
Post by: Stirling Thompson on October 22, 2008, 08:18:15 AM
The Poet King!

James I (1394 - February 21, 1437) reigned as king of Scotland from 1406 until 1437. However, from 1406 to 1424 he was king in name only.

He was born on the July 25 or December ??, 1394, the son of Robert III. He had an eventful childhood. In 1402 his elder brother, David, was starved to death in prison at Falkland in Fife. Before the death of his father in 1406 James was sent to France for safety.

On the way there, he was captured by the English and handed over to Henry IV of England who imprisoned him and demanded a ransom. Robert III was said to have died from grief over the capture of James. His uncle, Robert, Duke of Albany, who became Regent on the death of Robert III, was in no hurry to pay for his release. Robert secured the release of his son Murdoch, who was captured at the same time, but not so with James. So for the next 18 years, James languished imprisoned in the Tower of London.

After the death of his uncle in 1420, the ransom of £40,000 was finally paid, and in 1424 James returned to Scotland to find a country in chaos. He took his bride with him - he had met and fallen in love with Joan Beaufort whilst imprisoned. He married her in London in February, 1424. They would have eight children, including the future James II of Scotland, and Margaret, wife of Louis XI of France.

James was formally crowned King of Scotland at Scone Abbey, Perthshire on May 2 or 21, 1424. He immediately took strong actions to regain authority and control. One such action was to execute the Albany family, who had opposed his actions. The execution of Murdoch, Duke of Albany and two of Murdoch's sons took place on 24th of May, 1425 at Castle Hill, Stirling.

He proceeded to rule Scotland with a firm hand, and achieved numerous financial and legal reforms. For instance, for the purpose of trade with other nations, foreign exchange could only be exchanged within Scottish borders. He also tried to remodel the Scottish Parliament along English lines. However, in foreign policy, he renewed the Auld Alliance, a Scottish-French (and therefore anti-English) alliance, in 1428.

His actions throughout his reign, though effective, upset many people. During the later years of his reign, they helped to lead to his claim to the throne coming under question.

James I's grandfather, Robert II, had married twice and the awkward circumstances of the first marriage, from which James was descended, led to it being disputed. Conflict broke out between the descendants of the first marriage and the unquestionably legitimate descendants of the second marriage over who should be on the Scottish throne. Matters came to a head in February, 1437, when James was assassinated by a group of Scots led by Sir Robert Graham while staying at the Friars Preachers Monastery in Perth.

A wave of executions followed in March, 1437 of those who were part of the plot. Amongst those executed by hanging, drawing and quartering were James' uncle, Walter, Earl of Atholl, and his grandson, Robert, Master of Atholl (both of whom were descended from Robert II's second marriage). ..


The Argument
   
 
  GOD gives not Kings the style of Gods in vain,
For on his Throne his Scepter do they sway:
And as their subjects ought them to obey,
So Kings should fear and serve their God again
If then ye would enioy a happy reign,
Observe the Statutes of your heavenly King,
And from his Law, make all your Laws to spring:
Since his Lieutenant here ye should remain,
Reward the just, be stedfast, true, and plain,
Repress the proud, maintaining aye the right,
Walk always so, as ever in his sight,
Who guards the godly, plaguing the profane:
And so ye shall in Princely virtues shine,
Resembling right your mighty King Divine

James I of Scotland

 
Perhaps he should taken his own advise!
Title: Re: Scottish Poetry
Post by: Stirling Thompson on October 23, 2008, 11:09:55 AM
The poet visited Robert Burns on a day he had fallen from his horse and broken his arm

On A Visit To Mr. Burns by Janet Little (1759 - 1813)


IS't true? or does some magic spell
My wond'ring eyes beguile ?
Is this the place where deigns to dwell
The honour of our isle?
The charming BURNS, the Muse's care,
Of all her sons the pride;
This pleasure oft I've sought to share,
But been as oft deni'd.
Oft have my thoughts, at midnight hour,
To him excursions made;
This bliss in dreams was premature,
And with my slumbers fled.
'Tis real now, no vision here
Bequeaths a poignant dart;
I'll view the poet ever dear,
Whose lays have charm'd my heart
Hark! now he comes, a dire alarm
Re-echoes through his hall!
Pegasus  kneel'd, his rider's arm
Was broken by a fall.
The doleful tidings to my ears
Were in harsh notes convey'd;
His lovely wife stood drown'd in tears,
While thus I pond'ring said:
"No cheering draught, with ills unmix'd,
Can mortals taste below;
All human fate by heav'n is fix'd,
Alternate joy and wo."
With beating breast I view'd the bard;
All trembling did him greet:
With sighs bewail'd his fate so hard,
Whose notes were ever sweet.
 
Title: Re: Scottish Poetry
Post by: Stirling Thompson on October 24, 2008, 09:52:18 AM
Perhaps this one is about a Thompson...

The Outlaw by Sir Walter Scott (1771 - 1832)

O, Brignall banks are wild and fair,   
 And Greta woods are green,   
And you may gather garlands there,   
 Would grace a summer queen:   
And as I rode by Dalton Hall,     
 Beneath the turrets high,   
A Maiden on the castle wall   
 Was singing merrily:—   
 
'O, Brignall banks are fresh and fair,   
 And Greta woods are green!   
I'd rather rove with Edmund there   
 Than reign our English Queen.'   
 
'If, Maiden, thou wouldst wend with me   
 To leave both tower and town,   
Thou first must guess what life lead we,   
 That dwell by dale and down:   
And if thou canst that riddle read,   
 As read full well you may,   
Then to the green-wood shalt thou speed   
 As blithe as Queen of May.'   
 
Yet sung she, 'Brignall banks are fair,   
 And Greta woods are green!   
I'd rather rove with Edmund there   
 Than reign our English Queen.   
 
'I read you by your bugle horn   
 And by your palfrey good,   
I read you for a Ranger sworn   
 To keep the King's green-wood.'   
'A Ranger, Lady, winds his horn,   
 And 'tis at peep of light;   
His blast is heard at merry morn,   
 And mine at dead of night.'   
 
Yet sung she, 'Brignall banks are fair,   
 And Greta woods are gay!   
I would I were with Edmund there,   
 To reign his Queen of May!   
 
'With burnish'd brand and musketoon   
 So gallantly you come,   
I read you for a bold Dragoon,   
 That lists the tuck of drum.'   
'I list no more the tuck of drum,   
 No more the trumpet hear;   
But when the beetle sounds his hum,   
 My comrades take the spear.   
 
'And O! though Brignall banks be fair,   
 And Greta woods be gay,   
Yet mickle must the maiden dare,   
 Would reign my Queen of May!   
 
'Maiden! a nameless life I lead,   
 A nameless death I'll die;   
The fiend whose lantern lights the mead   
 Were better mate than I!   
And when I'm with my comrades met   
 Beneath the green-wood bough,   
What once we were we all forget,   
 Nor think what we are now.'   
 
Chorus

Yet Brignall banks are fresh and fair,   
 And Greta woods are green,   
And you may gather flowers there   
 Would grace a summer queen.

 
Title: Re: Scottish Poetry
Post by: Barbara on October 25, 2008, 11:24:34 PM
Thank you Stu.   :D

Barbara
Title: Re: Scottish Poetry
Post by: Stirling Thompson on October 27, 2008, 09:37:42 AM
As Rememberance Day/Veterans Day approaches I will offer the following poem by Lieutenant Ewart Alan Mackintosh, M.C. 4th Seaforth Highlanders. Killed in action at the Battle of Cambrai, 21st November 1917, aged 24.


In Memoriam

So you were David's father,
And he was your only son,
And the new-cut peats are rotting
And the work is left undone,
Because of an old man weeping,
Just an old man in pain,
For David, his son David,
That will not come again. 

Oh, the letters he wrote you,
And I can see them still,
Not a word of the fighting
But just the sheep on the hill
And how you should get the crops in
Ere the year got stormier,
And the Bosches have got his body,
And I was his officer. 

You were only David's father,
But I had fifty sons
When we went up that evening
Under the arch of the guns,
And we came back at twilight
- O God! I heard them call
To me for help and pity
That could not help at all. 

Oh, never will I forget you,
My men that trusted me,
More my sons than your fathers'
For they could only see
The little helpless babies
And the young men in their pride.
They could not see you dying
And hold you while you died. 

Happy and young and gallant,
they saw their first born go,
But not the strong limbs broken
And the beautiful men brought low,
The piteous writhing bodies,
They screamed, "Don't leave me Sir,"
For they were only fathers
But I was your officer.

 
From accompaning notes on the website...
The young soldier who died was Pvt. David Sutherland who was wounded in the German trenches on May 16, 1916. Lieutenant Mackintosh carried the wounded soldier through 100 yards of enemy lines on the way back, with the Germans in pursuit, it was only when David died that his body was left behind. Though failing to save the young soldier Lt. Mackintosh was decorated for gallantry for the attempt. Mackintosh turned down the chance to return to Britain as an instructor in order to remain with his men. He was also awarded the Military Cross at the Somme.
Title: Re: Scottish Poetry
Post by: Stirling Thompson on October 31, 2008, 09:33:30 AM
Robert Tannahill 1774-1810
Born in Paisley. He was a cotton weaver. The weavers had a reputation for intellectual and artistic endeavour. Tannahill was shy and morbidly sensitive. In 1807 he had a volume of poems and songs published ('Poems and Songs') which met with great success. When the publisher Constable delayed publication of a collection of new songs, this affected him so much that he burned the MSS and drowned himself in a canal.



'Bonnie Wood O' Craigielea'
by Robert Tannahill

--------------------------------------------------------------------------------


   Thou bonnie wood o' Craigielea!
       Thou bonnie wood o' Craigielea!
   Near thee I pass'd life's early day,
       And won my Mary's heart in thee.

   The brume, the brier, the birken bush,
       Blume bonnie o'er thy flowery lee,
   An a the sweets that ane can wish
       Frae Nature's han, are strewed on thee.

   Far ben thy dark green plantin's shade,
       The cushat croodles am'rously,
   The mavis, doon thy bughted glade,
       Gars echo ring frae ev'ry tree.

   Awa, ye thochtless, murd'rin gang
       Wha tear the nestlins ere they flee!
   They'll sing you yet a cantie sang,
       Then, oh! in pity let them be!

   Whan Winter blaws, in sleety showers,
       Frae aff the Norlan hills sae hie,
   He lichtly skiffs thy bonnie bow'rs,
       As laith tae harm a flow'r in thee.

   Though fate should drag me south the line,
       Or o'er the wide Atlantic sea,
   The happy hours I'll ever mind
       That I, in youth, hae spent in thee.


birken=birch
ben=within
cushat=wood-pigeon
mavis=song-thrush
bughted=sheltered
gars=makes
cantie=tuneful
skiffs=touches lightly in passing
laith tae=loath to


Title: Re: Scottish Poetry
Post by: Duke Thompson on November 02, 2008, 04:44:16 PM
Thanks for the posts Stu, I stop by and read them and have until now not replied.  I was the one kid in class that wanted more than one week of poetry!  Thanks especially for In Memorium two posts down, with Veteran's Day approaching in the U.S. we should all try to make it to our local parade!!!
Title: Re: Scottish Poetry
Post by: Stirling Thompson on November 05, 2008, 01:02:30 PM
Another from Sir Walter Scott to stir the Reiver blood... (from the novel "The Monastery")


March, March, Ettrick and Teviotdale

I.
March, march, Ettrick and Teviotdale, 
 Why the deil dinna ye march forward in order! 
March, march, Eskdale and Liddesdale, 
 All the Blue Bonnets are bound for the Border. 
       Many a banner spread,
       Flutters above your head, 
 Many a crest that is famous in story. 
       Mount and make ready then, 
       Sons of the mountain glen, 
 Fight for the Queen and our old Scottish glory.         

II.
Come from the hills where your hirsels are grazing, 
 Come from the glen of the buck and the roe; 
Come to the crag where the beacon is blazing, 
 Come with the buckler, the lance, and the bow. 
       Trumpets are sounding,         
       War-steeds are bounding, 
 Stand to your arms, then, and march in good order; 
       England shall many a day 
       Tell of the bloody fray, 
When the Blue Bonnets came over the Border.
 
Title: Re: Scottish Poetry
Post by: Stirling Thompson on November 06, 2008, 07:58:22 AM
The Tay Bridge Disaster
by William Topaz McGonagall

At 7.15pm on 28th December 1879, The Tay Bridge was blown down while a passenger train heading north from Edinburgh and Fife was attempting to cross. There were no survivors. Only 46 bodies were ever recovered. However, the train was pulled from the River Tay and went on to continue in service until 1902.
The Tay Bridge Disaster is McGonagall's best known poem. He once asserted that "it was the only poem that made me famous universally". His tragic account of The Tay Bridge Disaster has become the definitive McGonagall poem and is often thought to mirror his own career.


--------------------------------------------------------------------------------

Beautiful Railway Bridge of the Silv'ry Tay!
Alas! I am very sorry to say,
That ninety lives have been taken away,
On the last Sabbath day of 1879,
Which will be remember'd for a very long time.

'Twas about seven o'clock at night,
And the wind it blew with all its might,
And the rain came pouring down,
And the dark clouds seem'd to frown,
And the Demon of the air seem'd to say-
"I'll blow down the Bridge of Tay."

When the train left Edinburgh,
The passengers' hearts were light, and felt no sorrow,
But Boreas blew a terrific gale,
Which made their hearts for to quail,
And many of the passengers with fear did say-
"I hope God will send us safe across the Bridge of Tay."

But when the train came near to Wormit Bay,
Boreas he did loud and angry bray,
And shook the central girders of the Bridge of Tay,
On the last Sabbath day of 1879,
Which will be remember'd for a very long time.

So the train sped on with all its might,
And Bonnie Dundee soon hove in sight,
And the passengers' hearts felt light,
Thinking they would enjoy themselves on the New Year,
With their friends at home they lov'd most dear,
And wish them all a happy New Year.

So the train mov'd slowly along the Bridge of Tay,
Until it was about midway,
Then the central girders with a crash gave way,
And down went the train and passengers into the Tay!
The Storm Fiend did loudly bray,
Because ninety lives had been taken away,
On the last Sabbath day of 1879,
Which will be remember'd for a very long time.

As soon as the catastrophe came to be known
The alarm from mouth to mouth was blown,
And the cry rang out all o'er the town,
Good Heavens! The Tay Bridge is blown down,
And a passenger train from Edinburgh,
Which fill'd all the peoples hearts with sorrow,
And made them for to turn pale,
Because none of the passengers were sav'd to tell the tale,
How the disaster happen'd on the last Sabbath day of 1879,
Which will be remember'd for a very long time.

It must have been an awful sight,
To witness in the dusky moonlight,
While the Storm Fiend did laugh, and angry did bray,
Along the Railway Bridge of the Silv'ry Tay,
Oh! ill-fated Bridge of the Silv'ry Tay,
I must now conclude my lay,
By telling the world fearlessly, without the least dismay,
That your central girders would not have given way,
At least many sensible men do say,
Had they been supported on each side with buttresses,
At least many sensible man confesses,
For the stronger we our houses do build,
The less chance we have of being killed.
Title: Re: Scottish Poetry
Post by: Stirling Thompson on November 07, 2008, 10:40:58 AM
Valerie Gillies
Valerie Gillies became the Edinburgh Makar, poet laureate to the city, in 2005. Her 'official' poems include The Balm Well in 2005, A Place Apart in 2006 and To Edinburgh, a poem composed for the opening by HRH Princess Anne of the new Edinburgh District Council building, Waverley Court, in 2007.

To Edinburgh

Stone above storms, you rear upon the ridge:
we live on your back, its crag-and-tail,

spires and tenements stacked on your spine,
the castle and the palace linked by one rope.

A spatchcocked town, the ribcage split open
like a skellie, a kipper, a guttit haddie.

We wander through your windy mazes,
all our voices are flags on the high street.

From the sky’s edge to the grey firth
we are the city, you are within us.

Each crooked close and wynd is a busy cut
on the crowded mile that takes us home

in eden Edinburgh, centred on the rock,
our city with your seven hills and heavens.

Title: Re: Scottish Poetry
Post by: Stirling Thompson on November 12, 2008, 07:05:25 AM
William Collins
Ode occasion'd by the Death of Mr. Thomson 1749

I.

IN yonder Grave a Druid lies
Where slowly winds the dealing Wave !
The Tears best Sweets shall duteous rise
To deck is's Poet's  sylvan Grave !

II.

In yon deep Bed of whisp'ring Reeds
His airy Harp* shall now be laid,
That He, whose Heart in Sorrow bleeds
May love thro' Life the soothing Shade.

*The Harp of AEolus, of which see a Description in the Castle of Indolence.

III.

Then Maids and Youths shall linger here,
And while it's Sounds at distance swell,
Shall sadly seem in Pity's Ear
To hear the Woodland Pilgrim's Knell.

IV.

Remembrance oft shall haunt the Shore
When Thames in Summer-wreaths is drest,
And oft suspend the dashing Oar
To bid his gentle Spirit rest!

V.

And oft as Ease and Health retire
To breezy Lawn, or Forest deep.
The Friend shall view yon whit'ning Spire*,
And 'mid the varied Landscape weep.

VI.

But Thou, who own'st that Earthy Bed,
Ah ! what will ev'ry Dirge avail ?
Or Tears, which Love and Pity shed
That mourn beneath the gliding Sail !

* Richmond-Church.

VII.

Yet lives there one, whose heedless Eye
Shall scorn thy pale Shrine glimm'ring near?
With Him, Sweet Bard, may Fancy die,
And Joy desert the blooming Year.

VIII.

But thou, lorn Stream, whose fuUen Tide
No sedge-crown'd Sisters now attend.
Now waft me from the green Hill's Side
Whose cold Turf hides the buried Friend !

IX.

And see, the Fairy Valleys fade.
Dun Night has veil'd the solemn View !
— Yet once again, Dear parted Shade
Meek Nature's Child again adieu !

X.

The genial Meads assign'd to bless
Thy Life, shall mourn thy early Doom,
Their Hinds, and Shepherd-Girls shall dress
With simple Hands thy rural Tomb.

XI.

Long, long, thy Stone and pointed Clay
Shall melt the musing Briton's Eyes,
O ! Vales, and Wild Woods, shall He say
In yonder Grave Your Druid lies !



FINIS.
Title: Re: Scottish Poetry
Post by: Mary on November 13, 2008, 09:39:57 AM
I really liked this one!

Don't know where you are finding these, but keep them coming!

Mary
Title: Re: Scottish Poetry
Post by: Stirling Thompson on November 13, 2008, 10:17:21 AM
Thanks everyone for the kind words I'll to keep them coming! Here's one from James Hogg known as the "Ettrick Shepherd" 1770 - 1835.

Caledonia


James Hogg


     Caledonia! thou land of the mountain and rock,
Of the ocean, the mist, and the wind-
Thou land of the torrent, the pine, and the oak,
Of the roebuck, the hart, and the hind;
Though bare are thy cliffs, and though barren thy glens,
Though bleak thy dun islands appear,
Yet kind are the hearts, and undaunted the clans,
That roam on these mountains so drear!


A foe from abroad, or a tyrant at home,
Could never thy ardour restrain;
The marshall'd array of imperial Rome
Essay'd thy proud spirit in vain!
Firm seat of religion, of valour, of truth,
Of genius unshackled and free,
The muses have left all the vales of the south,
My loved Caledonia, for thee!


Sweet land of the bay and wild-winding deeps
Where loveliness slumbers at even,
While far in the depth of the blue water sleeps
A calm little motionless heaven!
Thou land of the valley, the moor, and the hill,
Of the storm and the proud rolling wave-
Yes, thou art the land of fair liberty still,
And the land of my forefathers' grave!         

Title: Re: Scottish Poetry
Post by: Stirling Thompson on November 14, 2008, 08:10:23 AM
From Musings Among the Heather: Being Poems Chiefly in the Scottish Dialect (1881)

LOCH LOMOND. by David Thomson 1806 - 1870

In summer, when sweet nature smiles,
     Around the waters blue,
Of Scotland's lake of many isles,
     How lovely is the view !

Upon her placid azure breast,
    Her island gems are spread;
While deep their shadows calmly rest.
    Within their wat'ry bed.

0, how magnificent the sight,
    How wildly grand the scene !
Hills, glens, and rocks, in shade and Ught,
    Still lake, and sky serene.

Here rugged grandeur is combined
    With beauty soft and fair,
In one vast scene so nice defined,
    That it could nothing spare.

Rich, waving woods, of varied green,
    Around on every side,
And fields in flow'ry robes are seen
    Reflected in the tide.

Stupendous mountains, capp'd with snow.
   Their heads fling to the sky ;
While sparkling waters down below,
   Steep'd in bright sunbeams lie.

And all around, streams, cool and clear,
    Rush from their mountain home,
0*er shelving rocks, in wild career,
    In one bright sheet of foam.

O, queen of lakes ! that mountains guard,
    And high above you frown.
Your beauty brings you sweet regard,
    Your grandeur great renown.
Title: Re: Scottish Poetry
Post by: Michael Thompson on November 14, 2008, 04:14:10 PM
Nice poem Stu, I liked it. It does bear the appearance of having been scanned from an old or deteriorated typeset source though. For instance, in line 11, "Ught" should almost certainly have been "Light" instead. Line 18 "Around" should probably have been "Abound" and in line 27 "O*er" should be "O'er." It also looks like there are some zeros that should be "O"s. Common artifacts of Optical Character Recognition.
Title: Re: Scottish Poetry
Post by: Stirling Thompson on November 20, 2008, 10:52:52 AM
"Scotland's Winter" - Edwin Muir (1887 - 1959)


Now the ice lays its smooth claws on the sill,
The sun looks from the hill
Helmed in his winter casket,
And sweeps his arctic sword across the sky.
The water at the mill
Sounds more hoarse and dull.
The miller's daughter walking by
With frozen fingers soldered to her basket
Seems to be knocking
Upon a hundred leagues of floor
With her light heels, and mocking
Percy and Douglas dead,
And Bruce on his burial bed,
Where he lies white as may
With wars and leprosy,
And all the kings before
This land was kingless,
And all the singers before
This land was songless,
This land that with its dead and living waits the Judgement Day.
But they, the powerless dead,
Listening can hear no more
Than a hard tapping on the floor
A little overhead
Of common heels that do not know
Whence they come or where they go
And are content
With their poor frozen life and shallow banishment.


 
Title: Re: Scottish Poetry
Post by: Stirling Thompson on November 21, 2008, 11:08:30 AM
PART SECOND - ROMANTIC BALLADS - THE LAMENT OF THE BORDER WIDOW

This fragment, obtained from recitation in the Forest of Ettrick, is said to relate to the execution of Cokburne of Henderland, a border freebooter, hanged over the gate of his own tower by James V., in the course of that memorable expedition, in 1529, which was fatal to Johnie Armstrang, Adam Scott of Tushielaw, and many other marauders. The vestiges of the castle of Henderland are still to be traced upon the farm of that name, belonging to Mr Murray of Henderland. They are situated near the mouth of the river Meggat, which falls into the lake of St Mary, in Selkirkshire. The adjacent country, which now hardly bears a single tree, is celebrated by Lesly, as, in his time, affording shelter to the largest stags in Scotland. A mountain torrent, called Henderland Burn, rushes impetuously from the hills, through a rocky chasm, named the Dow-glen, and passes near the site of the tower. To the recesses of this glen the wife of Cokburne is said to have retreated, during the execution of her husband; and a place, called the Lady's Seat, is still shewn, where she is said to have striven to drown, amid the roar of a foaming cataract, the tumultuous noise, which announced the close of his existence. In a deserted burial-place, which once surrounded the chapel of the castle, the monument of Cokburne and his lady is still shewn. It is a large stone, broken into three parts; but some armorial bearings may be yet traced, and the following inscription is still legible, though defaced:


HERE LYES PERYS OF COKBURNE AND HIS WYFE MARJORY.

Tradition says, that Cokburne was surprised by the king, while sitting at dinner. After the execution, James marched rapidly forward, to surprise Adam Scott of Tushielaw, called the King of the Border, and sometimes the King of Thieves. A path through the mountains, which separate the vale of Ettrick from the head of Yarrow, is still called the King's Road, and seems to have been the rout which he followed. The remains of the tower of Tushielaw are yet visible, overhanging the wild banks of the Ettrick; and are an object of terror to the benighted peasant, from an idea of their being haunted by spectres. From these heights, and through the adjacent county of Peebles, passes a wild path, called still the Thief's Road, from having been used chiefly by the marauders of the border.


THE LAMENT OF THE BORDER WIDOW. by Sir Walter Scott


My love he built me a bonny bower,
And clad it a' wi' lilye flour;
A brawer bower ye ne'er did see,
Than my true love he built for me.

There came a man, by middle day,
He spied his sport, and went away;
And brought the king that very night,
Who brake my bower, and slew my knight.

He slew my knight, to me sae dear;
He slew my knight, and poin'd[A] his gear;
My servants all for life did flee,
And left me in extremitie.

I sew'd his sheet, making my mane;
I watched the corpse, myself alane;
I watched his body, night and day;
No living creature came that way.

I took his body on my back,
And whiles I gaed, and whiles I satte;
I digg'd a grave, and laid him in,
And happ'd him with the sod sae green.

But think na ye my heart was sair,
When I laid the moul on his yellow hair?
O think na ye my heart was wae,
When I turn'd about, away to gae?

Nae living man I'll love again,
Since that my lovely knight is slain;
Wi' ae lock of his yellow hair
I'll chain my heart for evermair.

[Footnote A: _Poin'd_--Poinded, attached by legal distress.]


Title: Re: Scottish Poetry
Post by: Barbara on November 22, 2008, 08:08:50 PM
How sad........ :(

Thanks again Stu.

Barbara
Title: Re: Scottish Poetry
Post by: Stirling Thompson on November 23, 2008, 09:05:51 AM
Barbara, Thanks for your comments here and on the other regular threads I have going. They're all about things of interest to me, and I hope to others as well, and they tend to keep the forum active when things quiet down. That's the real purpose you know... to let people know there's someone here who is unwilling to let the forum die of neglect. It would be nice if more people would post. Start some new threads... someone once suggested recipes and I even posted one... more activity on the Famous Thompsons thread would be nice too... how about music? There are lots live entertainment at the games who's your favorites?
Title: Re: Scottish Poetry
Post by: Donna on November 23, 2008, 03:17:43 PM
Hey Stu,
and I've used your Toad in the Hole recipe several times and everyone always enjoys it!   Thanks for posting it!

Donna
Title: Re: Scottish Poetry
Post by: Stirling Thompson on November 25, 2008, 10:27:21 AM
Another by David Thomson, this about the results of the Clearances...

RURAL DEPOPULATIONS.

GREAT changes come wi' passing years,
As noo in many a place appears,
If Scotland roon we scan ;
For whaur ance dwelt a hardy race,
Is noo a' wild, an' made a place,

For deer instead o' man.

Great tracks o' laun' can noo be seen,
Whaur crofters ance dwelt snug an' bien,

A' clad wi' bent an' heather ;
An' here an' there, a nowt or sheep,
A muircock, plover, or peesweep,

Whaur folk in bauns did gather.

The places whaur their hooses stood.
The crofts whaur com wav'd rank an' guid.

Can hardly noo be trac'd ;
An' whaur a' ance look'd blythe an' fair.
Is noo wild, barren, bleak, and bare,

A solitary waste.

What sin an' shame that laun' sae good,
That lots o' wark, an' walth o' food,

Tae man an' beast wad yield ;
Shou'd be allow'd tae lie a waiste,
Tae suit some selfish noble's taste,

O' bein' a huntin' field.

But nobles yet may sairly rue.
That crofters on their launs are few,

An' may yet come to ken
That grouse an' deer can ne'er oppose.
Nor staun' against invading foes,

Sae firm as hardy men. '


Title: Re: Scottish Poetry
Post by: Stirling Thompson on December 01, 2008, 11:02:50 AM
Song for the Lost    
 
 
 by Janet Paisley 
 
 
Globe turned between two hands,
first grasp of how small this isle
pushed away, alone, always
that head scrubbed by cold water,
flesh flayed with rivered veins,
mountains torn from valleys filled
to flooding, grass greening a back
beaten by rain, forever the sky
scanned for moon or star to light
the earth, light on lost children,
remind them where home is. Proud,

too proud, it’s caterwaul crazed,
a riot born, rabble-rousing rock
to live on, dreaming of warmth
drenched in sand, a drought blazing
bright colours, fine cloth, a hand
to hold, held out, holding out,
hanging on till the boat brings
the weary across the water,
brings back news, people chattering
sweet native tongues salt with ideas,
a flame in the blood sparked off.

It’s all grist, a spinning-top hum
of one world, the beat of one
old heart. Here is to belong,
where a wet wind can wipe off
the dust of wandering, snow
that could melt with the welcome.
It’s not far to a fireside yet,
kindling stacked, hot soup in the pot,
the clock that chimes quiet time,
a smoke, drink glowing in the glass,
that door always unlocked.

Sang fur the Wandert
translated into English by the author
 
 
Title: Re: Scottish Poetry
Post by: Stirling Thompson on December 02, 2008, 08:45:00 AM
A poem about the great explorer of Western Canada, David Thompson.

DAVID THOMPSON
Carman, Bliss, (1861-1929)

A Gray Coat boy from London
At fourteen came over sea
To a lonely post on Hudson's Bay,
To serve the H. B. C.
A seeker of knowledge, a dreamer of dreams,
And a doer of deeds was he.

Before his feet lay a continent
Untrailed, unmapped, unguessed.
The whisper of the mysterious North,
The lure of the unknown West,
Called to him with a siren's voice
That would not let him rest.

'Twas but a step from the factor's door
And the wilderness was there,
Rivers stretching a thousand miles,
Lakes for his thoroughfare,
And forests fresh from the hand of God,
Waiting his will to dare.

Plains that dipped to the edge of the sky
Untracked from rim to rim,
The sorcery when the sun was high
Of ranges far and dim,
The summer morns and the winter nights,
They laid their spell on him.

Where did they lead, those waterways?
Where did they end, those plains?
And what is the joy of the wilderness
Only its lover attains?
Ask little Whitethroat, Killooleet,
Who sings through the soft gray rains!

Wherever they led, whatever the end,
This lad must find and know.
With pole and paddle and slender birch,
On snowshoes over the snow,
With saddle and pack and pony track,
'Twas his dream and delight to go.

He followed the song the rivers sang
Over their pebbly bars;
By spruce and larch he tallied his march;
The moons were his calendars;
And well he could reckon and read his path
By the faithful shining stars.

From the Churchill to the Assiniboine
And up the Saskatchewan,
Back and forth through all the North
His purpose drove him on,
Making a white man's trail for those
Who should come when he was gone.

So the days grew years, and the years a life,
Without reward or renown,
No heed of self, no greed for pelf
Nor the idle ease of Town,
Till he came at last to the barrier
Where the wheeling sun went down.

There the enormous ranges stood
Forbidding against the sky,
Where only the bear and the bighorn climbed
And the eagle's brood could fly.
His was the foot must find a road
For the world to enter by.

Up he followed the azure thread
Of the winding branch for guide,
By rapid and reach and shingly beach,
Then over the great divide.
Then he saw a river broad and strong
Swing past in a silver tide.

Down through a maze of canyon walls
He watched the mighty stream
Sweep on in conquering plenitude
With arrowy flight and gleam,
And knew that he had found at last
The river of his dream.

And here his house was builded.
Here let us stand and say,
Here was a man--full sized--whose fame
Shall never pass away,
While the stars shine and the rivers run
In the land of the Kootenay.

Invermere, B. C.,
August, 1922.



Poem is in the public domain..
Title: Re: Scottish Poetry
Post by: Stirling Thompson on December 03, 2008, 06:36:49 AM
From Lays of the Scottish Cavaliers by W. E. Aytoun (1813 - 1865)

THE WIDOW OF GLENCOE


  Do not lift him from the bracken,
    Leave him lying where he fell--
  Better bier ye cannot fashion:
    None beseems him half so well
  As the bare and broken heather,
    And the hard and trampled sod,
  Whence his angry soul ascended
    To the judgment-seat of God!
  Winding-sheet we cannot give him--
    Seek no mantle for the dead,
  Save the cold and spotless covering
    Showered from heaven upon his head.
  Leave his broadsword, as we found it,
    Bent and broken with the blow,
  That, before he died, avenged him
    On the foremost of the foe.
  Leave the blood upon his bosom--
    Wash not off that sacred stain:
  Let it stiffen on the tartan,
    Let his wounds unclosed remain,
  Till the day when he shall show them
    At the throne of God on high,
  When the murderer and the murdered
    Meet before their Judge's eye!

  Nay--ye should not weep, my children!
    Leave it to the faint and weak;
  Sobs are but a woman's weapon--
    Tears befit a maiden's cheek.
  Weep not, children of Macdonald!
    Weep not thou, his orphan heir--
  Not in shame, but stainless honour,
    Lies thy slaughtered father there.
  Weep not--but when years are over,
    And thine arm is strong and sure,
  And thy foot is swift and steady
    On the mountain and the muir--
  Let thy heart be hard as iron,
    And thy wrath as fierce as fire,
  Till the hour when vengeance cometh
    For the race that slew thy sire;
  Till in deep and dark Glenlyon
    Rise a louder shriek of woe
  Than at midnight, from their eyrie,
    Scared the eagles of Glencoe;
  Louder than the screams that mingled
    With the howling of the blast,
  When the murderer's steel was clashing,
    And the fires were rising fast;
  When thy noble father bounded
    To the rescue of his men,
  And the slogan of our kindred
    Pealed throughout the startled glen;
  When the herd of frantic women
    Stumbled through the midnight snow,
  With their fathers' houses blazing,
    And their dearest dead below.
  Oh, the horror of the tempest,
    As the flashing drift was blown,
  Crimsoned with the conflagration,
    And the roofs went thundering down!
  Oh, the prayers--the prayers and curses
    That together winged their flight
  From the maddened hearts of many
    Through that long and woeful night!
  Till the fires began to dwindle,
    And the shots grew faint and few,
  And we heard the foeman's challenge
    Only in a far halloo;
  Till the silence once more settled
    O'er the gorges of the glen,
  Broken only by the Cona
    Plunging through its naked den.
  Slowly from the mountain-summit
    Was the drifting veil withdrawn,
  And the ghastly valley glimmered
    In the gray December dawn.
  Better had the morning never
    Dawned upon our dark despair!
  Black amidst the common whiteness
    Rose the spectral ruins there:
  But the sight of these was nothing
    More than wrings the wild dove's breast,
  When she searches for her offspring
    Round the relics of her nest.
  For in many a spot the tartan
    Peered above the wintry heap,
  Marking where a dead Macdonald
    Lay within his frozen sleep.
  Tremblingly we scooped the covering
    From each kindred victim's head,
  And the living lips were burning
    On the cold ones of the dead.
  And I left them with their dearest--
    Dearest charge had everyone--
  Left the maiden with her lover,
    Left the mother with her son.
  I alone of all was mateless--
    Far more wretched I than they,
  For the snow would not discover
    Where my lord and husband lay.
  But I wandered up the valley
    Till I found him lying low,
  With the gash upon his bosom,
    And the frown upon his brow--
  Till I found him lying murdered
    Where he wooed me long ago.
  Woman's weakness shall not shame me;
    Why should I have tears to shed?
  Could I rain them down like water,
    O my hero, on thy head,
  Could the cry of lamentation
    Wake thee from thy silent sleep,
  Could it set thy heart a-throbbing,
    It were mine to wail and weep.
  But I will not waste my sorrow,
    Lest the Campbell women say
  That the daughters of Clanranald
    Are as weak and frail as they.
  I had wept thee hadst thou fallen,
    Like our fathers, on thy shield,
  When a host of English foemen
    Camped upon a Scottish field;
  I had mourned thee hadst thou perished
    With the foremost of his name,
  When the valiant and the noble
    Died around the dauntless Graeme.
  But I will not wrong thee, husband!
    With my unavailing cries,
  Whilst thy cold and mangled body,
    Stricken by the traitor, lies;
  Whilst he counts the gold and glory
    That this hideous night has won,
  And his heart is big with triumph
    At the murder he has done.
  Other eyes than mine shall glisten,
    Other hearts be rent in twain,
  Ere the heathbells on thy hillock
    Wither in the autumn rain.
  Then I'll seek thee where thou sleepest,
    And I'll veil my weary head,
  Praying for a place beside thee,
    Dearer than my bridal-bed:
  And I'll give thee tears, my husband,
    If the tears remain to me,
  When the widows of the foemen
    Cry the coronach for thee.


This book is available on-line at Project Gutenberg at http://infomotions.com/etexts/gutenberg/dirs/1/0/9/4/10945/10945.htm
Title: Re: Scottish Poetry
Post by: Thomas Thompson on December 04, 2008, 06:31:35 PM
          A CLAN BARD
      John Thomson. December 15, 2005

      “What exactly is a Bard – one might reasonably ask?
        A simple enough word, not too difficult a task.
        A writer of poems, a teller of tales,
        this singer of songs comes from Scotland and Wales.
        The Bard comes from Erin and other parts too.
        The ‘Man of the Mist’ comes o’er centuries to you.
        The warrior poet pens restlessly yet,
         recording of history to better beget,
        the heroic tales of battles of yore.
        imagination too, to better the score.
        Pathos and pun  - sharp weapons of choice,
        Battles hard won, the Chiefs to rejoice.
        A link to the Druids is certainly made,
        For those who are destined to make words their trade.
        So to all who would listen, let me pass on this clue..
       A Bard serves up history, in verse, that is true!”


                  The Scottish Goddess
       John Thomson.  Clan Bard.  December 31st, 2005

       The Scottish Goddess  has arisen,
        to steal men’s hearts,  their souls to prison.
       With a lilt ~ and a laugh,  why a smile is sufficient
       to capture our love, our minds made deficient.
       With glorious eyes that flash  and  emblazon
       a promise of love, of  intrique – amazin’
       ‘Mmm’,   little purr points
       are uttered to quieten our stuttering heart beats
       for her to enlighten. As female as Eve
      No poet can capture  that essence so pure
     What beautiful rapture.
     The Scottish Goddess has arisen
      poetic  license has ‘gone a missin’
     For we cannot string the verse to hail
     incomparable beauty, our words to fail…

Title: Re: Scottish Poetry
Post by: Stirling Thompson on December 05, 2008, 11:51:24 AM
Good stuff! I really love poetry, unfortunately, I have no talent for writing it.
Title: Re: Scottish Poetry
Post by: Stirling Thompson on December 12, 2008, 09:26:37 AM
John Buchan (1st Baron of Tweedsmuir) was born in Perth, Scotland in 1874 and was the oldest son of Rev. John Buchan and Helen Buchan. He studied at the University of Glasgow and Brasenose College, Oxford.

He was a Scottish diplomat, barrister, journalist, historian, poet and novelist. He wrote adventure novels, short-story collections and biographies. His passion for the Scottish countryside is reflected in much of his writing. Buchan's adventure stories are high in romance and are peopled by a large cast of characters. Alfred Hitchcock adapted his most famous book The Thirty-Nine Steps for screen.

In the spring of 1915, Buchan agreed to become one of the journalists reporting for the British Army. He was given responsibility for providing articles for The Times and the Daily News. In June 1916, Buchan was recruited by the British Army to draft communications for Sir Douglas Haig and other members of the headquarters staff. He was given the rank of Second Lieutenant in the Intelligence Corps and was also provided with the documents needed to write the Nelson's History of the War.

After the war Buchan continued to write successful adventures stories such as Huntingtower (1922), The Three Hostages (1924) and Witch Wood (1927). He also became involved in politics and in 1927 was elected Conservative MP for the Scottish Universities. John Buchan died on 12th February, 1940.

The Gipsy's Song To The Lady Cassilis

The door is open to the wall,
The air is bright and free;
Adown the stair, across the hall,
And then-the world and me;
The bare grey bent, the running stream,
The fire beside the shore;
And we will bid the hearth farewell,
And never seek it more, My love,
And never seek it more.


And you shall wear no silken gown,
No maid shall bind your hair;
The yellow broom shall be your gem,
Your braid the heather rare.
Athwart the moor, adown the hill,
Across the world away;
The path is long for happy hearts
That sing to greet the day, My love,
That sing to greet the day.


When morning cleaves the eastern grey,
And the lone hills are red
When sunsets light the evening way
And birds are quieted;
In autumn noon and springtide dawn,
By hill and dale and sea,
The world shall sing its ancient song
Of hope and joy for thee, My love,
Of hope and joy for thee.


And at the last no solemn stole
Shall on thy breast be laid;
No mumbling priest shall speed thy soul,
No charnel vault thee shade.
But by the shadowed hazel copse,
Aneath the greenwood tree,
Where airs are soft and waters sing,
Thou'lt ever sleep by me, My love,
Thou'lt ever sleep by me.
 
Title: Re: Scottish Poetry
Post by: Stirling Thompson on December 16, 2008, 12:41:00 PM
Here is a poem in Scots by Alexander Gray telling the familiar tale of "No room at the inn".

    Christmas Carol
   
 'Twas a cauld, cauld nicht i' the back o' the year;
    The snaw lay deep, and the starns shone clear;
    And Mary kent that her time was near,
    As she cam to Bethlehem.
    When Joseph saw the toon sae thrang,
    Quo' he: 'I houp I be na wrang,
    But I'm thinkin' we'll find a place ere lang;'
    But there wasna nae room for them.

    She quo', quo' she: 'O Joseph loon,
    Rale tired am I, and wad fain lie doon.
    Is there no a bed in the hail o' the toon?
    For farrer I canna gae.'
    At the ale-hoose door she keekit ben,
    But there was sic a steer o' fremmyt men,
    She thocht till hirsel': 'I dinna ken
    What me and my man can dae.'

    And syne she spak: 'We'll hae to lie
    I' the byre this nicht amang the kye
    And the cattle beas', for a body maun try
    To thole what needs maun be,'
    And there amang the strae and the corn,
    While the owsen mooed, her bairnie was born.
    O, wasna that a maist joyous morn
    For sinners like you and me?

    For the bairn that was born that nicht i' the sta'
    Cam doon frae Heaven to tak awa'
    Oor fecklessness, and bring us a'
    Safe hame in the hender-en'.
    Lord, at this Yule-tide send us licht,
    Hae mercy on us and herd us richt.
    For the sake o' the bairnie born that nicht,
    O, mak us better men!


    Meaning of unusual words:
    starns=stars
    thrang=crowded
    quo'=said
    loon=lad
    fain=want
    farrer=further
    keekit ben=peeked through
    sic a steer o' fremmyt men=such a crowd of strange men
    ken=know
    syne=since
    kye=cow
    thole=endure
    strae=straw
    owsen=oxen
    bairnie=child
    fecklessness=weakness, incomptence
    hender-en'=latter days of life
Title: Re: Scottish Poetry
Post by: Donna on December 17, 2008, 11:51:18 AM
Thanks Stu, I really love this one!   :-*

Donna
Title: Re: Scottish Poetry
Post by: Barbara on December 21, 2008, 10:13:11 PM
That was lovely Stu, I've never read that before.  Thank you.

Barbara
Title: Re: Scottish Poetry
Post by: Stirling Thompson on January 08, 2009, 10:32:56 AM
From Rampant Scotland website...

There is something rather couthie (snug and agreeable) about stories from the Bible told in Scots. At one time religion was a very significant part of life in Scotland, so it was only natural some of the stories from the New Testament should be retold in Scots verse. This one, about allowing the children to come to Jesus, was written by William Thomson. Although many readers will know the story, the specifically Scottish words are "translated" as usual at the end of the poem.


The Maister and the Bairns

The Maister sat in the wee cot hoose
By the Jordan's waters near,
An' the fisherfolk crushed an' crooded roon'
The Maister's words tae hear.
An' even the bairns frae the near-haun streets
Were mixin' in wi' the thrang,
Laddies an' lassies wi' wee bare feet
Jinkin' the crood amang.

But yin o' the twal' at the Maister's side
Rose up and cried alood:
'Come, come, bairns, this is nae place for you,
Rin awa' hame oot the crood.'

But the Maister said as they turned awa',
'Let the wee yins come tae Me',
An' he gaithered them roon' Him whaur He sat
An' lifted yin up on His knee.

Aye, He gaithered them roon' Him whaur He sat
An' straiked their curly hair,
An' He said tae the wonderin' fisherfolk
That crushed an' crooded there:

'Send na the bairns awa' frae Me
But raither this lesson lairn:
That nane'll win in at Heaven's yett
That hisna the hert o' a bairn.'

An' He that wisna oor kith or kin
But a Prince o' the Far Awa',
He gaithered the wee yins in His airms
An' blessed them yin an' a'.

Meaning of unusual words:
wee cot hoose=small cottage
bairns=children
thrang=crowd
Laddies an' lassies=boys and girls
yin o' the twal'=one of the twelve
yett=gate
yin an' a'=one and all

Title: Re: Scottish Poetry
Post by: Stirling Thompson on January 13, 2009, 11:20:13 AM
The Star o' Rabbie Burns
Words: James Thomson
Music: James Booth

There is a star whose beaming ray
Is shed on every clime.
It shines by night, it shines by day,
And ne'er grows dim wi' time.
It rose upon the banks o' Ayr,
It shone on Doon's clear stream.
A hundred years are gane and mair,
Yet brighter grows its beam.

Refrain:
Let kings and courtiers rise and fa'
This world has mony turns,
But brightly beams abune them aw'
The Star o' Rabbie Burns.

Though he was but a ploughman lad
And wore the hodden grey,
Auld Scotland's sweetest bard was bred
Aneath a roof o' strae.
To sweep the strings o' Scotia's lyre,
It needs nae classic lore;
It's mither wit an' native fire
That warms the bosom's core.

Refrain:

On fame's emblazon'd page enshrin'd
His name is foremost now,
And many a costly wreath's been twin'd
To grace his honest brow.
And Scotland's heart expands wi' joy
Whene'er the day returns
That gave the world its peasant boy
Immortal Rabbie Burns.

Refrain:

Title: Re: Scottish Poetry
Post by: Stirling Thompson on January 16, 2009, 06:27:41 AM
This is the complete poem referred to in the "Trysting Tree" article under Myths, Customs and Traditions.

The Soldier’s Return: A Ballad

Robert Burns (1793)


When wild war’s deadly blast was blawn,
  And gentle peace returning,
Wi’ mony a sweet babe fatherless,
  And mony a widow mourning;
I left the lines and tented field,
  Where lang I’d been a lodger,
My humble knapsack a’ my wealth,
  A poor and honest sodger.

A leal, light heart was in my breast,
  My hand unstain’d wi’ plunder;
And for fair Scotia hame again,
  I cheery on did wander:
I thought upon the banks o’ Coil,
  I thought upon my Nancy,
I thought upon the witching smile
  That caught my youthful fancy.

At length I reach’d the bonie glen,
  Where early life I sported;
I pass’d the mill and trysting thorn,
  Where Nancy aft I courted:
Wha spied I but my ain dear maid,
  Down by her mother’s dwelling!
And turn’d me round to hide the flood
  That in my een was swelling.

Wi’ alter’d voice, quoth I, “Sweet lass,
  Sweet as yon hawthorn’s blossom,
O! happy, happy may he be,
  That’s dearest to thy bosom:
My purse is light, I’ve far to gang,
  And fain would be thy lodger;
I’ve serv’d my king and country lang—
  Take pity on a sodger.”

Sae wistfully she gaz’d on me,
  And lovelier was than ever;
Quo’ she, “A sodger ance I lo’ed,
  Forget him shall I never:
Our humble cot, and hamely fare,
  Ye freely shall partake it;
That gallant badge-the dear cockade,
  Ye’re welcome for the sake o’t.”

She gaz’d—she redden’d like a rose—
  Syne pale like only lily;
She sank within my arms, and cried,
  “Art thou my ain dear Willie?”
“By him who made yon sun and sky!
  By whom true love’s regarded,
I am the man; and thus may still
  True lovers be rewarded.

“The wars are o’er, and I’m come hame,
  And find thee still true-hearted;
Tho’ poor in gear, we’re rich in love,
  And mair we’se ne’er be parted.”
Quo’ she, “My grandsire left me gowd,
  A maiden plenish’d fairly;
And come, my faithfu’ sodger lad,
  Thou’rt welcome to it dearly!”

For gold the merchant ploughs the main,
  The farmer ploughs the manor;
But glory is the sodger’s prize,
  The sodger’s wealth is honor:
The brave poor sodger ne’er despise,
  Nor count him as a stranger;
Remember he’s his country’s stay,
  In day and hour of danger.
Title: Re: Scottish Poetry
Post by: Mary on January 18, 2009, 09:36:49 AM
Stu and John -

Thanks for posting the poetry - whether new or old!  I enjoy all of it and, from the number of hits, so do a lot of other people!
Title: Re: Scottish Poetry
Post by: Stirling Thompson on January 22, 2009, 09:11:27 AM

William Henry Ogilvie

1869-1963

Born in Kelso, Scotland, Ogilvie moved to Australia at the age of twenty. One of his reasons for leaving his homeland was his admiration of the writer Adam Lindsay Gordon and like Gordon, a great love for horses. When he arrived in Australia he found work as a drover, a breaker, and a musterer. He worked at Maroupe, located in South Australia as well as Belalie on the Warrego. It was during this time that he began writing, his poetry focusing on the Outback life and it's many adventures in an acclamatory, romantic verse. Ogilvie had many of his works published in the Mount Gambier Border Watch, the Australasian and the Bulletin. A couple of years before his return to Scotland in 1901 he published his most well known collection of verse in 1898. It is considered to be his best and most notable piece of work.
While all of his works were published in Australia, he never returned. After his return to Scotland he continued to write poems that concerned the Scottish borders. The well known poet, Hugh McDairmund, hailed his work as a triumph. Unfortunately, though he was successful in both countries, he died practically unknown and has become one of the more obscure poets of that era.


If I Were Old

If I were old, a broken man and blind,
and one should lead me to Mid-Eildon's crest,
and leave me there a little time to rest
sharing the hilltop with the Border wind,
the whispering heather, and the curlew's cry,
I know the blind dark could not be so deep,
so cruel and clinging, but that I
should see the sunlit curve of Cheviot's steep
rise blue and friendly on the distant sky!

There is no darkness - God! there cannot be —
so heavy as to curtain from my sight
the beauty of those Border slopes that lie
far south before me, and a love-found light
would shine upon the slow Tweed loitering by
with gift of song and silver to the sea!-
No dark can ever hide this dear loved land from me
Title: Re: Scottish Poetry
Post by: Stirling Thompson on January 23, 2009, 12:18:21 PM
An English poet... but a Scottish subject!

William Wordsworth (1770-1850)
To a Highland Girl
(At Inversneyde, upon Loch Lomond)

Sweet Highland Girl, a very shower
Of beauty is thy earthly dower!
Twice seven consenting years have shed
Their utmost bounty on thy head:
And these grey rocks; that household lawn;
Those trees, a veil just half withdrawn;
This fall of water that doth make
A murmur near the silent lake;
This little bay; a quiet road
That holds in shelter thy Abode--
In truth together do ye seem
Like something fashioned in a dream;
Such Forms as from their covert peep
When earthly cares are laid asleep!
But, O fair Creature! in the light
Of common day, so heavenly bright,
I bless Thee, Vision as thou art,
I bless thee with a human heart;
God shield thee to thy latest years!
Thee, neither know I, nor thy peers;
1And yet my eyes are filled with tears.

With earnest feeling I shall pray
For thee when I am far away:
For never saw I mien, or face,
In which more plainly I could trace
Benignity and home-bred sense
Ripening in perfect innocence.
Here scattered, like a random seed,
Remote from men, Thou dost not need
The embarrassed look of shy distress,
And maidenly shamefacedness:
Thou wear'st upon thy forehead clear
The freedom of a Mountaineer:
A face with gladness overspread!
Soft smiles, by human kindness bred!
And seemliness complete, that sways
Thy courtesies, about thee plays;
With no restraint, but such as springs
From quick and eager visitings
Of thoughts that lie beyond the reach
Of thy few words of English speech:
A bondage sweetly brooked, a strife
That gives thy gestures grace and life!
So have I, not unmoved in mind,
Seen birds of tempest-loving kind--
Thus beating up against the wind.

What hand but would a garland cull
For thee who art so beautiful?
O happy pleasure! here to dwell
Beside thee in some heathy dell;
Adopt your homely ways, and dress,
A Shepherd, thou a Shepherdess!
But I could frame a wish for thee
More like a grave reality:
Thou art to me but as a wave
Of the wild sea; and I would have
Some claim upon thee, if I could,
Though but of common neighbourhood.
What joy to hear thee, and to see!
Thy elder Brother I would be,
Thy Father--anything to thee!

Now thanks to Heaven! that of its grace
Hath led me to this lonely place.
Joy have I had; and going hence
I bear away my recompense.
In spots like these it is we prize
Our Memory, feel that she hath eyes:
Then, why should I be loth to stir?
I feel this place was made for her;
To give new pleasure like the past,
Continued long as life shall last.
Nor am I loth, though pleased at heart,
Sweet Highland Girl! from thee to part;
For I, methinks, till I grow old,
As fair before me shall behold,
As I do now, the cabin small,
The lake, the bay, the waterfall;
And thee, the spirit of them all!
Title: Re: Scottish Poetry
Post by: Michael Thompson on January 26, 2009, 10:06:36 PM
Here's one in honor of Robert Burns, whose birthday we celebrated yesterday:

Address To A Haggis.

1.
Fair fa' your honest, sonsie face,
Great chieftain o' the puddin-race!
Aboon them a' ye tak your place,
Painch, tripe, or thairm:
Weel are ye wordy of a grace
As lang's my arm.
2.
The groaning trencher there ye fill,
Your hudies like a distant hill,
Your pin wad help to mend a mill
In time o' need,
While thro' your pores the dews distil
Like amber bead.
3.
His knife see rustic Labour dight,
An' cut ye up wi' ready slight,
Trenching your gushing entrails bright,
Like onie ditch;
And then, O what a glorious sight,
Warm-reeking, rich!
4.
Then horn for horn, they stretch an' strive:
Deil tak the hindmost, on they drive,
Till a' their weel-swall'd kytes belyve
Are bent like drums;
Then auld Guidman, maist like to rive,
'Bethankit!' hums.
5.
Is there that owre his French ragout,
Or olio that wad staw a sow,
Or fricassee wad mak her spew
Wi perfect scunner,
Looks down wi' sneering, scornfu' view
On sic a dinner?
6.
Poor devil! see him owre his trash,
As fecl;ess as a wither'd rash,
His spindle shank a guid whip-lash,
His nieve a nit;
Tho' bluidy flood or field to dash,
O how unfit.
7.
But mark the Rustic, haggis-fed,
The trembling earth resounds his tread,
Clap in his walie nieve a blade,
He'll make it whistle;
An' legs, an' arms, an' heads will sned
Like taps o' thrissle.
8.
Ye pow'rs, wha mak mankind your care,
And dish them out their bill o' fare,
Auld Scotland wants nae skinking ware,
That jaups in luggies;
But if ye wish her gratfu' prayer,
Gie her a Haggis!

   




Fair full your honest, jolly face,
Great chieftain of the sausage race!
Above them all you take your place,
Stomach, tripe, or intestines:
Well are you worthy of a grace
As long as my arm.

The groaning trencher there you fill,
Your buttocks like a distant hill,
Your pin would help to mend a mill
In time of need,
While through your pores the dews distill
Like amber bead.

His knife see rustic Labour wipe,
And cut you up with ready slight,
Trenching your gushing entrails bright,
Like any ditch;
And then, O what a glorious sight,
Warm steaming, rich!

Then spoon for spoon, the stretch and strive:
Devil take the hindmost, on they drive,
Till all their well swollen bellies by-and-by
Are bent like drums;
Then old Master of the house, most like to burst,
'The grace!' hums.

Is there that over his French ragout,
Or olio that would sicken a sow,
Or fricassee would make her throw-up
With perfect disgust,
Looks down with sneering, scornful view
On such a dinner?

Poor devil! see him over his trash,
As feeble as a withered rush,
His thin legs a good whip-lash,
His fist a nut;
Through bloody flood or field to dash,
O how unfit.

But mark the Rustic, haggis-fed,
The trembling earth resounds his tread,
Clap in his ample fist a blade,
He will make it whistle;
And legs, and arms, and heads will crop
Like tops of thistle.

You powers, who make mankind your care,
And dish them out their bill of fare,
Old Scotland want no watery ware,
That splashes in small wooden dishes;
But is you wish her grateful prayer,
Give her a Haggis!
Title: Re: Scottish Poetry
Post by: Stirling Thompson on January 27, 2009, 05:43:08 AM
Shame on me for missing Burns' Night! Maybe this will help make up for it!

   
A Winter Night
     
When biting Boreas, fell and doure,
Sharp shivers thro' the leafless bow'r;
When Phœbus gies a short-liv'd glow'r,
Far south the lift,
Dim-dark'ning thro' the flaky show'r,
Or whirling drift:

Ae night the storm the steeples rocked,
Poor Labour sweet in sleep was locked,
While burns, wi' snawy wreeths upchoked,
Wild-eddying swirl,
Or thro' the mining outlet bocked,
Down headlong hurl.

List'ning, the doors an' winnocks rattle,
I thought me on the ourie cattle,
Or silly sheep, wha bide this brattle
O' winter war,
And thro' the drift, deep-lairing, sprattle,
Beneath a scar.

Ilk happing bird, wee, helpless thing!
That, in the merry months o' spring,
Delighted me to hear thee sing,
What comes o' thee?
Whare wilt thou cow'r thy chittering wing
An' close thy e'e?

Ev'n you on murd'ring errands toil'd,
Lone from your savage homes exil'd,
The blood-stain'd roost, and sheep-cote spoil'd
My heart forgets,
While pityless the tempest wild
Sore on you beats.

Robert Burns
Title: Re: Scottish Poetry
Post by: Stirling Thompson on January 29, 2009, 10:02:40 AM
Robert White (1802 - 1874), is a minor poet born in Roxburghshire but raised in Redesdale, on the English side of the border, where according to some sources the English branch of the Thompson Reiver family originated.

The Scottish Minstrel The Songs of Scotland Subsequent to Burns With Memoirs of the Poets
By Rev. Charles Rogers, L.L.D. F.S.A. SCOT.
Published by W. P. Nimmo, Hay, & Mitchell, Edinburg, Scotland, 1885

ROBERT WHITE, an indefatigable antiquary, and pleasing poet, was born at Yetholm, in Roxburghshire. His youth and early manhood were spent at Otterburn in Redesdale, where his father rented a farm. Possessed of an ardent love of reading, he early became familiar with the English poets, and himself tried metrical composition. While a very young man he ranked among the poetical contributors to the Newcastle Magazine. In 1825 he accepted the situation of clerk to a respectable brassfounder in Newcastle. After a period of nearly forty years spent in the counting-room, he has been enabled to retire from business in affluent circumstances. Mr White has been an industrious writer. In 1829 he published  "The Tynemouth Nun," an elegantly versified tale. His other poetical works consist in " The Wind, a Poem," 1853; "England, a Poem," 1856; and a collected edition of his poems, songs, and metrical tales, which was published at Kelso in l867. Mr White has afforded evidence of diligent research and superior historical talent in bis works on the battles of Otterburn, Flodden, and Neville's Cross. In 1858 he published, at Kelso, a new edition of the poetical works of Dr John Leyden ; and he has announced a work on the Battle of Bannockburn. Mr White is an extensive traveller, the friend of men of genius, and a zealous collector of ancient and modern works illustrative of the national history. As a song-writer, his name is familiar to the readers of " Whistle Binkie," and " The Book of Scottish Song."

THE BONNIE REDESDALE LASSIE.

THE breath o' spring is gratefu',
Aa mild it sweeps alang,
Awakening bud an' blossom
The broomy braes amang,
And wafting notes o' gladness
Frae ilka bower and tree;
Yet the bonnie Redesdale lassie
Is sweeter still to me.

How bright is summer's beauty,
When, smilin' far an' near,
The wildest spots o' nature
Their gayest livery wear;
And yellow cups an' daisies
Are spread on ilka lea:
But the bonnie Redesdale lassie
Mair charming is to me.

Oh! sweet is mellow autumn,
When, wide owre a' the plain,
Slow waves in rustlin' motion
The heavy-headed grain;
Or in the sunshine glancin',
And rowin' like the sea ;
Yet the bonnie Redesdale lassie
Is dearer far to me!

As heaven itsel', her bosom
Is free o' fraud or guile;
What hope o' future pleasure
Is centred in her smile!
I wadna lose for kingdoms
The love-glance o' her ee;
Oh! the bonnie Redesdale lasaie
Is life and a' to me!
Title: Re: Scottish Poetry
Post by: Stirling Thompson on February 02, 2009, 10:09:39 AM
WHEN MAGGY GANGS AWAY
James Hogg, The Ettrick Shepherd (1770 - 1835)

OH, What will a' the lads do
When Maggy gangs away ?
Oh, what will a' the lads do
When Maggy gangs away?
There's no a heart in a' the glen
That disna dread the day:
Oh, what will a' the lads do
When Maggy gangs away?

Young Jock has ta'en the hill for't,
A waefu' wight is he;
Poor Harry's ta'en the bed for't,
An' laid him down to dee;
An' Sandy's gane unto the kirk,
An' learnin' fast to pray:
An' oh, what will the lads do
When Maggy gangs away ?

The young laird o' the Lang-Shaw
Has drunk her health in wine;
The priest has said —in confidence —
The lassie was divine,
An' that is mair in maiden's praise
Than ony priest should say:
But oh, what will the lads do
When Maggy gangs away ?

The wailing in our green glen
That day will quaver high;
'Twill draw the redbreast frae the wood,
The laverock frae the sky;
The fairies frae their beds o' dew
Will rise an' join the lay:
An' hey! what a day 'twill be
When Maggy gangs away!
Title: Re: Scottish Poetry
Post by: Stirling Thompson on February 03, 2009, 11:47:06 AM
THE CRAMBO-CLINK.
by David Rorie
from "The Auld Doctor and Other Poems and Songs in Scots"

Afore there was law to fleg us a',
An' schedule richt frae wrang,
The man o' the cave had got the crave
For the lichtsome lilt o' sang.
Wife an' strife an' the pride o' life,
Woman an' war an' drink;
He sang o' them a' at e'enin's fa'
By aid o' the crambo-clink.

When the sharpest flint made the deepest dint,
An' the strongest worked his will,
He drew his tune frae the burnie's croon
An' the whistlin' win' o' the hill.
At the mou' o's cave to pleesure the lave,
He was singin' afore he could think,
An' the wife in bye hush'd the bairnie's cry
Wi' a swatch o' the crambo-clink.

Nae creetic was there wi' superior air
For the singer wha daur decry
When they saw the sheen o' the makar's een,
An' his han' on his axe forbye?
But the nicht grew auld an' he never devaul'd
While ane by ane they would slink,
Awa' at a rin to their beds o' skin
Frae the soun' o' the crambo-clink.


crambo-clink - rhyme, doggerel
lave - the rest
devaul'd - ceased
makar - poet
Title: Re: Scottish Poetry
Post by: Stirling Thompson on February 05, 2009, 10:17:21 AM
Carolina Oliphant, Lady Nairn 1766 - 1845

Although many people may not recognise her name, Carolina Oliphant's songs are second only in popularity to Burns. She wrote such classics as "Will Ye No' Come Back Again" and "Charlie is My Darling" and "Wi' 100 Pipers An' A'".

Carolina Oliphant was born on 16 August 1766 in Gask, Perthshire. Carolina became known as the "Flower of Strathearn" because of her beauty. Both her father and grandfather had joined Bonnie Prince Charlie in the 1745 Jacobite Uprising and she herself had been named after the Young Pretender (Carolina being the feminine form of Charles) so it is not perhaps surprising that many of her songs were sympathetic to the Jacobite cause.

In those days it was not appropriate for women of her social standing to publish poetry and so for a long time they were published under the pen-name of Mrs Bogan of Bogan. Even after marrying her second cousin, Major William Nairne in 1806, she kept her writing secret from him too! They had a son, born in 1808, when she was aged 43. In 1824, following a campaign by Sir Walter Scott, peerages and titles which had been forfeited as a result of the Jacobite Uprising were restored and so Caroline became Lady Nairne.

Like Robert Burns and James Hogg, Lady Nairne collected old folk tunes and modified or put her own words to them. She showed a love of the countryside in such songs as "The Rowan Tree" and "The Pentland Hills." Her poem "The Auld House" is about her birthplace in Gask and she showed her compassion in songs such as "Caller Herring" -

Wha'll buy my caller herrin?
Oh, ye may call them vulgar farin' -
Wives and mithers, maist despairin',
Ca' them lives o' men.

Her husband died in 1830 and she then travelled through Europe, returning to Gask two years before her death on 26th October 1845. She gave permission at that stage for her collected songs (87 in all) to be published as "Lays from Strathearn". They appeared in 1846.

The Land o' the Leal

I'm wearin' awa', John
Like snaw-wreaths in thaw, John,
I'm wearin' awa'
To the land o' the leal.

There 's nae sorrow there, John,
There 's neither cauld nor care, John,
The day is aye fair
In the land o' the leal.

Our bonnie bairn 's there, John,
She was baith gude and fair, John;
And O! we grudged her sair
To the land o' the leal.

But sorrow's sel' wears past, John,
And joy 's a-coming fast, John,
The joy that 's aye to last
In the land o' the leal.

Sae dear 's the joy was bought, John,
Sae free the battle fought, John,
That sinfu' man e'er brought
To the land o' the leal.

O, dry your glistening e'e, John!
My soul langs to be free, John,
And angels beckon me
To the land o' the leal.

O, haud ye leal and true, John!
Your day it 's wearin' through, John,
And I'll welcome you
To the land o' the leal.

Now fare-ye-weel, my ain John,
This warld's cares are vain, John,
We'll meet, and we'll be fain,
In the land o' the leal.

" Leal " means loyal, faithful or true.
A poem about love in old age and a certainty of a welcome in the World to Come.


Title: Re: Scottish Poetry
Post by: Stirling Thompson on February 09, 2009, 06:10:46 AM
Anyone familiar with more than the first line of this one? Not quite the nursery rhyme I remember from my childhood days.

Little Bo-Peep
George MacDonald (1824 - 1905)

Little Bo-Peep, she has lost her sheep,
And will not know where to find them;
They are over the height and out of sight,
Trailing their tails behind them!

Little Bo-Peep woke out of her sleep,
Jump'd up and set out to find them:
"The silly things! they've got no wings,
And they've left their trails behind them!

"They've taken their tails, but they've left their trails,
And so I shall follow and find them!"
For wherever a tail had dragged a trail
The grass lay bent behind them.

She washed in the brook, and caught up her crook.
And after her sheep did run
Along the trail that went up the dale
Across the grass in the sun.

She ran with a will, and she came to a hill
That went up steep like a spire;
On its very top the sun seemed to stop,
And burned like a flame of fire.

But now she went slow, for the hill did go
Up steeper as she went higher;
When she reached its crown, the sun was down,
Leaving a trail of fire.

And her sheep were gone, and hope she had none.
For now was no trail behind them.
Yes, there they were! long-tailed and fair!
But to see was not to find them!

Golden in hue, and rosy and blue,
And white as blossom of pears,
Her sheep they did run in the trail of the sun,
As she had been running in theirs!

After the sun like clouds they did run,
But she knew they were her sheep:
She sat down to cry and look up at the sky,
But she cried herself to sleep.

And as she slept the dew down wept,
And the wind did blow from the sky;
And doings strange brought a lovely change:
She woke with a different cry!

Nibble, nibble, crop, without a stop!
A hundred little lambs
Did pluck and eat the grass so sweet
That grew in the trail of their dams!

She gave one look, she caught up her crook,
Wiped away the sleep that did blind her;
And nibble-nibble-crop, without a stop
The lambs came nibbling behind her.

Home, home she came, both tired and lame,
With three times as large a stock;
In a month or more, they'll be sheep as before,
A lovely, long-wooled flock!

But what will she say, if, one fine day,
When they've got their bushiest tails,
Their grown-up game should be just the same,
And again she must follow mere trails?

Never weep, Bo-Peep, though you lose your sheep,
Tears will turn rainbow-laughter!
In the trail of the sun if the mothers did run,
The lambs are sure to run after;

But a day is coming when little feet drumming
Will wake you up to find them—
All the old sheep—how your heart will leap!—
With their big little lambs behind them!
Title: Re: Scottish Poetry
Post by: Stirling Thompson on February 12, 2009, 11:46:13 AM
A little something for Valentines Day...


I'll never love Thee more
by James Graham, Marquis of Montrose (1612-1650)

My dear and only Love, I pray
This noble world of thee
Be governed by no other sway
But purest monarchy;
For if confusion have a part,
Which virtuous souls abhor,
And hold a synod in thy heart,
I'll never love thee more.

Like Alexander I will reign,
And I will reign alone:
My thoughts shall evermore disdain
A rival on my throne.
He either fears his fate too much,
Or his deserts are small,
That puts it not unto the touch
To win or lose it all.

But I must rule and govern still,
And always give the law,
And have each subject at my will,
And all to stand in awe.
But 'gainst my battery, if I find
Thou shunn'st the prize so sore
As that thou sett'st me up a blind,
I'll never love thee more.

Or in the empire of thy heart,
Where I should solely be,
Another do pretend a part
And dares to vie with me;
Or if committees thou erect,
And go on such a score,
I'll sing and laugh at thy neglect,
And never love thee more.

But if thou wilt be constant then,
And faithful of thy word,
I'll make thee glorious by my pen
And famous by my sword:
I'll serve thee in such noble ways
Was never heard before;
I'll crown and deck thee all with bays,
And love thee evermore.
Title: Re: Scottish Poetry
Post by: Stirling Thompson on February 13, 2009, 11:44:25 AM
For Scotland
by Robert Fuller Murray (1863 - 1894)

Beyond the Cheviots and the Tweed,
Beyond the Firth of Forth,
My memory returns at speed
To Scotland and the North.

For still I keep, and ever shall,
A warm place in my heart for Scotland,
Scotland, Scotland,
A warm place in my heart for Scotland.

Oh, cruel off St. Andrew's Bay
The winds are wont to blow!
They either rest or gently play,
When there in dreams I go.

And there I wander, young again,
With limbs that do not tire,
Along the coast to Kittock's Den,
With whinbloom all afire.

I climb the Spindle Rock, and lie
And take my doubtful ease,
Between the ocean and the sky,
Derided by the breeze.

Where coloured mushrooms thickly grow,
Like flowers of brittle stalk,
To haunted Magus Muir I go,
By Lady Catherine's Walk.

In dreams the year I linger through,
In that familiar town,
Where all the youth I ever knew,
Burned up and flickered down.

There's not a rock that fronts the sea,
There's not an inland grove,
But has a tale to tell to me
Of friendship or of love.

And so I keep, and ever shall,
The best place in my heart for Scotland,
Scotland, Scotland,
The best place in my heart for Scotland!
Title: Re: Scottish Poetry
Post by: Mary on February 16, 2009, 08:33:08 AM
I know we don't take the time to thank you for posting the poetry often enough.....I just want to let you know that we DO read your posts and enjoy them thoroughly.  It's just like anything else - taking the time to post instead of just 'reading on the fly'.

THANK YOU! Keep it up!
Title: Re: Scottish Poetry
Post by: Stirling Thompson on February 24, 2009, 10:45:41 AM
Scotland by William Soutar


Atween the world o' licht
And the world that is to be
A man wi' unco sicht
Sees whaur he canna see:

Gangs whaur he canna walk:
Recks whaur he canna read:
Hauds what he canna tak:
Mells wi' the unborn dead.

Atween the world o' licht
And the world that is to be
A man wi' unco sicht
Monie a saul maun see:

Sauls that are stark and nesh:
Sauls that wud dree the day:
Sauls that are fain for flesh
But canna win the wey.

Hae ye the unco sicht
That sees atween and atween
This world that lowes in licht:
Yon world that hasna been?

It is owre late for fear,
Owre early for disclaim;
Whan ye come hameless here
And ken ye are at hame.

Title: Re: Scottish Poetry
Post by: Barbara on February 26, 2009, 04:07:55 PM
Stu, thanks for all your postings.  You were right in that I have never heard all of "Little Bo Peep" before, very interesting!

Barbara
Title: Re: Scottish Poetry
Post by: Stirling Thompson on February 27, 2009, 12:24:47 PM
Freedom of the Hills

Mine is the freedom of the tranquil hills
When vagrant breezes bend the sinewy grass,
While sunshine on the widespread landscape spills
And light as down the  fleet cloud-shadowed pass.

Mine, still, that freedom when the storm-clouds race,
Cracking their whips against defiant crags
And mists swirl boiling up from inky space
To vanish on the instant, torn to rags.

When winter grips the mountains in a vice,
Silently stifling with its pall of snow,
Checking the streams, draping the rocks in ice,
Still to their mantled summits I would go.

Sun-drenched, I sense the message they impart;
Storm-lashed, I hear it sing through every vein;
Among the snows it whispers to my heart
“Here is your freedom.   Taste - and come again.”

Douglas Fraser
             1968
Title: Re: Scottish Poetry
Post by: Stirling Thompson on March 03, 2009, 08:35:08 AM
Ken Whut Mum     by Scott Martin

Ken whut, Mum, eh nearly died the day.
Anither twa inches, that's a', and the bullet
Would hae been for me.
Somebody else got it, though.
A new boy, eighteen years young,
Hardly auld enough tae stand in a pub,
But man enough tae cerry thir gun.

Ken whut, Mum, eh thoct o'you the day.
That time, when eh wis eight,
An'sick in yir bed. An'you came hame,
Fae yir work in the Overgate,
An'you washed an' fed is, and left again.
That wis yir break. Some break,eh?
Sae lang ago now, no' even a footnote
In history, jist a fragment o' a memory
O'a different day, different fae this ane.

Eh'm sorry that eh didna dae better
At the skail. Eh should hae stuck in, eh?
Punted oot at fifteen, the polis
Forever at the door, whut a bloody tearaway
Eh wis. Eh jist wanted tae say
Sorry, and if eh git oota this,
Eh'll really dae meh best, yes
Ye dinna hae tae worry
Aboot me anymair, Fur eh swear
Eh'll nivir be a pest again.

Well, it's no self pity, but
Whut chance did we hae?
Beaten before we hud even begun
Late starters on this road o' life,
Like the weedy wee laddie at the skail sports,
Wha nivir wis chosen tae run.

Ken whut, Mum, the day,
Mibbe eh ken how ye felt,
Cus eh held that soul in meh arms,
An eh didna ken whut tae say
Tae mak the pain go awa.
So eh said nothin, jist wept wi shame
For the stupidity o' it a'.
An' they took him, somebody's son,
Wha hud died in the company o' strangers,
Far awa fae hame, an' no even kennin
Whut it wus, that he'd done wrang.

Ken whut, Mum, fur a' that's said and done,
Eh'm peyin the price now fur meh wrangs,
Yir silly, delinquent son.
An' when it's a' forgotten, even if it's lost or won,
Or when the politicians find somethin new-
An' this is between me and you-
Ken whut, it's you eh'll love,
Forever and ever, amen,
Eh'll always be jist yer son,
For eh wish that eh wis hame now,
Hearin the rattle o' cutlery
Fae the scullery, an'yir scratchy records playin,
An seein the green hills o' Fife,
Far awa, ower the Tay.
   
from http://www.ploughmanpoemforscotland.co.uk/index.htm
Title: Re: Scottish Poetry
Post by: Barbara on March 03, 2009, 09:54:00 PM
Oh, that was a sad one, brought a tear to my eyes.   :'(

Barbara
Title: Re: Scottish Poetry
Post by: Stirling Thompson on March 04, 2009, 05:25:25 AM
It has the same effect on me. But these are the ones that really mean something don't you think?
Title: Re: Scottish Poetry
Post by: Barbara on March 08, 2009, 12:04:26 AM
Yes I have to agree, the ones that bring out emotions in us are the great ones. 

Barbara
Title: Re: Scottish Poetry
Post by: Stirling Thompson on March 08, 2009, 09:59:01 AM
A Poem for Scotland
Ploughman

by Scott Martin

The year was 1941, my father told me,
And by moonlight, as he ploughed the field,
Plough and harness a dull grey silver
The dark clouds parted, and revealed
Nazi bombers, bound for Clydebank,
High above over Abernyte,
The boy below, frozen in furrow
Reins in hand, awed by the sight.

I never thought he was the weaker,
In the face of brutality he never bowed down
And the boy, with the horse and the plough, entrusted,
Ploughed his seed into the ground.

I saw a man, just like my father,
In a field planting rice, in Vietnam.
So small he looked, against the bombers,
In the face of vain strength, a resolute man,
A ploughman, like my father
And a man of the land,
Although cultures divide them,
Together they stand.

In Bosnia, I saw the children who fled,
Their homes destroyed, their parents dead.
Their fields unploughed and the seeds unsown,
Their graves unmarked and their names unknown.

They spoke to me of the moonlight man,
Standing alone, with horse and plough,
More than speeches or politicians,
He led the way, he showed me how,
That to stand alone is no great shame
If something is taken in another’s name.
And remember, always, that you are a man
And the reins are held in your own hand
And that children are seeds as yet unsown,
Who may, come the harvest, be your own.
Title: Re: Scottish Poetry
Post by: Mary on March 09, 2009, 09:25:03 AM
Well - this one did it for me! My family has been involved in every military 'action' since WW II......and now our son and 2 nephews carry on the tradition so the ploughmen of this country are free to look to the future.

Thanks, Stu.
Title: Re: Scottish Poetry
Post by: Stirling Thompson on March 10, 2009, 08:11:05 AM
I believe the poem below refers to this man...

Joseph Thomson (1858-95), Scottish explorer, who explored many parts of East Africa previously unseen by Europeans and filled his journals with valuable and detailed geographical information. He came upon (1879) Lake Rukwa (in modern Tanzania) and blazed a trail, unarmed, through the hostile Masai country between Zanzibar and present-day Uganda in 1882. Thomson explored (1885) modern northern Nigeria and joined (1890) Cecil Rhodes's British South Africa Company, negotiating mining and trade agreements in what is now Zambia.

Joseph Thomson by Alexander Anderson (1845 - 1909)

He sleeps among the hills he knew,
 They look upon his early rest,
The winds that in his childhood blew—
 They stir the grass upon his breast.


His grave is green in that sweet vale
 Where the fair river flows the same;
It rolls, and gathers to its tale
 The added memory of his name.


And youth is his: though time extends
 The growing years from spring to spring,
He still will be to all his friends
 Secure from what their touches bring.


Calm then will be his wished for rest
 After the weary toil of feet,
To sleep—the grass above his breast—
 And know that perfect peace is sweet.


O better thus than he should lie,
 To mingle with no kindred earth,
In the lone desert where the sky
 Burns all things into fiery dearth,


And where not even one kindly eye
 Could note the grave wherein he slept;
The dusky savage passing by
 Would heed it not as on he swept.


But this was not to be: he lies
 Near to the murmur of his rills;
He rests beneath our Scottish skies,
 And in the silence of his hills.


His feet had travelled far in lands
 Where all was strange and ever new;
And he was girt by swarthy bands
 That round his eager footsteps drew.


But yet, when spending all his strength,
 And when the shadow by his side
The beckoning finger raised at length,
 It was not in those lands he died.


The roar of London and the rush
 Of all that mighty life he heard—
And then the silence and the hush
 By which his early youth was stirred.


Within this hush he sleeps; no call
 To feel the wild desire to roam
Around the hills he knew, and all
 The well-known fields and paths of home.


His grave is green in that sweet vale
 Where the fair Nith flows on the same;
It rolls, and gathers to its tale
 The dear possession of his name.
Title: Re: Scottish Poetry
Post by: Michael Thompson on March 12, 2009, 01:51:03 PM
I got this one from a friend. It could just have easily gone in the Jokes thread, but it's certainly apropos for any of us who've been to a Rabbie Burns supper.

> > TAE A FERT
> >
> > Oh what a sleekit horrible beastie,
> > Lurks in yer belly efter the feastie.
> > Just as ye sit doon among yer kin,
> > There sterts to stir an enormous wind.
> >
> > The neeps and tatties and mushy peas,
> > Stert workin like a gentle breeze.
> > But soon the puddin' wi the sauncie face,
> > Will have ye blawin' all ower the place.
> >
> > Nae matter whit ye try tae dae,
> > A'bodys gonnae have tae pay.
> > Even if ye try to stifle,
> > It's like a bullet oot a rifle.
> >
> > Hawd yer bum tight tae the chair,
> > Tae try and stop the leakin' air.
> > Shift yersel frae cheek tae cheek,
> > Pray tae God it doesny reek.
> >
> > But aw yer efforts go assunder,
> > Oot it comes - a clap o' thunder.
> > Ricochets aroon the room,
> > Michty me, a sonic boom!
> >
> > God almighty it fairly reeks,
> > Hope I huvnae pooed ma breeks!
> > Tae the loo I better scurry,
> > Aw who cares, its no ma worry.
> >
> > A'body roon aboot me chokin,
> > Wan or two are nearly bokin.
> > I'll feel better for a while,
> > Cannae help but raise a smile.
> >
> > "Wis him!" I shout with accusin' glower,
> > Alas too late, he's just keeled ower!
> > "Ye dirty thing!" they shout and stare,
> > I don't feel welcome any mair.
> >
> > Where ere ye go let yer wind gang free,
> > Sounds like just the job fur me.
> > Whit a fuss at Rabbie's perty,
> > Ower the sake o' wan wee ferty!!!
Title: Re: Scottish Poetry
Post by: Stirling Thompson on March 13, 2009, 11:29:48 AM

Blows The Wind Today

by Robert Louis Stevenson


Blows the wind today, and the sun and the rain are flying,

Blows the wind on the moors today and now,

Where about the graves of the martyrs the whaups are crying,

My heart remembers how!

 

Grey recumbent tombs of the dead in desert places,

Standing stones on the vacant wine-red moor,

Hills of sheep, and the howes of the silent vanished races,

And winds, austere and pure:

 

Be it granted to me to behold you again in dying,

Hills of home! and to hear again the call;

Hear about the graves of the martyrs the peewees crying,

And hear no more at all.

 
Title: Re: Scottish Poetry
Post by: Stirling Thompson on March 16, 2009, 08:50:50 AM
Pippa Little was born in East Africa and raised in Scotland but has lived in Northumberland for the past 17 years, where she is married to a border reiver descendant and has three sons. She won an Eric Gregory Award, was a Royal Literary Fund mentee with Gillian Allnutt, co-edited Writing Women and her poetry has appeared in many anthologies and magazines. Her collection, The Spar Box, published by Vane Women, was a Poetry Book Society Pamphlet Choice.

Shame Go In Thy Company: the title is a line taken from the border ballad Dick o the Cow.

Shame Go In Thy Company

I rarely touch you now,
Hard-boned and bearded,
Bearer of arms, long-
Thighed stranger

But when the wind from the north woke you crying
I’d swing you in my arms, a swaddled bundle,
Feel your fear slip away until you slept on me
Loose-limbed as a cat, if I shifted
You’d mumble and reach out, moulding us
Together, rubbing the corner of my sleeve
Against your mouth,

I knew everywhere of you,
Landscape I was queen of:
Queerness of that exile now,
A wanting, almost,
I cannot recognise
But suffer:

These nights you ride,
Return sweaty, exhausted,
Fling your sword down, unlace your boots,
Refuse to look me in the eye –

I smell my own kind, woman, on your flesh,
In the palms of your hands.
Forced or willing,
I know both

And we, you and I,
Stand divided by a border
Lonely as the end of the world.

Title: Re: Scottish Poetry
Post by: Mary on March 16, 2009, 02:33:35 PM
Wonderful!
Title: Re: Scottish Poetry
Post by: Stirling Thompson on March 23, 2009, 12:03:40 PM
By Robbie Burns...

The Banks Of Bonnie Doon

Ye flowery banks o' bonnie Doon,
How can ye blume sae fair!
How can ye chant, ye little birds,
And I sae fu' o' care!

Thou'll break my heart, thou bonnie bird
That sings upon the bough;
Thou minds me o' the happy days
When my fause* Luve was true.

Thou'll break my heart, thou bonnie bird
That sings beside thy mate;
For sae I sat, and sae I sang,
And wist na o' my fate.

Aft hae I roved by bonnie Doon
To see the woodbine twine,
And ilka* bird sang o' its love;
And sae did I o' mine.

Wi' lightsome heart I pu'd a rose,
Frae aff its thorny tree;
And my fause luver staw* the rose,
But left the thorn wi' me.

*fause = false, ilka = every, staw = stole
Title: Re: Scottish Poetry
Post by: Michael Thompson on March 23, 2009, 07:07:30 PM
The Banks Of Bonnie Doon

That one brought a wee tear to me eye... :(

Title: Re: Scottish Poetry
Post by: Stirling Thompson on April 01, 2009, 11:10:16 AM
It 's Hame, And It 's Hame

It 's hame, and it 's hame, hame fain wad I be,
An' it 's hame, hame, hame, to my ain countree!
When the flower is i' the bud and the leaf is on the tree,
The lark shall sing me hame in my ain countree;
It 's hame, and it 's hame, hame fain wad I be,
An' it 's hame, hame, hame, to my ain countree!

The green leaf o'loyaltie 's beginning for to fa',
The bonnie white rose it is withering an' a';
But I 'll water't wi' the blude of usurping tyrannie,
An' green it will grow in my ain countree.
It 's hame, and it 's hame, hame fain wad I be,
An' it 's hame, hame, hame, to my ain countree!

There 's naught now frae ruin my country can save,
But the keys o' kind heaven to open the grave,
That a' the noble martyrs who dies for loyaltie,
May rise again and fight for their ain countree.
It 's hame, and it 's hame, haim fain wad I be,
An' it 's hame, hame, hame, to my ain countree!

The great now are gane, a' who ventured to save,
The new grass is springing on the tap o' their grave;
But the sun thro' the mirk blinks blythe in my ee:
"I 'll shine on ye yet in your ain countree."
It 's hame, and it 's hame, hame fain wad I be,
An' it 's hame, hame, hame, to my ain countree!


Allan Cunningham . 1784-1842

Title: Re: Scottish Poetry
Post by: Stirling Thompson on April 03, 2009, 09:33:25 AM
The Flowers Of The Forest

The lady who wrote this haunting song of national sorrow was the daughter of Sir Gilbert Elliot of Minto, Lord Justice-clerk of Scotland. She died in 1805. It is said that, following a talk about the disaster at Flodden, Sir Gilbert offered a bet that Miss Jean could not compose a ballad on the subject. How magnificently she pieced together the fragments of a lost ballad may be judged from this reply to the challenge.


I've heard the lilting at our yowe-milking,
Lasses a-lilting before the dawn of day;
But now they are moaning in ilka green loaning
The Flowers of the Forest are a' wede away.

At buchts, in the morning, nae biythe lads are scorning, The lasses are lonely, and dowie, and wae;
Nae damn', nae gabbin', but sighing and sabbing,
Ilk ane lifts her leglen and hies her away.

In hairst, at the shearing, nae youths now are jeering, The bandsters are lyart, and runkled, and gray;
At fair, or at preaching, nae wooing, nae fleeching
The Flowers of the Forest are a' wede away.

At e'en, at the gloaming, nae swankies are roaming, 'Bout stacks wi' the lasses at bogle to play;
But ilk ane sits drearie, lamenting her dearie
The Flowers of the Forest are a' wede away.

Dule and wae for the order sent our lads to the Border! The English, for aince, by guile wan the day;
The Flowers of the Forest, that focht aye the foremost, The prime o' our land, are cauld in the clay.

Weir hear nae mair lilting at our yowe-milking,
Women and bairns are heartless and wae;
Sighing and moaning on ilka green loaning
The Flowers of the Forest are a' wede away.

Jean Elliot.
Title: Re: Scottish Poetry
Post by: Stirling Thompson on April 14, 2009, 11:11:18 AM
I have no clue what this is about but I like it anyway!

Louis MacNeice (1907 - 1963)

Bagpipe Music

It's no go the merrygoround, it's no go the rickshaw,
  All we want is a limousine and a ticket for the peepshow.
  Their knickers are made of crepe-de-chine, their shoes are made of python,
  Their halls are lined with tiger rugs and their walls with head of bison.

  John MacDonald found a corpse, put it under the sofa,
  Waited till it came to life and hit it with a poker,
  Sold its eyes for souvenirs, sold its blood for whiskey,
  Kept its bones for dumbbells to use when he was fifty.

  It's no go the Yogi-man, it's no go Blavatsky,
  All we want is a bank balance and a bit of skirt in a taxi.

  Annie MacDougall went to milk, caught her foot in the heather,
  Woke to hear a dance record playing of Old Vienna.
  It's no go your maidenheads, it's no go your culture,
  All we want is a Dunlop tire and the devil mend the puncture.

  The Laird o' Phelps spent Hogmanay declaring he was sober,
  Counted his feet to prove the fact and found he had one foot over.
  Mrs. Carmichael had her fifth, looked at the job with repulsion,
  Said to the midwife "Take it away; I'm through with overproduction."

  It's no go the gossip column, it's no go the Ceilidh,
  All we want is a mother's help and a sugar-stick for the baby.

  Willie Murray cut his thumb, couldn't count the damage,
  Took the hide of an Ayrshire cow and used it for a bandage.
  His brother caught three hundred cran when the seas were lavish,
  Threw the bleeders back in the sea and went upon the parish.

  It's no go the Herring Board, it's no go the Bible,
  All we want is a packet of fags when our hands are idle.

  It's no go the picture palace, it's no go the stadium,
  It's no go the country cot with a pot of pink geraniums,
  It's no go the Government grants, it's no go the elections,
  Sit on your arse for fifty years and hang your hat on a pension.

  It's no go my honey love, it's no go my poppet;
  Work your hands from day to day, the winds will blow the profit.
  The glass is falling hour by hour, the glass will fall forever,
  But if you break the bloody glass you won't hold up the weather.
Title: Re: Scottish Poetry
Post by: Michael Thompson on April 14, 2009, 09:42:39 PM
It is strange Stu, but kind of fun nonetheless.
Title: Re: Scottish Poetry
Post by: Stirling Thompson on May 05, 2009, 10:29:12 AM
For all that we are about to receive...

- Selkirk Grace

    Although the "Selkirk Grace" is attributed to Robert Burns, a version of this stanza was known in the 17th century as the Galloway Grace or the Covenanters' Grace and was said in Lallans (the Lowland Scots dialect). It is this version (version (1) below) which is usually used at Burns Suppers. Traditionally, Burns is said to have delivered an extempore version in Standard English at a dinner given by the Earl of Selkirk (version (2) below).

    Burns also composed other graces and two of these are shown below.

           Selkirk Grace (1)
        Some hae meat and canna eat,
           And some wad eat that want it;
        But we hae meat, and we can eat,
           Sae let the Lord be thankit.

        The last line is often varied to read-
        And sae the Lord be thankit
           
              Selkirk Grace (2)
        Some have meat and cannot eat,
           Some cannot eat that want it;
        But we have meat and we can eat,
           So let the Lord be thankit.

          A Grace Before Dinner
        O thou who kindly dost provide
           For ev'ry creature's want!
        We bless the God of Nature wide,
           For all Thy goodness lent.

        And if it please Thee, heavenly Guide,
           May never worse be sent;
        But, whether granted or denied,
           Lord, bless us with content.

          A Grace After Dinner
        O Thou, in whom we live and move,
           Who made the sea and shore,
        Thou goodness constantly we prove,
           And, grateful, would adore.

        And, if it please Thee, Power above!
           Still grant us with such store
        The friend we trust, the fair we love,
           And we desire no more.

Title: Re: Scottish Poetry
Post by: Stirling Thompson on May 14, 2009, 10:40:26 AM

The Return (A Piper's Vaunting)
by James Pittendrigh Macgillivray
1856-1938

Och hey! for the splendour of tartans!
And hey for the dirk and the targe!
The race that was hard as the Spartans
Shall return again to the charge:
Shall come back again to the heather,
Like eagles, with beak and with claws
To take and to scatter for ever
The Sasennach thieves and their laws.
Och, then, for the bonnet and feather!
The pipe and its vaunting clear:
Och, then, for the glens and the heather!
And all that the Gael holds dear.
Title: Re: Scottish Poetry
Post by: Michael Thompson on May 14, 2009, 09:10:28 PM
And alas, the Sassenach still holds sway...
Title: Re: Scottish Poetry
Post by: Stirling Thompson on June 01, 2009, 07:21:47 AM
Address To The Shade Of Thomson - Robert Burns
On Crowning His Bust at Ednam, Roxburghshire, with a Wreath of Bays.

1791


    While virgin Spring by Eden's flood,
    Unfolds her tender mantle green,
    Or pranks the sod in frolic mood,
    Or tunes Eolian strains between.

    While Summer, with a matron grace,
    Retreats to Dryburgh's cooling shade,
    Yet oft, delighted, stops to trace
    The progress of the spiky blade.

    While Autumn, benefactor kind,
    By Tweed erects his aged head,
    And sees, with self-approving mind,
    Each creature on his bounty fed.

    While maniac Winter rages o'er
    The hills whence classic Yarrow flows,
    Rousing the turbid torrent's roar,
    Or sweeping, wild, a waste of snows.

    So long, sweet Poet of the year!
    Shall bloom that wreath thou well hast won;
    While Scotia, with exulting tear,
    Proclaims that Thomson was her son.

Title: Re: Scottish Poetry
Post by: Stirling Thompson on June 16, 2009, 06:37:58 AM
Poet of Lochgelly

Against the wall of the old chancel in the kirkyard facing Auchterderran Kirk stands a most unusual headstone. It marks the grave of the Poet of Lochgelly, John Pindar, whose real name was Peter Leslie.

He was born in 1836 of poor parents and after a scanty education went to work in the pits at the age of nine.There he remained "in dark dreary drudgery" until, in his 23rd year, he enlisted in a regiment of Fusiliers.He wrote his "Autobiography of a Private Soldier" describing his interesting life in the army. Many of his poems were composed during his military service in India.

After many years, Pindar returned to his native Lochgelly to eke out a miserable existence on his pension of one shilling a day. Disabled in an accident, he was unable to do manual work. He was appointed hall—keeper at the Volunteer Hall, Lochgelly, but his income from that was very modest. By arranging to have Pindar's poems published the Rev. A.M.Houston of Auchterderran hoped to make life a little easier for an old soldier.

The Kirk of Auchterderran

The dear auld kirk I lo'e it weel,
Where sainted dust repose;
It stands amang the leafy trees,
Near where the burnie flows.
Wavering memory brings to view
The days when,but a bairn
I toddled wi'my father to
The Kirk o' Auchterderran.
Beneath the shadow o' your dome
My aged parents lie;
May I wi'them find my last home
Whene'er I come to die.

Pindar got his wish to be buried in Auchterderran Kirkyard and because he had no money to leave for a tombstone, the Rev. A.M. Houston had a memorial stone assembled for his burial place from the remains of broken stones lying in the kirkyard.
   


Title: Re: Scottish Poetry
Post by: Stirling Thompson on June 19, 2009, 08:48:01 AM
                                               The Sidlaw Hills
                                                     by R. Ford



                                        There's nae hills like the Scottish hills
                                            'Mang a' that rise and fa',
                                        The Lowthers and the Grampions,
                                            Sae buirdly and sae braw ;
                                        The Pentlands and the Ochils,
                                            Sae comely aye to see, -
                                        O' a' the hills o' Scotland still,
                                            The Sidlaw Hills for me.
         
                                        An' why sae dear the Sidlaws ?
                                            Ah, that's the tale to tell ;
                                        It's no' their buik, - though a' in ane
                                            They wadna match Goatfell.
                                        They wadna mak Ben Nevis,
                                            Though biggit three on three,
                                        Yet Goatfell nor Ben Nevis
                                            Is hauf sae dear to me.
         
                                        Oh. I can leave Ben Nevis,
                                            Nor feel a partin' pang ;
                                        Goatfell, too, and Ben Lomond,
                                            Sae bauld the hills amang ;
                                        But aye my heart gaes dunt for dunt,
                                            Whaurever I may be,
                                        If ane but names the Sidlaws,
                                            The hills o' hame, to me.
         
                                        Ilk' time we cross the Ochils
                                            My e'e darts ower Strathmore -
                                        It's first Kinnoull, then Murray's Ha',
                                            Syne ithers hauf a score ;
                                        Dunsinnan and Kinpurnie,
                                            And a' sae fair to see :
                                        They're wee bit knowes the Sidlaws,
                                            But, oh, they're dear to me.
         
                                        They're dear to me for mony ties
                                            My heart will never tyne,
                                        For sichts an' soun's their very thocht
                                            Reca's frae auld lang syne.
                                        O' those wi' whom I speil'd their broos
                                            Bare-leggit to the knee,
                                        An' but to clasp their han's again
                                            There's nocht I wadna gi'e.
         
                                        Then sing's ye like o' ither hills,
                                            And a' their glories tell,
                                        The Lowthers an' the Grampions,
                                            Ben Nevis an' Goatfell ;
                                        But dinna ferlie though I sit
                                            An' never lift an e'e :
                                        They're wee bit knowes the Sidlaws,
                                            But, oh, they're dear to me.

Title: Re: Scottish Poetry
Post by: Stirling Thompson on June 23, 2009, 07:29:01 AM
Abbotsford is the home of Sir Walter Scott and this poem is about them both.

Abbotsford
tooled in gold


I lit a candle for you today, at Abbotsford,
where the sun lay warm upon the walls
and roses spread richness on our afternoon.
In the library, the books glowed as
a shaft of light fell on titles, tooled in gold
by some forgotten, artistic hand.
The chairs are empty waiting still, for
the feel and stroke of friendly hands
along the polished, well worn wood.
And on the table, your green and white
looked freshly used, content.
In the gardens, beyond the yews
theres a seat, where dreams were dreamt,
to lie amongst the purples, blue and pink
and people all the nooks and crannies
in tall stone walls, hedged and
blanketed by fragrant, new-cut yew.
So quiet, so hushed, the silence so deep
I could hear your pen scratch,
and splutter over paper on the desk,
beyond the windows, beyond the grass
the river runs its everlasting course,
carrying your essence, your very soul,
between green banks, and pale-smooth stones

...and when I go to sleep at night,

I’ll think of Abbotsford,

and you.



Pim Claridge

http://www.pimclaridge.com/index.html
Title: Re: Scottish Poetry
Post by: Stirling Thompson on June 26, 2009, 09:54:07 AM
Highland Mary
Robert Burns

I
Ye banks and braes, and streams around,
The castle o' Montgomery,
Green be your woods, and fair your flowers,
Your waters never drumlie!
There simmer first unfauld her robes,
And there the langest tarry;
For there I took the last fareweel
O my sweet Highland Mary.

II
How sweetly bloom'd the gay green birk!
How rich the hawthorn's blossom!
As underneath their fragrant shade,
I clasped her to my bosom!
The golden hours, on angel wings,
Flew o'er me and my dearie;
For dear to me, as light and life,
Was my sweet Highland Mary.

III
Wi' mony a vow, and lock'd embrace,
Our parting was fu' tender;
And, pledging aft to meet again,
We tore oursel's asunder;
But, oh! fell Death's untimely frost,
That nipt my flower sae early!--
Now green's the sod, and cauld's the clay,
That wraps my Highland Mary!

IV
Oh pale, pale now, those rosy lips,
I aft hae kiss'd sae fondly!
And clos'd for aye the sparkling glance
That dwelt on me sae kindly!
And mouldering now in silent dust
That heart that lo'ed me dearly--
But still within my bosom's core
Shall live my Highland Mary!
Title: Re: Scottish Poetry
Post by: Stirling Thompson on June 29, 2009, 08:39:20 AM
This poem by 'Banjo' Paterson, best remembered as the author of 'Waltzing Matilda' takes place during the Boer War in South Africa.

The Scottish Engineer
by Andrew Barton 'Banjo' Paterson (1864 - 1941)


With eyes that searched in the dark,
Peering along the line,
Stood the grim Scotsman, Hector Clark,
Driver of "Forty-nine".
And the veldt-fire flamed on the hills ahead,
Like a blood-red beacon sign.

There was word of a fight to the north,
And a column too hardly pressed,
So they started the Highlanders forth.
Heedless of food or rest.

But the pipers gaily played,
Chanting their fierce delight,
And the armoured carriages rocked and swayed.
Laden with men of the Scots Brigade,
Hurrying up to the fight,
And the grim, grey Highland engineer
Driving them into the night.

Then a signal light glowed red,
And a picket came to the track.
"Enemy holding the line ahead;
Three of our mates we have left for dead,
Only we two got back."
And far to the north through the still night air
They heard the rifles crack.

And the boom of a gun rang out,
Like the sound of a deep appeal,
And the picket stood in doubt
By the side of the driving-wheel.

But the engineer looked down,
With his hand on the starting-bar,
"Ride ye back to the town,
Ye know what my orders are,
Maybe they're wanting the Scots Brigade
Up on those hills afar.

"I am no soldier at all,
Only an engineer;
But I could not bear that the folk should say
Over in Scotland -- Glasgow way --
That Hector Clark stayed here
With the Scots Brigade till the foe was gone,
With ever a rail to run her on.
Ready behind! Stand clear!

"Fireman, get you gone
Into the armoured train --
I will drive her alone;
One more trip -- and perhaps the last --
With a well-raked fire and an open blast;
Hark to the rifles again!"

On through the choking dark,
Never a lamp nor a light,
Never an engine spark
Showing her hurried flight,
Over the lonely plain
Rushed the great armoured train,
Hurrying up to the fight.

Then with her living freight
On to the foe she came,
And the rides snapped their hate.
And the darkness spouted flame.

Over the roar of the fray
The hungry bullets whined,
As she dashed through the foe that lay
Loading and firing blind,
Till the glare of the furnace, burning clear,
Showed them the form of the engineer

Sharply and well defined.
Through! They are safely through!
Hark to the column's cheer!
Surely the driver knew
He was to halt her here;
But he took no heed of the signals red,
And the fireman found, when he climbed ahead,
There on the door of his engine -- dead --
The Scottish Engineer!
Title: Re: Scottish Poetry
Post by: Stirling Thompson on June 30, 2009, 09:47:49 AM
The Highland Clearance
by Frank McNie

The rain that makes our Highlands green
tears from broken hearts
torn from life that's always been
forced to foreign parts
the highland soul from homeland wrenched
blind loyalty betrayed
the thirst for money must be quenched
decency forbade
of what importance a family's home
that stands in rich man's way
when he needs the fields for sheep to roam
and his tenants cannot pay
forsaken is the chieftains pledge
to hold his clansmen true
force them to the waters edge
to a life they never knew
no matter that they starve and die
improvements are a must
money, London fashions buy
and sheep can fill that lust
that rain that makes our Highlands green
cant wash away their sins
they'll pay the price when it is seen
murderous origins
damn them for their interference
the misery and pain
those architects of highland clearance
whose families still remain
their dynasties still rule the lands
with arrogant impunity
lets show the blood that's on their hands
and cancel all immunity.
Title: Re: Scottish Poetry
Post by: Donna on June 30, 2009, 09:54:38 PM
 :'(

Donna
Title: Re: Scottish Poetry
Post by: Stirling Thompson on July 23, 2009, 08:39:44 AM
From the Rampant Scotland website...

    A Wish for The Children
          by Walter Wingate

    Through the summer paradise
              May their golden hours
    Flit like wildered butterflies
              In a maze of flowers!
    Pleasure wake them morn by morn;
    Roses deck them from the thorn:
    Poppies crown them from the corn;
    Night with her enchanted horn
    Woo them like a Hamelin band
              Over vale and steep
    To a fairer wonderland
              Through the gates of sleep;
    Till the pools along the shore
    Can enrich them nothing more;
    Till the meadows jeweled floor
    Weary with familiar love;
    Till the home-thought comes to croon
              Sweetly ‘oer the seas
    As to languid afternoon
              Comes the sweet sea-breeze!

    Meaning of unusual words:
    Hamelin - refers to the Pied Piper of Hamlin

Title: Re: Scottish Poetry
Post by: Stirling Thompson on October 05, 2009, 06:20:15 AM
The following poem may serve as a "lassies' reply," as well as a rejoinder to Tam o' Shanter. It was contributed, via a circuitous Internet route, by a Burns Night celebrant from Burray, in the Orkney Islands.


    Kate O'Shanter

    And where do you suppose was Kate
    When market days were wearin late
    While Tam frequented wretched dives
    and fooled aroond wi landlord's wives?

    And rode poor Meg through mud and ditches
    and had an eye for handsome witches

    Played peepin Tam at Alloway
    And yelled and gave himself away
    And fled from there amid the din
    And Maggie hardly saved his skin

    Kate slaved away the lifelong day
    They had so many bills to pay
    The twins just had to have new shoes
    And Tam he spent so much on booze

    She bathed and clothed and fed the twins
    She baked the bread, she knits and spins
    She does the wash, she mends the clothes
    And what all else God only knows!

    She keeps the house all neat and trim
    And makes the lunch for ploughboy Jim
    A neighbour lad they hire by day
    Who does Tam's work while Tam's away

    She herds the sheep and cattle too
    Feeds hens, milks cows and when she's through
    makes cheese and butter and gathers eggs
    And puts the homebrew in the kegs

    For Tam to sell on market day
    And drink the proceeds half away

    At harvest time from early morn
    Her sickle reaps the oats and corn
    And many a bonny summer day
    She and ploughboy Jim - make hay

    When Tam got home that night at 4
    And Maggie found the stable door
    Tam stumbled senseless to the floor
    To sleep it off 8 hours or more

    He tossed and turned through hail and rain
    And through the nightmare ride again
    Aboot the middle of the day
    The livestock had a lot to say

    The chickens, donkeys, geese, hens and cows
    Said we want food we want it NOW
    Tam stirred then from his lowly bed
    and saw Meg's stump above his head

    An awfu thought ran through his brain
    Oh God - that wisna hail and rain!

    Tam struggled slowly tae his feet
    He wisna clean he wisna neat
    He scraped aff what he could but when
    He made his way from but to ben

    Tam stood dumbfounded - what the hell
    For Kate was gone - the twins as well

    But Kate had left a note for him
    "I've sailed to Montreal wi Jim"
    And we expect to settle soon
    Out on a farm near Saskatoon!

    Forgive me Tam and don't be sore
    A couldna tak it any more
    I had tae find a better way
    Before I'd slaved my youth away

    I had tae try and save myself
    (You'll find the oatmeal on the shelf)
    Don't fash yourself aboot the twins
    I might as well confess - they're Jims!!
Title: Re: Scottish Poetry
Post by: Donna on October 06, 2009, 12:55:55 AM
Hey Y'all, our Stu's back!

Donna
Title: Re: Scottish Poetry
Post by: Stirling Thompson on October 06, 2009, 10:18:53 AM
I do not know the author and it is quite long but worth the read.

John Tamson's Bairns

DEDICATION.

To Her who of her palaces hath made
A Home wherein the lowly Christ might dwell
And off, in simple guise, beneath the shade
Of cottage roof hath found, and loved it well,
A palace richer than her own, arrayed
With heavenly peace and joy unspeakable
To Her would I, far off, on bended knees;
Devotion's unskilled offering, offer these.

I.

Edenic Toil! who would not hope to share
Thy silken yoke and uncomplaining breast?
No groan from lungs of brass then vex'd the air,
Nor beads of grime dropt from the brow oppress'd,
Mingling with bread of tears, life's daily fare,—
More sweet thy labour was than is our rest
When in the calm of Sabbath morn embower'd,
And with the breath of dewy roses dower'd.

II.

John Tamson dwelt in Eden;—not that place
Where no sharp weeds bestrewed the velvet floor;
Where never taint of sorrow marr'd the face;
Nor cripple vagrant limped from door to door;
Nor mossy fields were stoned in deep disgrace;
Nor naked feet by frosts were bitten sore;
It stood—still stands—apart from Scripture story,
Somewhere not far from Fife, or Tobermory.

III.

On lawful days a cobbler's craft he plied
At open door, close by the babbling street;
With cunning art well-spent on brutish hide
He gave heroic help to human feet,—
Thence well prepared, whatever might betide,
To wade thro' bloody fields, or blustering sleet,
To tread the snow-drift, leap the moorland hag,
Or tempt the frowning brows of mountain crag.

IV.

He was not old, but he had crossed the line
Which bounds the middle stream from farther shore;
Neighbours could see his "croon" begin to shine,
And how the sable hair was tinged with hoar;
He thumped his knee, and rax'd the resinous twine
(Himself well knew) less bravely than before;
And oft would pause and gaze on passers-by
With weary, wistful, unperceiving eye.

V.

Yet was he blessed sevenfold in gentle wife,
Of stature small, but with enshrined soul
Just large enough to grace a lowly life,
And clasp the earth in love from pole to pole;—
If Thought means Power and tears can hinder strife,
Kings felt but did not know her sweet control
Not less from cottage than Cathedral chair
God hears the wrestling spirit's inwrought prayer.

VI.

These two were mated years past three times ten,
Each to the other's changeless full content;
Blithesome they took their little "but and ben,"
And there in frugal peace their days were spent,
Near by the echoing murmurs of the glen
Where once their lover's troth to heaven was sent,
And carrier angels came with glad accord
To bless their honest toil, their bed and board.

VII.
Humble their cares and small their household stock,
Simple and few, yet of substantial kind,—
Plain dresser, chest of drawers, the eight-day clock,
Meal-kist and bookcase, food for frame and mind;
Cupboard of curious wares, a dainty flock
That shyly peep'd from crystal doors behind;
Cat and canary—cage with muslin frill;
Flower-pot with moss-rose on the window-sill.

VIII.

The Bible foremost, undisputed lord,
To whom all else paid reverential due;
Not least, a rusty basket-hilted sword
Which some brave hand for God and Covenant drew;
Next, the broad stool whereon the cobbler bored
And beat the pliant leather old and new;—
And rocking-cradle, that need rock no more,
Not in dishonour laid behind the door.

IX.

Within a score of summers, one by one
Nine bairns had come to fill that downy nest;
Three died ere yet their infant days had run
One at the Cape, two dwelt in the Far West;
A maid who saw her bridal year begun
Had kirkyard gowan's growing on her breast
Before it closed; a sailor lad was drown'd;
Another lost and searched for—never found.

X.

In Israel's palmy age no godly seed
Was ever rear'd with holier fear than they
Was earlier taught that God was God indeed,
Guardian of human frailty night and day,
Whence they might look for help in time of need,
Whom only serve, on whom alone might stay;
And when the righteous cause was in the field
Might staunchly die, but neither spare nor yield.

XI.

The Sabbath came, for pleasure not their own;
Benignant angel from Jehovah sent,
To salve the eyes, and move the heart of stone
With thankfulness, and love, and pure intent;
That seed of life might not in vain be sown,—
So to their Hill of Zion forth they went
In clean attire, and of the little band
Not one drew near to God with empty hand.

XIII.
Not one sat listless in the House of Prayer,
The high-back'd pew, familiar family nook;
Mother, well-pleased, would smooth her lambkin's hair,
And scent the fragrant leaf that mark'd her book;
Nor would the boys, from love and reverence, dare
To tempt the solemn father's side-long look;
God spake, and all alike felt wholesome dread
What might befall to callous heart or head.

XIII.

Incense more free and holier still would rise
When John and she, the priestess of the hearth,
Each day renewed their fireside sacrifice,
And worshipp'd God with mingling fear and mirth;—
Like Jacob's ladder lifted to the skies,
So did the aspiring soul surmount the earth,
To drink unspoken joy at heavenly springs
Amid sweet odours waft by angels' wings.

XIV.

The floor swept clean, as tho' for Christ's own feet;
No sloven attitude, nor thing mislaid;
Each child well knew, with face most gravely sweet,
The very fly, if buzzing noise it made,
Would be rebuked when father took his seat
And took the Book, and sang, and read, and prayed;
And so God's blessing caught them on their knees—
How strong the nation built of homes like these!

XV.


Alas! this pious home was vacant now
Of chattering voices and of children's cares;
A silent sadness on the cobbler's brow
Long since had settled almost unawares.
Most kind was she who shared his nuptial vow
And proud parental joy that once was theirs;
But love will sooner stay the sunset sheen
Than brighten hope with bloom that might have been.

XVI

At eve one day of wet and wintry breeze
John sat demurely at the Book and read
"Whoso shall give to drink to one of these;"
Just then a bairnly voice broke in and said,
"Help a puir wean the nicht, mem, if you please;"
The pleading of a beggar boy for bread.
He tried the latch, by rarest chance not fast,
Peep'd in, his eyes with recent tears o'ercast.

XVII.

Up rose the cobbler's wife, his gentle Ann,
Took in the boy and said, "What brings ye here
In sic a nicht sae late, my puir wee man?"
"My mither's dead," said he with gathering tear;
"I'm cauld and hungry and my name is Dan;
My mither's dead and gane this mony a year."
"But wha's your faither,—you're no left your lane?"
"My faither, mem! oh, please, I ne'er had nane."

XVIII.

"Nae faither!" and she eyed the little elf,
The while her bosom heaved with strange desire.
With a shrewd glance at John, her other self,
She set the boy to dry before the fire,
Syne rax'd a barley bannock from the shelf;
"Rae, lad, nae better does a king require;"
So whilst the lad consumed this kingly fare
They spent the interrupted hour of prayer.

XIX.

Oh, saddest in a child! a worn, sad face
Had Dan, but haply nothing to forbid;
No infant crimes had there their nursing-place,
Nor crafty glance was lurking 'neath the lid;
His very rags had tongues to plead his case
In such a home as this—and so they did.
John's voice groan'd deep, with burden'd soul oppress'd:
"God of the fatherless, Thou knowest best!"

XX.

The Book laid by, the cobbler then began
To ask him whose he was and whence he came;
But this did sore perplex our little man—
He did not know, and he was not to blame.
His memory could reach no further than
A place beyond the sea he called his hame
A darling mother who had clasped him there,
Patted his dimpled cheek and stroked his hair.

XXI.

That night, with no begrudging hand, they spread
A woolly couch for weary Dan to sleep;
Kind sleep! the poor man's Paradise!—his bed
Of roses balmed with slumbers soft and deep,
Where thorn is not, where never tear is shed—
The gate whereat so many wail and weep;
But few of all the jewelled throng pass in
To ease them of their pleasures and their sin.

XXII.

Ye who by honest labour win your crust,
And ye who beg it (now more seldom found
Honest as well), because, alas ! ye must,—
Know that your brows with golden peace are crown'd,
Whilst Kings are bare, tho' cringing in the dust—
For you, sweet rills of sleep-provoking sound
Flow evermore in Nature's vale of rest,
And rise the dreamless mansions of the blest.

XXIII.

Dan dropt asleep; beside him lingered long
The woman's wakeful eye and brooding heart;
His tartan breeks had suffer'd fearful wrong;
No good Samaritan the healing art
Applied more deft to make the feeble strong
Than she, with thread and needle, did her part
For that dear Master whom her task might please:
It may be done, thought she, to "one of these."

XXIV.

Beneath His guiding hand she clipped and sewed,
Her house His home, her toil a sacrament;
The Christ had come into her mean abode—
It was His garment's hem o'er which she bent,
And by the touch a healing virtue flowed,
A saving health to heart and finger sent;
And through her spirit swept such wondrous thrill
As High Priest yearly felt on Zion's hill.

XXV.
By chance, some shred of crumpled paper fell
She looked, and turned away, and looked again;
What might it be, how dropp'd she could not tell;
A while it lay, she eyed it now and then;
At last she took it up and searched it well,—
A printed leaf, and scratched with ink and pen;
And lo! some hair within the inmost fold,
Two tiny locks, one black, and one like gold.

XXVI.

She gazed on these and on the slumbering child,—
A stony gaze, as tho' her soul had fled;
A long time gazed, whilst many a fancy wild
Flew far and near, with living folk and dead;
She frowned, she sighed, she all but wept, she smiled,
A sudden start, she rose, and reached the bed
Where John a good hour since had lain and slept,—
She had a secret that might not be kept.

XXVII.

He woke; he took the relics in his hand;
Viewed them with care, with wonderment not less
Than she; anon the printed leaf he scann'd;
'Twas from the Bible, nor unlike the dress
That had concealed it, tatter'd, worn, and tann'd,-
What might it mean, not he nor she could guess,
But words of God scarce absent from his mind
One waking hour, were there, and underlined.

XXVIII.
"I waited,"—long had served this patient man,
Motto whereby he toiled, and hoped, and thrived;
Thro' all his loss and lingering griefs it ran,
From Holy Writ and jubilant Psalm derived,
Whence courage comes to hands that nothing can,
And strength to hearts of every hope deprived;
The words were these: "I waited patiently,
And He to me inclined and heard my cry."

XXIX.

Swift as the clans by chieftain's clarion wake;
As fluttering wings by crack of huntsman's gun;
As when a stone disturbs the placid lake;
As rippling songsters greet the rising sun,—
So did old echoes of remembrance break
On John afresh, with gladness full, or none,
When by the sacred word which marked this leaf
Past years rushed back; and one bright day in chief:

XXX.

It was the day when Rab, his youngest child,
A clever lad, well-grown, sweet-natured, good,
And wise, left home, and every prospect smiled;—
There was a spot within a wayside wood
Where sire and son the parting hour beguiled
With blessings hardly breathed but understood;
Their words were few, that sacred word the last,
Rab wept, and vowed that he would hold it fast.

XXXI.

So parted they; and many a look behind
Each to the other gave, till lost to view;
Ah me! the frequent letters soon declined;
They could but murmur there was nothing new;
And then the lad slipp'd off where none could find;
The old folks' joys thereafter had been few,
Save in the grace that by the Saviour's Cross
Might still prove more than victor over loss.

XXXII.

'Twas so this night; they both with chastened heart
Quite melted o'er the old familiar name;
Their heads had long the grey that griefs impart,
And now the cheek anew was flush'd with shame;
What crime can make a mother's love depart?
"Puir Rab," said Ann, "he should hae stayed at hame."
"We'll wait," quoth John, "we'll trust the laddie's vow;
We kenna what God's will may bring, nor how."

XXXII!.

Faith sowed the seed, and Hope went forth to reap
Harvests of joy from the well-watered lands:
But when she saw "wild oats" instead of wheat
She strewed her head with dust and wrung her hands;
So did old Jacob leave, with fretful feet,
The promised soil, and tread the alien sands,
Nor knew nor hoped his father's God would save
His hoary head from an unhallowed grave.

XXXIV.
Now when the kindly tear had soothed her grief
Ann laid with one more look, the slips of hair,
As on God's breast, within that guardian leaf;
She had a secret drawer, she laid it there;
She turned to Dan: "Gude kens thou art nae thief;
And in His ain braw time He'll mak' it bare."
"We've seen young hearts," quoth John, "made hard as aim."
"We'll dae our best, guidman—we'll keep the bairn!"

XXXV.

And at the cobbler's hearth from day to day
This poor lost lamb was folded, nursed, and fed;
Ofttimes the minister was heard to say
He was a wondrous boy for heart and head;
And when the "master" pursed his quarter's pay,
"That lad will be a bishop yet," he said;
Ann too that vision had which brightest gleams
In every Scottish peasant's pious dreams.

XXXVI.

Ten times has Winter made the beech tree bare
Whose stalwart form beside her cottage stood;
Ten times the throstle's young high-nested there
Have raised their clamorous heads and gaped forfood;
The kirk-bell rings, and to the House of Prayer
Eden ascends devoutly, as it should;
The bell has ceased; the preacher takes his place;
An anxious awe broods in his pale young face.

XXXVII.

It was our Dan; and many strangers drew
To hear his first "discoorse " for many a mile;
Among the rest, more obvious to the view,
A kilted soldier strode along the aisle;
He sat him down in the old cobbler's pew,
And in the good man's face he gazed awhile;
But at the wee auld wife—for she was there—
A glance he threw as tho' he hardly dare.

XXXVIII.

"I waited" was the text; when he began
The preacher trembled, but he soon grew bold;
He spoke of hope in trickling rills that ran
Thro' seer and psalmist in the days of old;
How patient Mercy waits on guilty man;
How Grace can bring the lost sheep to the fold;
And home, long desolate, rings with joyful sound:
"My son was dead—was lost, and now is found!"

XXXIX.

In stillness rapt and reverential fear
They heard; they gazed; they saw his visage glow;
Spell-bound, entranced; they felt that Presence near
Who treads unseen the sacred courts below,
And salveth unused eyelids with the tear
Of saintly joy or penitential woe;
Thankful, they drew a deep breath at the close;
Then, with the unction of his blessing, rose.

XL.
When now the murmuring throngs retook their way,
And spoke in solemn speech their soul's delight,
The stranger said, "Gudeman, you aiblins may
Give an old soldier quarters for the night;
I hoped to rest at home this Sabbath-day-
The road was long, nor is my burden light."
"My cot is there," said John, "and nane e'er saw
The puir man or the stranger turned awa'."

XLI.

In twilight's lone sad hour he breathed the story
That marr'd his fair young life with rueful strains;
And how he fought for Britain's gain or glory
The turban'd tribes on Indian hills and plains;
What years had pass'd, unsmiling years and gory,
Since first he followed to the bagpipe strains;
How often Scotia's onset swept the field,
And Sikh and Afghan like the drunkard reel'd.

XLII.

But 'War's wild din," he cried, "to me was less
Than Love's deep woes, for I had woo'd and wed—
My wife! my child! whom, if he lives, Heaven bless
We parted—met no more—I fought, I bled—
They knew not mine, nor I knew their distress;
I was a captive long—they thought me dead—
God help! whose comfort is where needed most—
The mother pined and died—the child was lost!"

XLIII.

"The preacher's text 'I waited,'" murmured John;
"Tis in my heart," the soldier cried, "not here;"
He showed his Bible where the leaf had gone;
Told how his wife once gave, for parting cheer,
Two locks—like jet, like yellow gold they shone—
Her own hair and the child's; he held them dear,
Dear as the Scripture page he loved the best;
Enfolded there, she sewed them to his vest.

XLIV.

He bore them far, thro' many fields of strife;
He lay a-dying long, nor knew what pass'd,
Nor where the trifles treasured more than life;
And when from death-like wounds he woke at last—
But now, ere he had ceased, the cobbler's wife
Drew from the secret place which held them fast
The leaf, the tufts of hair with silk entwin'd
He looked, he stared on them like one stone-blind.

XLV.
She told how in his rags the little man
Had brought them, as it seemed, across the sea;
"Your bairnie's name?" she asked him; "was it Dan?"
To's feet he sprang and cried, "Twas he! 'twas he!"
While down his hardy cheek the tear-drop ran;
Living or dead, where might his darling be,
Thrice in one breath he pled with them to say.
"Patience," quoth John, "you heard him preach to-day."

XLVI.

Then Dan, for he was there and heard it all,
Flew to his father's heart and firm embrace;
And oh I how sweetly then did love recall
The sainted mother in the youth's pale face!
She knew that God, should hapless times befall,
Would lead the shorn Iamb to a sheltered place;
The vest, torn from her soldier's wounded side,
She found it, shaped it for his child—and died.

XLVII.

She died, nor did her last hope seem to fail;
One friend—for friends not absent were, tho' few—
A kindly captain, heard the orphan's tale;
He thought the father's kindred once he knew
Whither his good ship soon was bound to sail.
The ship went down, the home port full in view,
And he, the surly billows long had braved,
Was lost. His charge, the orphan child, was saved.

XLVIII.

And in that town, washed by the salt sea spray,
The little stranger, friendless and alone,
A vagrant woman kept in such rude way
As might by loose sobriety be shown;
From scanty store in wallet day by day
His bread she doled, who mostly begged her own.
Poor wastrel boy! half-homeless, till at last
Blown to the cobbler's hearth by God's rough blast.

XLIX.

Then said the stranger to the aged pair:
"Our God is just, and wonders He hath done;
The curse I brought, by His decree I bare;
My sins of youth have found me one by one;
And now prevails the long parental prayer—
My name is Rab, and I was once your son."
He tried, and tried again, but could no more;
Love could but speak with tears at Mercy's door.

L.

It might not be in human words to tell
The love that overflowed and would not cease;
Ann's joy ran from her eyelids like a well,
Crime could not crush, but made her love increase;
And when at worship on their knees they fell,
"Fain would I now," cried John, "depart in peace!
Wait on the Lord! I waited patiently,
And He to me inclined, and heard my cry!"

LI.

Not far had they, thro' mists of coming years,
This aged Simeon and his spouse, to go;—
In that still place where Love her tribute rears
To souls above and slumbering dust below,
Two often stand, and in their tranquil tears
The lingering rays of sunset sweetly glow;
Then drooping Night, and to their lifted eyes,
The jewell'd gates of opening Paradise!
Title: Re: Scottish Poetry
Post by: Thomas Thompson on October 06, 2009, 12:27:40 PM
Yes long but good.
Tom
Title: Re: Scottish Poetry
Post by: Stirling Thompson on October 15, 2009, 08:31:02 AM
The Poetic Writings of Robbie Kennedy Bennett has several poems featuring Thomsons in football but since they are all copyrighted I will only post a link to the RKB website at http://www.rkbpoetry.co.uk/index.htm

See especially the following poems:
THEY WALKED ALL THE WAY FROM GLASGOW  http://www.rkbpoetry.co.uk/page24.htm
BLESS THE QUEEN OF THE SOUTH  http://www.rkbpoetry.co.uk/page38.htm
A POPULAR NUMBER 3  http://www.rkbpoetry.co.uk/page38.htm
Title: Re: Scottish Poetry
Post by: Stirling Thompson on November 02, 2009, 08:27:24 AM
O Waly, Waly
 
Anonymous
 
 
O WALY waly up the bank,   
  And waly waly down the brae,   
And waly waly yon burn-side   
  Where I and my Love wont to gae!   
I leant my back unto an aik,          
  I thought it was a trusty tree:   
But first it bow’d, and syne 1 it brak,   
  Sae my true Love did lichtly 2 me.   
 
O waly waly, but love be bonny   
  A little time while it is new;          
But when ’tis auld, it waxeth cauld   
  And fades awa’ like morning dew.   
O wherefore should I busk 3 my head?   
  Or wherefore should I kame 4 my hair?   
For my true Love has me forsook,          
  And says he’ll never loe me mair.   
 
Now Arthur-seat sall be my bed;   
  The sheets shall ne’er be prest by me:   
Saint Anton’s well sall be my drink,   
  Since my true Love has forsaken me.          
Marti’mas wind when wilt thou blaw   
  And shake the green leaves aff the tree?   
O gentle Death, when wilt thou come?   
  For of my life I am wearíe.   
 
’Tis not the frost, that freezes fell,          
  Now blawing snaw’s inclemencie;   
’Tis not sic cauld that makes me cry,   
  But my Love’s heart grown cauld to me.   
When we came in by Glasgow town   
  We were a comely sight to see;          
My Love was clad in the black velvèt,   
  And I mysell in cramasie. 5   
 
But had I wist, before I kist,   
  That love had been sae ill to win;   
I had lockt my heart in a case of gowd 6          
  And pinn’d it with a siller 7 pin.   
And, O! if my young babe were born,   
  And set upon the nurse’s knee,   
And I mysell were dead and gane,   
  And the green grass growing over me!          
 
Note 1. Destroy. [back]
Note 2. Wretched stuff. [back]
Note 3. Then. [back]
Note 4. Slight. [back]
Note 5. Adorn. [back]
Note 6. Comb. [back]
Note 7. Crimson cloth. [back]
 
Title: Re: Scottish Poetry
Post by: Stirling Thompson on November 04, 2009, 12:14:55 PM
The rounded hills of the Scottish Borders are carved by numerous rivers and streams which meander through the area, contibuting to the character of the land - and its people. This poem by J B Selkirk, sings the praises of these meandering burns (a burn is the Scots word for a stream). It is noticeable that, like the running water, the poem is not broken up in any way into verses but flows continuously from start to finish. Indeed, the middle section is somewhat breathless as it runs on without any full stops!


             A Border Burn

    Ah, Tam! gie me a Border burn
       That canna rin without a turn,
    And wi' its bonnie babble fills
       The glens amang oor native hills.
    How men that ance have kend aboot it
       Can leeve their after lives withoot it,
    I canna tell, for day and nicht
       It comes unca'd-for to my sicht.
    I see 't this moment, plain as day,
       As it comes bickerin' owre the brae,
    Atween the clumps o' purple heather,
       Glistenin' in the summer weather,
    Syne divin in below the grun,
       Where, hidden frae the sicht and sun,
    It gibbers like a deid man's ghost
       That clamours for the licht it's lost,
    Till oot again the loupin' limmer
       Comes dancin doon through shine and shimmer
    At headlang pace, till wi' a jaw
       It jumps the rocky waterfa',
    And cuts sic cantrips in the air,
       The picture-pentin man's despair;
    A rountree bus oot owre the tap o 't,
       A glassy pule to kep the lap o 't,
    While on the brink the blue harebell
       Keeks owre to see its bonnie sel,
    And sittin chirpin a its lane
       A water-waggy on a stane.
    Ay, penter lad, thraw to the wund
       Your canvas, this is holy ground:
    Wi' a its highest airt acheevin,
       The picter's deed, and this is leevin.

    Meaning of unusual words:
    kend=knew
    bickerin owre the brae=moving quickly and noisily over the hill
    Syne=since
    loupin' limmer=leaping rascal
    cantrips=frolic, witch's spell
    rountree bus oot=rowan tree (mountain ash) pushing out
    harebell=Scottish bluebell
    Keeks=peeps
    water-waggy=wagtail (a variety of bird)
Title: Re: Scottish Poetry
Post by: Stirling Thompson on November 09, 2009, 07:52:55 AM
From Google Books:
Eighty years' reminiscences, Volume 2
 By John Anstruther-Thomson (1904)

JACK THOMSON.

Who sprang to lift me when I fell,
And heaved my Sheltie up as well?
That Devon common drain could tell—
                                         Jack Thomson.

Who hunts upon the edge of frost
Rather than let a day be lost?
Ae man, but in himself a host—
                                         Jack Thomson.

Who rides the country up and down,
With smile like morn for peer and clown?
Most genial lad beneath the crown—
                                         Jack Thomson.

Who makes the shire one family—
A freen to all in each degree—
Gars Whig and Tory brithers be ?—
                                         Jack Thomson.

"John Thomson's bairns" means easy free—
Auld Fife phrase for guid company—
Our common father yet is he—
                                         John Thomson.

Anonymous.
Title: Re: Scottish Poetry
Post by: Stirling Thompson on November 17, 2009, 12:05:58 PM
From the author of "The Seasons", James Thomson (1700 - 1748).

Farewell to Ravelrig


Sweet Ravelrig, I ne'er could part
From thee, but wi' a dowie heart.
When I think on the happy days
I spent in youth about your braes,
When innocence my steps did guide,
Where murmuring streams did sweetly glide
Beside the braes well stored wi' trees,
And sweetest flow'rs that fend the bees:

And there the tuneful tribe doth sing,
While lightly flitting on the wing;
And conscious peace was ever found
Within your mansion to abound.
Sweet be thy former owner's rest,
And peace to him that's now possess't
Of all thy beauties great and small,
Lang may he live to bruik them all!
Title: Re: Scottish Poetry
Post by: Stirling Thompson on December 02, 2009, 08:05:09 AM
In the Highlands by Robert Louis Stevenson (1850 -1894)


IN the highlands, in the country places,
Where the old plain men have rosy faces,
And the young fair maidens
Quiet eyes;
Where essential silence cheers and blesses,
And for ever in the hill-recesses
Her more lovely music
Broods and dies--

O to mount again where erst I haunted;
Where the old red hills are bird-enchanted,
And the low green meadows
Bright with sward;
And when even dies, the million-tinted,
And the night has come, and planets glinted,
Lo, the valley hollow
Lamp-bestarr'd!

O to dream, O to awake and wander
There, and with delight to take and render,
Through the trance of silence,
Quiet breath!
Lo! for there, among the flowers and grasses,
Only the mightier movement sounds and passes;
Only winds and rivers,
Life and death.
Title: Re: Scottish Poetry
Post by: Stirling Thompson on December 17, 2009, 08:01:13 AM
'Marmion' Christmas Poetry by Sir Walter Scott

Heap on more wood! – the wind is chill;
But let it whistle as it will,
We’ll keep our Christmas merry still.
Each age has deem’d the new-born year
The fittest time for festal cheer:
Even, heathen yet, the savage Dane
At Iol more deep the mead did drain;
High on the beach his galleys drew,
And feasted all his pirate crew;
Then in his low and pine-built hall
Where shields and axes deck’d the wall
They gorged upon the half-dress’d steer;
Caroused in seas of sable beer;
While round, in brutal jest, were thrown
The half-gnaw’d rib, and marrow-bone:
Or listen’d all, in grim delight,
While Scalds yell’d out the joys of fight.
Then forth, in frenzy, would they hie,
While wildly loose their red locks fly,
And dancing round the blazing pile,
They make such barbarous mirth the while,
As best might to the mind recall
The boisterous joys of Odin’s hall.

And well our Christian sires of old
Loved when the year its course had roll’d,
And brought blithe Christmas back again,
With all his hospitable train.
Domestic and religious rite
Gave honour to the holy night;
On Christmas Eve the bells were rung;
On Christmas Eve the mass was sung:
That only night in all the year,
Saw the stoled priest the chalice rear.
The damsel donn’d her kirtle sheen;
The hall was dress’d with holly green;
Forth to the wood did merry-men go,
To gather in the mistletoe.
Then open’d wide the Baron’s hall
To vassal, tenant, serf and all;
Power laid his rod of rule aside
And Ceremony doff’d his pride.
The heir, with roses in his shoes,
That night might village partner choose;
The Lord, underogating, share
The vulgar game of ‘post and pair’.
All hail’d, with uncontroll’d delight,
And general voice, the happy night,
That to the cottage, as the crown,
Brought tidings of salvation down.

The fire, with well-dried logs supplied,
Went roaring up the chimney wide;
The huge hall-table’s oaken face,
Scrubb’d till it shone, the day to grace,
Bore then upon its massive board
No mark to part the squire and lord.
Then was brought in the lusty brawn,
By old blue-coated serving-man;
Then the grim boar’s head frown’d on high,
Crested with bays and rosemary.
Well can the green-garb’d ranger tell,
How, when, and where, the monster fell;
What dogs before his death to tore,
And all the baiting of the boar.
The wassel round, in good brown bowls,
Garnish’d with ribbons, blithely trowls.
There the huge sirloin reek'd; hard by
Plum-porridge stood, and Christmas pie;
Nor fail’d old Scotland to produce,
At such high tide, her savoury goose.
Then came the merry makers in,
And carols roar’d with blithesome din;
If unmelodious was the song,
It was a hearty note, and strong.
Who lists may in their mumming see
Traces of ancient mystery;
White shirts supplied the masquerade,
And smutted cheeks the visors made;
But, O! what maskers, richly dight,
Can boast of bosoms half so light!
England was merry England, when
Old Christmas brought his sports again.
‘Twas Christmas broach’d the mightiest ale;
‘Twas Christmas told the merriest tale;
A Christmas gambol oft could cheer
The poor man’s heart through half the year.

Title: Re: Scottish Poetry
Post by: Stirling Thompson on March 02, 2010, 08:51:28 AM
- A Mither's Lecture Tae Her Ne'er-dae-weel Son

    It is easy to picture a Scots mother wagging the finger at her grown-up son and giving him a lecture when he comes back home, the worse for a wee drink (or two or three) in the days when mothers perhaps had more influence over the actions of their offspring than they do today! This poem is by Charles Nicol (1858-?) who often wrote light-hearted verses about every-day incidents.

        A Mither's Lecture Tae Her Ne'er-dae-weel Son

            Ye thochtless tyke, what time o" nicht
            Is this for tae come hame?
            Whan ither decent fouk's in bed -
            Oh! div ye no think shame?
            But shame's no in ye, that I ken,
            Ye drucken ne'er-dae-weel!
            You've mair thocht for the dram-shop there -
            Aye, that ye hae, atweel!

            Ye drucken loon, come tell me quick
            Whaur hae ye been, ava?
            I'm shair it's waefu' that frae drink
            Ye canna keep awa.
            An' bidin' tae sic 'oors as this,
            When you should be in bed;
            I doot there's something in this wark;
            Come, tell the truth noo, Ted?

            Can ye no speak? What's wrang wi' ye?
            Ye good-for-naething loon,
            Yer gettin' juist a fair disgrace,
            An' that ye'll be gey soon.
            Noo, dinna stan' there like a mute -
            The truth I want tae ken,
            Sae tell me noo the truth for aince,
            It's nae too late tae men'.

            You've been wi' twa-three bosom freens
            At Bob Broon's birthday spree;
            Aweel, aweel, if that's the case,
            You this time I'll forgie.
            But mind, sic wark as this, my man,
            Will never, never dae;
            Ye maun gie up that waefu' drink,
            Aye, frae this very day!

        Meaning of unusual words:
        tyke=dog
        div=do
        ken=know
        drucken=drunken
        loon=boy
        ava=at all
        gey=very
        maun=must
        waefu'=woeful

Title: Re: Scottish Poetry
Post by: Stirling Thompson on March 03, 2010, 12:30:49 PM
- Wha Daur Meddle Wi' Me?

    The royal coat of arms in Scotland has the Latin motto "Nemo me impune lacessit". The English translation of this is "Nobody interferes with me with impunity" and this is often defiantly expressed in broad Scots as "Wha daur meddle wi' me?" which is the title of this anonymous poem. But on this occasion it is being aggressively repeated by a member of the Elliot family, one of the Border families who not only fought their neighbours but were part of the first line of defence against marauding English invaders - and could sometimes defy the Scottish monarch as well!

        Wha Daur Meddle Wi' Me?

        Ma castle is aye ma ain,
        An' herried it never shall be,
           For I maun fa' ere it's taen,
        An' wha daur meddle wi' me?
        Wi' ma kit i' the rib o' ma naig,
           Ma sword hingin' doon by ma knee,
        For man I am never afraid,
        An' wha daur meddle wi' me?
           Wha daur meddle wi' me?
           Wha daur meddle wi' me?
        Oh, ma name it's wee Jock Elliot,
           An' wha daur meddle wi' me?

        Fierce Bothwell I vanquished clean,
        Gar'd troopers an' fitmen flee;
           By my faith I dumfoondert the Queen,
        An' wha daur meddle wi' me?
        Alang by the dead water stank,
           Jock Fenwick I met on the lea,
        But his saddle was toom in a clank,
        An' wha daur meddle wi' me?
           Wha daur meddle wi' me?
           Wha daur meddle wi' me?
        Oh, ma name it's wee Jock Elliot,
           An' wha daur meddle wi' me?

        Whar Keelder meets wi' the Tyne,
        Masel an' ma kinsmen three,
           We tackled the Percies nine -
        They'll never mair meddle wi' me.
        Sir Harry wi' nimble brand,
           He pricket ma cap ajee,
        But I cloured his heid on the strand,
        An' wha daur meddle wi' me?
           Wha daur meddle wi' me?
           Wha daur meddle wi' me?
        Oh, ma name it's wee Jock Elliot,
           An' wha daur meddle wi' me?

        The Cumberland reivers ken
        The straik ma airm can gie,
           An' warily pass the glen,
        For wha daur meddle wi' me?
        I chased the loons doon to Carlisle,
           Jook't the raip on the Hair-i-bee,
        Ma naig nickert an' cockit his tail,
        But wha daur meddle wi' me?
           Wha daur meddle wi' me?
           Wha daur meddle wi' me?
        Oh, ma name it's wee Jock Elliot,
           An' wha daur meddle wi' me?

        Ma kinsmen are true, an' brawlie,
        At glint o' an enemie,
           Round Park's auld Turrets they rally,
        An' wha daur meddle wi' me?
        Then heigh for the tug an' the tussle,
           Tho' the cost should be Jethart tree;
        Let the Queen an' her troopers gae whustle
        An' wha daur meddle wi' me?
           Wha daur meddle wi' me?
           Wha daur meddle wi' me?
        Oh, ma name it's wee Jock Elliot,
           An' wha daur meddle wi' me?

        Meaning of unusual words:
        herried=plundered, robbed
        maun fa' ere it's taen=must fall before it's taken
        naig=nag, horse
        Gar'd=made
        dumfoondert=amazed, perplexed
        toom=empty
        clank=severe blow
        Percies=an English aristocratic family
        ajee=crooked, awry
        cloured=struck, battered
        reivers=border bandits
        ken=know
        loons=rascals
        Jook't=duck, evade a blow
        Hair-i-bee=place of execution at Carlisle
        Ma naig nickert=my horse whinnied
        brawlie=in good health
        Jethart tree=a jury that tries a case after inflicting punishment

Title: Re: Scottish Poetry
Post by: Sis Thompson's oldest on March 04, 2010, 10:02:13 AM
Weellll it's not poetry...
 but........
 I just finished reading "Scotland: The Story of a Nation" by Magnus Magnusson. Super book, very well written and I was surprised by how much of the history was familiar. Maybe I wasn't absent that day at school.......

He gave equal time & information about the Border Clans rather than sticking with the Highlands. AND while I understood the reasoning behind the "45" (and all the other risings)............ I was not so taken with "Bonnie Prince Charlie" a bit of a loose cannon if you ask me. And another thing............ King Henry VIII? Not a nice guy.

There, now that I've put a match to the powder..................

Fascinating stuff, though I am rather glad I was born in 1953 instead of 15, 16, or 1753. Probably would have burned for a witch.

OK I'm off to the book store for more history!
Be well all,
Sherry
Title: Re: Scottish Poetry
Post by: Stirling Thompson on March 04, 2010, 03:32:48 PM
Sherry,
I've always been fascinated by history, in fact it was my major in college. Now that I've retired perhaps I'll have more time to catch up on my reading.
Title: Re: Scottish Poetry
Post by: Sis Thompson's oldest on March 05, 2010, 07:24:19 AM
Hey Stu!

History...............yes, yes, sooner or later I'll figure out a way to support myself by delving into history. It was my fave in school as well. I have a coworker who is a fount of information on the Civil War and has loaned me his copy of the Ken Burns series. Heaven!

I spent indiscriminately at the book store and am now the owner of "Caledonication: A History of Scotland" hilarious and informative; the Rosetta Stone, Teach Yourself Gaelic, which will be an adventure! And last but not least:  "The Feckin' Book of Everything Irish" explaining in clear and precise terms of a vast number of commonly used Irish slang words and expressions. Why? Because it was there and only $3.00! Also hilarious!

The printed page is my vice.

Good weekend to ya,
Sherry
Title: Re: Scottish Poetry
Post by: Stirling Thompson on March 24, 2010, 07:46:18 AM
Here is an amusing poem by Alexander Rodger, set in the days when horses had to be taken to the blacksmith to be shod - and persuading a girl to marry seemed a lot faster than today!

          Robin Tamson's Smiddy

    My mither ment my auld breeks,
       An wow! but they were duddy,
    And sent me to get Mally shod
       At Robin Tamson's smiddy;
    The smiddy stands beside the burn
       That wimples through the clachan.
    I never yet gae by the door,
       But aye I faw a-lauchin.

    For Robin was a walthy carle
       An had ae bonnie dochter,
    Yet neer wad let her tak a man,
       Tho mony lads had socht her;
    But what think ye o ma exploit?
       The time our mare was shoein,
    I slippit up beside the lass,
       And briskly fell a-wooin.

    An aye she eed my auld breeks,
       The time that we sat crackin,
    Quo I, 'My lass, neer mind the clouts,
       I've new anes for the makkin;
    But gin ye'll just come hame wi me,
       An lea the carle your father,
    Ye'se get my breeks to keep in trim,
       Mysel, an aw thegither'.

    'Deed lad' quo she, 'your offer's fair,
       I really think I'll tak it.
    Sae, gang awa, get out the mare,
       We'll baith slip on the back o't:
    For gin I wait my faither's time,
       I'll wait till I be fifty;
    But na! - I'll marry in my prime,
       An mak a wife most thrifty.'

    Wow! Robin was an angry man,
       At tyning o his dochter:
    Thro aw the kintra-side he ran,
       An far an near he socht her;
    But when he cam to oor fire-end,
       An fand us baith thegither,
    Quo I 'Gudeman, I've taen your bairn,
       An ye may tak my mither.'

    Auld Robin girn'd an sheuk his pow.
       'Guid sooth!' quo he, 'ye're merry;
    but I'll just tak ye at your word,
       An end this hurry-burry.'
    So Robin an oor auld wife
       Agreed to creep thegither;
    Now, I hae Robin Tamson's pet,
       An Robin has my mither.

    Meaning of unusual words:
    ment my auld breeks=mended my old trousers (pants, in some parts of the world)
    duddy=ragged, tattered
    smiddy=blacksmith
    wimples=winds, meanders
    clachan=village
    faw a-lauchin=fall about laughing
    walthy carle=wealthy rascal
    ae bonnie dochter=one good-looking daughter
    crackin=talking
    clouts=clothes
    gin=if
    gang awa=went away
    tyning=loss, disappearance
    kintra-side=country-side
    Gudeman=master of the house
    bairn=child
    girn'd=complained
    pow=head
    hurry-burry=confusion
Title: Re: Scottish Poetry
Post by: Mary on March 26, 2010, 07:53:13 PM
That was a cute one!!! ;D

You do find the best stuff!
Title: Re: Scottish Poetry
Post by: Stirling Thompson on September 10, 2010, 10:44:07 AM
Lord Ullin's Daughter by Thomas Campbell

A chieftain, to the Highlands bound,
Cries, "Boatman, do not tarry!
And I'll give thee a silver pound
To row us o'er the ferry!''--

"Now, who be ye, would cross Lochgyle,
This dark and stormy weather?''
"O, I'm the chief of Ulva's isle,
And this, Lord Ullin's daughter.--

"And fast before her father's men
Three days we've fled together,
For should he find us in the glen,
My blood would stain the heather.

"His horsemen hard behind us ride;
Should they our steps discover,
Then who will cheer my bonny bride
When they have slain her lover?''--

Out spoke the hardy Highland wight,--
"I'll go, my chief--I'm ready:--
It is not for your silver bright;
But for your winsome lady:

"And by my word! the bonny bird
In danger shall not tarry;
So, though the waves are raging white,
I'll row you o'er the ferry.''--

By this the storm grew loud apace,
The water-wraith was shrieking;
And in the scowl of heaven each face
Grew dark as they were speaking.

But still as wilder blew the wind,
And as the night grew drearer,
Adown the glen rode armèd men,
Their trampling sounded nearer.--

"O haste thee, haste!'' the lady cries,
"Though tempests round us gather;
I'll meet the raging of the skies,
But not an angry father.''--

The boat has left a stormy land,
A stormy sea before her,--
When, O! too strong for human hand,
The tempest gather'd o'er her.

And still they row'd amidst the roar
Of waters fast prevailing:
Lord Ullin reach'd that fatal shore,--
His wrath was changed to wailing.

For, sore dismay'd through storm and shade,
His child he did discover:--
One lovely hand she stretch'd for aid,
And one was round her lover.

"Come back! come back!'' he cried in grief
"Across this stormy water:
And I'll forgive your Highland chief,
My daughter!--O my daughter!''

'Twas vain: the loud waves lash'd the shore,
Return or aid preventing:
The waters wild went o'er his child,
And he was left lamenting.
Title: Re: Scottish Poetry
Post by: Stirling Thompson on November 20, 2010, 11:03:47 AM
It's been awhile since I posted anything here so here's one for you all!

Scotland Yet!
by Henry Scott Riddell


Gae bring my guid auld harp ance mair,
Gae bring it free and fast,
For I maun sing anither sang
Ere a' my glee be past;
An' trow ye, as I sing, my lads,
The burden o't shall be --
Auld Scotland's howes, and Scotlands knowes,
And Scotland's hills for me;
I'll drink a cup to Scotland yet,
Wi' a' the honours three!

The heath waves wild upon her hill
And foaming through the fells,
Her fountains sing of freedom still,
As they dash down the dells;
For weel I loe the land, my lads,
That's girded by the sea --
Then Scotland's vales, and Scotland's dales,
And Scotland's hills for me;
I'll drink a caup to Scotland yet,
Wi' a' the honours three!

The thistle wags upon the fields
Where Wallce bare his blade,
That gave her foemen's dearest blude,
To dye her auld grey plaid;
And looking to the lift, my lads,
He sang this doughty glee --
Auld Scotland's richt, and Scotland's micht,
And Scotlant's hills for me;
I'll drink a cup to Scotland yet,
Wi a' the honours three!

They tell o' lan's wi' brichter skies,
Where freedom's voice ne'er rang;
Gie me the lan' where Ossian dwelt,
And Colla's minstrel sang --
For I've nae skill o' lans', my lads,
That kenna to be free --
Then Scotland's richt, and Scotland's micht,
And Scotland's hills for me;
I'll drink a cup to Scotland yet,
Wi' a' the honours three!
Title: Re: Scottish Poetry
Post by: Stirling Thompson on December 22, 2010, 09:48:23 AM
Not Scottish but so what...

John Lennon & Yoko Ono

So this is Christmas
And what have you done
Another year over
And a new one just begun
And so this is Christmas
I hope you have fun
The near and the dear ones
The old and the young

A very merry Christmas
And a happy New Year
Let’s hope it’s a good one
Without any fear

And so this is Christmas
For weak and for strong
For rich and the poor ones
The world is so wrong
And so happy Christmas
For black and for white
For yellow and red ones
Let’s stop all the fight

And so this is Christmas
And what have we done
Another year over
And a new one just begun
And so happy Christmas
I hope you have fun
The near and the dear one
The old and the young

A very merry Christmas
And a happy New Year
Let’s hope it’s a good one
Without any fear
Title: Re: Scottish Poetry
Post by: Stirling Thompson on December 22, 2010, 10:08:23 AM
I may have posted this before but it is worth posting again.

Here is a poem in Scots by Alexander Gray telling the familiar tale of "No room at the inn".

    Christmas Carol
    'Twas a cauld, cauld nicht i' the back o' the year;
    The snaw lay deep, and the starns shone clear;
    And Mary kent that her time was near,
    As she cam to Bethlehem.
    When Joseph saw the toon sae thrang,
    Quo' he: 'I houp I be na wrang,
    But I'm thinkin' we'll find a place ere lang;'
    But there wasna nae room for them.

    She quo', quo' she: 'O Joseph loon,
    Rale tired am I, and wad fain lie doon.
    Is there no a bed in the hail o' the toon?
    For farrer I canna gae.'
    At the ale-hoose door she keekit ben,
    But there was sic a steer o' fremmyt men,
    She thocht till hirsel': 'I dinna ken
    What me and my man can dae.'

    And syne she spak: 'We'll hae to lie
    I' the byre this nicht amang the kye
    And the cattle beas', for a body maun try
    To thole what needs maun be,'
    And there amang the strae and the corn,
    While the owsen mooed, her bairnie was born.
    O, wasna that a maist joyous morn
    For sinners like you and me?

    For the bairn that was born that nicht i' the sta'
    Cam doon frae Heaven to tak awa'
    Oor fecklessness, and bring us a'
    Safe hame in the hender-en'.
    Lord, at this Yule-tide send us licht,
    Hae mercy on us and herd us richt.
    For the sake o' the bairnie born that nicht,
    O, mak us better men!

    Meaning of unusual words:
    starns=stars
    thrang=crowded
    quo'=said
    loon=lad
    fain=want
    farrer=further
    keekit ben=peeked through
    sic a steer o' fremmyt men=such a crowd of strange men
    ken=know
    syne=since
    kye=cow
    thole=endure
    strae=straw
    owsen=oxen
    bairnie=child
    fecklessness=weakness, incomptence
    hender-en'=latter days of life
Title: Re: Scottish Poetry
Post by: Stirling Thompson on July 07, 2011, 04:05:44 PM
Been awhile... so here's a couple for your enjoyment.

Twelve Men on the Square
By peter.howden (peter howden)


Twelve men of the square,
True pioneers; one and all,
Fixed there,
Statue still,
No bend, breath or fall,
For such men of destiny,
Colourful throughout life,
Now so grey;
Rain or shine,
Scott, Albert, Watt and Lord Clyde,
Robert Burns, Thomas Campbell,
As Gladstone, Victoria coldly bide,
Graham, Peel, Oswald, John Moore,
Do any of the greats ring a bell?
Except the last, he was the first glow,
Whether they are in heaven or hell,
Oriental dust pieces,
The heroes of Glasgow.


The Emigré
By marion.quillan (marion quillan)

So yer fae Glesga. Whit school?
Who's yer da? Wher's he work?
Who d'ye know?

Ah right. I've got ye placed.
Yer a wee bit o'a toff.
Yes, I notice how you speak
Think I can't adjust?

I can be anybody, go anywhere.
This town, this country, this world
Will never be too big, too bold
for the likes of me. So now we know.

We have the measure of each other
We can start again.
We can be friends
We can take on any challenge.

Together.
Title: Re: Scottish Poetry
Post by: Stirling Thompson on March 19, 2012, 10:37:25 AM
Last time I said its been a while... that last July!

The Outlaw by Sir Walter Scott

O, Brignall banks are wild and fair,
And Greta woods are green,
And you may gather garlands there,
Would grace a summer queen:
And as I rode by Dalton Hall,
Beneath the turrets high,
A Maiden on the castle wall
Was singing merrily:—

'O, Brignall banks are fresh and fair,
And Greta woods are green!
I'd rather rove with Edmund there
Than reign our English Queen.'

'If, Maiden, thou wouldst wend with me
To leave both tower and town,
Thou first must guess what life lead we,
That dwell by dale and down:
And if thou canst that riddle read,
As read full well you may,
Then to the green-wood shalt thou speed
As blithe as Queen of May.'

Yet sung she, 'Brignall banks are fair,
And Greta woods are green!
I'd rather rove with Edmund there
Than reign our English Queen.

'I read you by your bugle horn
And by your palfrey good,
I read you for a Ranger sworn
To keep the King's green-wood.'
'A Ranger, Lady, winds his horn,
And 'tis at peep of light;
His blast is heard at merry morn,
And mine at dead of night.'

Yet sung she, 'Brignall banks are fair,
And Greta woods are gay!
I would I were with Edmund there,
To reign his Queen of May!

'With burnish'd brand and musketoon
So gallantly you come,
I read you for a bold Dragoon,
That lists the tuck of drum.'
'I list no more the tuck of drum,
No more the trumpet hear;
But when the beetle sounds his hum,
My comrades take the spear.

'And O! though Brignall banks be fair,
And Greta woods be gay,
Yet mickle must the maiden dare,
Would reign my Queen of May!

'Maiden! a nameless life I lead,
A nameless death I'll die;
The fiend whose lantern lights the mead
Were better mate than I!
And when I'm with my comrades met
Beneath the green-wood bough,
What once we were we all forget,
Nor think what we are now.'

Chorus

Yet Brignall banks are fresh and fair,
And Greta woods are green,
And you may gather flowers there
Would grace a summer queen.
Title: Re: Scottish Poetry
Post by: Stirling Thompson on October 21, 2013, 11:53:56 AM
Boy I guess it's been awhile since I posted anything here... This one is about life in the East End of Glasgow way back in the day.

The Ragman - David Reilly

 1. He gave you fair warning whenever he came

though the tune he played was never the same

in a neighbouring street a bugler played

and it wasnt the lifeboys or boys brigade

all the young mothers gripped with fear

as this dreaded bugler came ever near

tis the ragman playing a chordless tune

the bedragled Pied Piper of Glesga toon

 

3. Took out a Woodbine the last of his fags

then he bellowed toys for rags

last blast on the bugle and then he'd hush

lit up and waited for the expected rush

the kids in the street would all go mad

looking for rags from their mum and dad

in all the cupboards throughout the rooms

a handful of rags for a couple of balloons 
   

2. Came into our street pushing his cart

blowing his bugle right from the start

his old brown case was full of toys

like Santa's grotto to the girls and boys

paint sets and crayons and coloured chalk

to create a design on your whipping top

spud guns and peashooters and catapult slings

the toys of war the ragman brings 

 

4. With great anticipation they stood in line

eyes fixed on the ragman all of the time

no pounds or ounces of imperial measure

just a bundle of rags for unlimited treasure

though I could only stand and stare

we never seemed to have rags to spare

now looking back and assessing the facts

all of our rags were on our backs
Title: Re: Scottish Poetry
Post by: Stirling Thompson on October 23, 2013, 11:53:49 AM
Lochinvar by Sir Walter Scott

O young Lochinvar is come out of the west,
Through all the wide Border his steed was the best;
And save his good broadsword he weapons had none,
He rode all unarm'd, and he rode all alone.
So faithful in love, and so dauntless in war,
There never was knight like the young Lochinvar.
He staid not for brake, and he stopp'd not for stone,
He swam the Eske river where ford there was none;
But ere he alighted at Netherby gate,
The bride had consented, the gallant came late:
For a laggard in love, and a dastard in war,
Was to wed the fair Ellen of brave Lochinvar.

So boldly he enter'd the Netherby Hall,
Among bride's-men, and kinsmen, and brothers and all:
Then spoke the bride's father, his hand on his sword,
(For the poor craven bridegroom said never a word,)
"O come ye in peace here, or come ye in war,
Or to dance at our bridal, young Lord Lochinvar?"

"I long woo'd your daughter, my suit you denied; --
Love swells like the Solway, but ebbs like its tide --
And now I am come, with this lost love of mine,
To lead but one measure, drink one cup of wine.
There are maidens in Scotland more lovely by far,
That would gladly be bride to the young Lochinvar."

The bride kiss'd the goblet: the knight took it up,
He quaff'd off the wine, and he threw down the cup.
She look'd down to blush, and she look'd up to sigh,
With a smile on her lips and a tear in her eye.
He took her soft hand, ere her mother could bar, --
"Now tread we a measure!" said young Lochinvar.

So stately his form, and so lovely her face,
That never a hall such a gailiard did grace;
While her mother did fret, and her father did fume
And the bridegroom stood dangling his bonnet and plume;
And the bride-maidens whisper'd, "'twere better by far
To have match'd our fair cousin with young Lochinvar."

One touch to her hand, and one word in her ear,
When they reach'd the hall-door, and the charger stood near;
So light to the croupe the fair lady he swung,
So light to the saddle before her he sprung!
"She is won! we are gone, over bank, bush, and scaur;
They'll have fleet steeds that follow," quoth young Lochinvar.

There was mounting 'mong Graemes of the Netherby clan;
Forsters, Fenwicks, and Musgraves, they rode and they ran:
There was racing and chasing on Cannobie Lee,
But the lost bride of Netherby ne'er did they see.
So daring in love, and so dauntless in war,
Have ye e'er heard of gallant like young Lochinvar?
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Title: Re: Scottish Poetry
Post by: Mary on October 23, 2013, 08:37:53 PM
Just keep posting them, Stirling!  I liked Lochinvar.......think I read it sometime in the past, but at my age that covers a lot of years! ;)
Title: Re: Scottish Poetry
Post by: Stirling Thompson on October 30, 2013, 12:27:44 PM
The Wild Geese

by Violet Jacob (1863-1846)
 

            O tell me what was on yer road, ye roarin norlan Wind,
            As ye cam blawin frae the land thats niver frae my mind?
            My feet they traivel England, but Im deein for the north.
            My man, I heard the siller tides rin up the Firth o Forth.

            Aye, Wind, I ken them weel eneuch, and fine they fa an rise,
            And fain Id feel the creepin mist on yonder shore that lies,
            But tell me, ere ye passed them by, what saw ye on the way?
            My man, I rocked the rovin gulls that sail abune the Tay.

            But saw ye naething, leein Wind, afore ye cam to Fife?
            Theres muckle lyin yont the Tay thats mair to me nor life.
            My man, I swept the Angus braes ye haena trod for years.
            O Wind, forgie a hameless loon that canna see for tears!

            And far abune the Angus straths I saw the wild geese flee,
            A lang, lang skein o beatin wings, wi their heids towards the sea,
            And aye their cryin voices trailed ahint them on the air
            O Wind, hae maircy, haud yer whisht, for I daurna listen mair!
   
Title: Re: Scottish Poetry
Post by: Stirling Thompson on November 21, 2013, 04:37:37 PM
Had this once on an LP, I think by the Chad Mitchell Trio but not absolutely certain...

Disobedience by A. A. Milne

James James
Morrison Morrison
Weatherby George Dupree
Took great
Care of his Mother,
Though he was only three.
James James Said to his Mother,
"Mother," he said, said he;
"You must never go down
to the end of the town,
if you don't go down with me."

James James
Morrison's Mother
Put on a golden gown.
James James Morrison's Mother
Drove to the end of the town.
James James Morrison's Mother
Said to herself, said she:
"I can get right down
to the end of the town
and be back in time for tea."

King John
Put up a notice,
"LOST or STOLEN or STRAYED!
JAMES JAMES MORRISON'S MOTHER
SEEMS TO HAVE BEEN MISLAID.
LAST SEEN
WANDERING VAGUELY:
QUITE OF HER OWN ACCORD,
SHE TRIED TO GET DOWN
TO THE END OF THE TOWN -
FORTY SHILLINGS REWARD!"

James James
Morrison Morrison
(Commonly known as Jim)
Told his
Other relations
Not to go blaming him.
James James
Said to his Mother,
"Mother," he said, said he:
"You must never go down to the end of the town
without consulting me."

James James
Morrison's mother
Hasn't been heard of since.
King John said he was sorry,
So did the Queen and Prince.
King John
(Somebody told me)
Said to a man he knew:
If people go down to the end of the town, well,
what can anyone do?"

(Now then, very softly)
J.J.
M.M.
W.G.Du P.
Took great
C/0 his M*****
Though he was only 3.
J.J. said to his M*****
"M*****," he said, said he:
"You-must-never-go-down-to-the-end-of-the-town-
if-you-don't-go-down-with-ME!"

Title: Re: Scottish Poetry
Post by: Parker Thomson on November 22, 2013, 12:19:39 PM
i remember a lot about Robert Burns poetry when I was a young child.  Usually it was in a restaurant and my Grandfather had a couple of single malt scotches to start the meal and a couple of Drambuies to finish it.  Then he would get the urge to quote "Scots wa have wi' Wallace bled.  Scots wam Bruce had after led.  Welcome tae yer gory bed, or to Victory!"  I usually tried to hide under the table, but somehow it stuck with me... ::)
Title: Re: Scottish Poetry
Post by: Stirling Thompson on December 13, 2013, 07:18:56 AM
Number 5 on the all-time list from BBC Radio Scotland...

by Alastair Reid (b. 1926)
   

Scotland
   

            It was a day peculiar to this piece of the planet,
            when larks rose on long thin strings of singing
            and the air shifted with the shimmer of actual angels.
            Greenness entered the body. The grasses
            shivered with presences, and sunlight
            stayed like a halo on hair and heather and hills.
            Walking into town, I saw, in a radiant raincoat,
            the woman from the fish-shop. What a day it is!
            cried I, like a sunstruck madman.
            And what did she have to say for it?
            Her brow grew bleak, her ancestors raged in their graves
            and she spoke with their ancient misery:
            Well pay for it, well pay for it, well pay for it.
   
Title: Re: Scottish Poetry
Post by: Stirling Thompson on January 16, 2014, 06:58:45 AM
Don Paterson reads 'Rain' from YouTube...
http://www.youtube.com/watch?feature=player_detailpage&v=ksAPGioaIMA
Title: Re: Scottish Poetry
Post by: Barbara on January 28, 2014, 06:31:21 PM
Thanks Stu for all your interesting posts.  It would be a little dull here if not for you.  ;)

Barb
Title: Re: Scottish Poetry
Post by: Stirling Thompson on May 12, 2014, 01:40:44 PM
The poem about Willie Winkie is known around the world but not everyone is aware that it was originally written by William Miller in Scotland - with a strong Scottish accent!

                                                            Willie Winkie

          
                  Wee Willie Winkie rins through the toun,
                  Up stairs and doon stairs in his nicht-goun,
                  Tirlin' at the window, cryin' at the lock,
                  'Are the weans in their bed, for it's noo ten o'clock?'
 
                  'Hey, Willie Winkie, are ye comin' ben?
                  The cat's singin' grey thrums to the sleepin' hen,
                  The dog's spelder'd on the floor, and disna gi'e a cheep,
                  But here's a waukrife laddie that winna fa' asleep!'

                  Onything but sleep, you rogue! glow'ring like the mune,
                  Rattlin' in an airn jug wi' an airn spune,
                  Rumblin', tumblin' round about, crawin' like a cock,
                  Skirlin' like a kenna-what, wauk'nin' sleepin' fock.

                  'Hey, Willie Winkie - the wean's in a creel!
                  Wambling aff a bodie's knee like a verra eel,
                  Ruggin' at the cat's lug, and ravelin' a' her thrums
                  Hey, Willie Winkie - see, there he comes!'

                  Wearit is the mither that has a stoorie wean,
                  A wee stumple stoussie, that canna rin his lane,
                  That has a battle aye wi' sleep before he'll close an ee
                  But a kiss frae aff his rosy lips gies strength anew to me.
         
     Meaning of unusual words:
   Tirlin'=rapping      ben=through      thrums=purring
    spelderd=spread out   glow'ring=shining   waukrife laddie=insomniac boy
    mune=moon      airn=iron      Skirlin'=shrieking with excitement
    creel=deep basket   Wambling=wriggling   kenna-what=something or other
    Ruggin'=tugging      lug=ear         ravelin'=confusing
    thrums=purring      stoorie=dusty      stumple stoussie=short, sturdy child
Title: Re: Scottish Poetry
Post by: Stirling Thompson on May 17, 2014, 09:05:13 AM
Good Friday


Three oclock. The bus lurches
round into the sun. Ds this go
he flops beside me 'right along Bath Street?
- Oh tha's, tha's all right, see I've
got to get some Easter eggs for the kiddies.
Ive had a wee drink, ye understand
yell maybe think its a funny day
to be celebrating well, no, but ye see
I wasny working, and I like to celebrate
when Im no working I dont say its right
I'm no saying it's right, ye understand - ye understand?
But anyway thas the way I look at it
Im no boring you, eh? ye see today,
take today, I dont know what todays in aid of,
whether Christ was crucified or was he
rose fae the dead like, see what I mean?
Youre an educatit man, you can tell me
- Aye, well. There ye are. Its been seen
time and again, the working man
has nae education, he jist canny jist
hasny got it, know what I mean,
hes jist bliddy ignorant Christ aye,
bliddy ignorant. Well ' The bus brakes violently,
he lunges for the stair, swings down off,
into the sun for his Easter eggs,
on very
              nearly
                          steady
                                      legs.

Edwin Morgan
Title: Re: Scottish Poetry
Post by: Stirling Thompson on September 09, 2014, 05:45:47 AM
On the anniversary of her coronation... a poem by Her Majesty Mary Stuart, Queen of Scots.

Diamond Speaks

'Tis not because my strength outranks both flame and brand,
Nor because my facets display a cunning hand,
Nor because, set in fine-wrought gold, I shine so bright,
Nor even that I'm pure, whiter than Phoebus' light,
But rather because my form is a heart, like unto
My Mistress' heart (but for hardness), that I'm sent to you.
For all things must yield to unfettered purity
And she is my true equal in each quality.
For who would fail to grant that once I had been sent,
My Mistress should thus, in turn, find favour and content?
May it please, from these omens I shall gather strength
And thus from Queen to equal Queen I'll pass at length.
O would I could join them with an iron band alone
(Though all prefer gold) and unite their hearts as one
That neither envy, greed nor gossip's evil play,
Nor mistrust, nor ravaging time could wear away.
Then they'd say among treasures I was most renowned,
For I'd have two great jewels in one setting bound.
Then with my glitt'ring rays I should confound the sight
Of all who saw me, dazzling enemies with my light.
Then, by my worth and by her art, I should be known
As the diamond, the greatest jewel, the mighty stone.
Title: Re: Scottish Poetry
Post by: cheryllwith2ls on September 09, 2014, 10:39:51 AM
Very nice, Thank you :)

Title: Re: Scottish Poetry
Post by: Stirling Thompson on September 16, 2014, 06:18:15 AM
The Maister and the Bairns by William Thomson



            The Maister sat in the wee cot hoose
            By the Jordan's waters near,
            An' the fisherfolk crushed an' crooded roon'
            The Maister's words tae hear.
             
            An' even the bairn's frae the near-haun streets
            Were mixin' in wi' the thrang,
            Laddies an' lassies wi' wee bare feet
            Jinkin' the crood amang.
             
            But yin o' the twal' at the Maister's side
            Rose up and cried alood:
            'Come, come, bairns, this is nae place for you,
            Rin awa' hame oot the crood.'
             
            But the Maister said as they turned awa',
            'Let the wee yins come tae Me'.
            An' he gaithered them roon' Him whaur He sat
            An' lifted yin on His knee.
             
            Ay, He gaithered them roon' Him whaur He sat
            An' straiked their curly hair,
            An' He said tae the wonderin' fisherfolk
            That crushed an' crooded there:
             
            'Send na the bairns awa' frae Me
            But raither this lesson lairn:
            That nane'll win in at Heaven's yett
            That hisna the hert o' a bairn.'
             
            An' he that wisna oor kith or kin
            But a Prince o' the Far Awa',
            He gaithered the wee yins in His airms
            An' blessed them yin an'a'.

Title: Re: Scottish Poetry
Post by: Stirling Thompson on September 17, 2014, 06:26:07 AM
On the eve of Scotland's referendum vote for independence... a posthumously published poem by Tobias Smollett.

To Independence

Strophe.
Thy spirit, Independence, let me share,
Lord of the lion-heart and eagle-eye,
Thy steps I follow with my bosom bare,
Nor heed the storm that howls along the sky.
Deep in the frozen regions of the north,
A goddess violated brought thee forth,
Immortal Liberty! whose look sublime
Hath bleach'd the tyrant's cheek in every varying clime.
What time the iron-hearted Gaul,
With frantic superstition for his guide,
Arm'd with the dagger and the pall,
The sons of Woden to the field defied;
The ruthless hag, by Weser's flood,
In Heaven's name urged the infernal blow;
And red the stream began to flow:
The vanquish'd were baptized with blood!

Antistrophe.
The Saxon prince in horror fled
From altars stained with human gore;
And Liberty his routed legions led,
In safety, to the bleak Norwegian shore.
There in a cave asleep she lay,
Lull'd by the hoarse-resounding main;
When a bold savage pass'd that way,
Impell'd by destiny, - his name Disdain.
Of ample front the portly chief appear'd:
The hunted bear supplied a shaggy vest;
The drifted snow hung on his yellow beard;
And his broad shoulders braved the furious blast.
He stopp'd - he gazed - his bosom glow'd,
And deeply felt th' impression of her charms:
He seized th' advantage Fate allow'd;
And straight compress'd her in his vigorous arms.

Strophe.
The curlew scream'd, the tritons blew
Their shells to celebrate the ravish'd rite;
Old Time exulted as he flew;
The light he saw in Albion's happy plains,
Where under cover of a flowering thorn,
Wile Philomel renew'd her warbled strains,
Th' auspicious fruit of stolen embrace was born -
The mountain dryads seized with joy
The smiling infant to their charge consign'd;
The Doric Muse caress'd the favourite boy;
The hermit Wisdom stored his opening mind.
As rolling years matured his age,
He flourish'd bold and sinewy as his sire;
While the mild passions in his breast assuage
The fiercer flames of his maternal sire.

Antistrophe.
Accomplish'd thus, he wing'd his way,
And zealous roved from pole to pole,
The rolls of right eternal to display,
And warm with patriot thoughts th' aspiring soul.
On desert isles 'twas he that raised
Those spires that gild the Adriatic wave,
Where Tyranny beheld amazed
Fair Freedom's Temple, where he mark'd her grave.
He steel'd the blunt Batavian's arms
To burst th' Iberian's double chain;
And cities rear'd, and planted farms,
Won from the skirts of Neptune's wide domain.
He, with the generous rustics, sate
On Uri's rocks in close divan;
And wing'd that arrow sure as fate,
Which ascertain'd the sacred rights of man.

Strophe.
Arabia's scorching sand he cross'd,
Where blasted Nature pants supine,
To Freedom's adamantine shrine;
And many a Tartar-horde forlorn, aghast,
He snatch'd from under fell Oppression's wing;
And taught amidst the dreary waste
Th' all-cheering hymns of Liberty to sing.
He virtue finds, like precious ore,
Diffused through every baser mould,
E'en now he stands on Calvi's rocky shore,
And turns the dross of Corsica to gold.
He, guardian genius, taught my youth
Pomp's tinsel livery to despise:
My lips, by him chastised to truth,
Ne'er paid that homage which the heart denies.

Antistrophe.
Those sculptured halls my feet shall never tread,
Where varnish'd Vice and Vanity combined,
To dazzle and seduce, their banners spread;
And forge vile shackles for the freeborn mind.
Where Insolence his wrinkled front uprears,
And all the flowers of spurious Fancy blow;
And Title his ill-woven chaplet wears,
Full often wreathed around the miscreant's brow;
Where ever dimpling Falsehood, pert and vain,
Presents her cup of stale Profession's froth;
And pale Disease, with all his bloated train,
Torments the sons of Gluttony and Sloth.

Strophe.
In Fortune's ear behold that minion ride,
With either India's glittering spoils oppress'd:
so moves the sumpter-mule, in harness'd pride,
That bears the treasure which he cannot taste.
For him let venal bards disgrace the bay,
And hireling minstrels wake the tinkling string;
Her sensual snares let faithless Pleasure lay;
And all her jingling bells fantastic Folly ring;
Disquiet, Doubt, and Dread shall intervene;
And Nature, still to all her feelings just,
In vengeance hang a damp on every scene,
Shook from the baleful pinions of Disgust.

Antistrophe.
Nature I'll court in her sequester'd haunts
By mountain, meadow, streamlet, grove, or cell,
Where the poised lark his evening ditty chants,
And Health, and Peace, and Contemplation dwell.
There Study shall with Solitude recline;
And Friendship pledge me to his fellow-swains;
And Toil and Temperance sedately twine
The slender cord that fluttering Life sustains:
And fearless Poverty shall guard the door;
And Taste, unspoil'd, the frugal table spread;
And Industry supply the humble store;
And Sleep, unbribed, his dews refreshing shed:
White-mantled Innocence, ethereal sprite,
Shall chase far off the goblins of the night;
And Independence o'er the day preside,
Propitious power! my patron and my pride.
Tobias Smollett
Title: Re: Scottish Poetry
Post by: Mary on September 18, 2014, 10:18:55 PM
Either I just like the "Master and the Bairns".............or, I could decipher enough of it to enjoy it!  :)

Thanks Stu!
Title: Re: Scottish Poetry
Post by: Stirling Thompson on September 22, 2014, 06:59:38 AM
AT BELVOIR


BY JAMES THOMSON

Sunday, July 3, 1881.
A BALLAD, HISTORICAL AND PROPHETIC.
(In maiden meditation, fancy free.)

My thoughts go back to last July,
   Sweet happy thoughts and tender;
The bridal of the earth and sky,
   A day of noble splendour;
A day to make the saddest heart
   In joy a true believer;
When two good friends we roamed apart
   The shady walks of Belvoir.

A maiden like a budding rose,
   Unconscious of the golden
And fragrant bliss of love that glows
   Deep in her heart infolden;
A Poet old in years and thought,
   Yet not too old for pleasance,
Made young again and fancy-fraught
   By such a sweet friend's presence.

The other two beyond our ken
   Most shamefully deserted,
And far from all the ways of men
   Their stealthy steps averted:
Of course our Jack would go astray,
   Erotic and erratic;
But Mary!well, I own the day
   Was really too ecstatic.

We roamed with many a merry jest
   And many a ringing laughter;
The slow calm hours too rich in zest
   To heed before and after:
Yet lingering down the lovely walks
   Soft strains anon came stealing,
A finer music through our talks
   Of sweeter, deeper feeling:

Yes, now and then a quiet word
   Of seriousness dissembling
In smiles would touch some hidden chord
   And set it all a-trembling:
I trembled too, and felt it strange;
   Could I be in possession
Of music richer in its range
   Than yet had found expression?

The cattle standing in the mere,
   The swans upon it gliding,
The sunlight on the waters clear,
   The radiant clouds dividing;
The solemn sapphire sky above,
   The foliage lightly waving,
The soft air's Sabbath peace and love
   To satisfy all craving.

We mapped the whole fair region out
   As Country of the Tender,
From first pursuit in fear and doubt
   To final glad surrender:
Each knoll and arbour got its name,
   Each vista, covert, dingle;
No young pair now may track the same
   And long continue single!

And in the spot most thrilling-sweet
   Of all this Love-Realm rosy
Our truant pair had found retreat,
   Unblushing, calm and cosy:
Where seats too wide for one are placed,
   And yet for two but narrow,
It's Let my arm steal round your waist,
   And be my winsome marrow!

Reclining on a pleasant lea
   Such tender scenes rehearsing,
A freakish fit seized him and me
   For wildly foolish versing:
We versed of this, we versed of that,
   A pair of mocking sinners,
While our lost couple strayed or sat
   Oblivious of their dinners.

But what was strange, our maddest rhymes
   In all their divagations
Were charged and over-charged at times
   With deep vaticinations:
I yearn with wonder at the power
   Of Poetry prophetic
Which in my soul made that blithe hour
   With this hour sympathetic.

For though we are in winter now,
   My heart is full of summer:
Old Year, old Wish, have made their bow;
   I welcome each new-comer.
The King is dead, long live the King!
   The throne is vacant never!
Is true, I read, of everything,
   So of my heart forever!

My thoughts go on to next July,
   More happy thoughts, more tender;
The bridal of the earth and sky,
   A day of perfect splendour;
A day to make the saddest heart
   In bliss a firm believer;
When two True Loves may roam apart
   The shadiest walks of Belvoir.

There may be less of merry jest
   And less of ringing laughter,
Yet life be much more rich in zest
   And richer still thereafter;
The love-scenes of that region fair
   Have very real rehearsing,
And tremulous kisses thrill the air
   Far sweetlier than sweet versing;

The bud full blown at length reveal
   Its deepest golden burning;
The heart inspired with love unseal
   Its inmost passionate yearning:
The music of the hidden chord
   At length find full expression;
The Seraph of the Flaming Sword
   Assume divine possession.


Notes:
Belvoir pronounced beaver
marrow: mate or companion
divagations: wanderings
vaticinations: prophecies
Title: Re: Scottish Poetry
Post by: Stirling Thompson on September 27, 2014, 09:00:56 AM
Favorite Place read by Scotland's National Poet Liz Lochead.

http://www.scottishpoetrylibrary.org.uk/connect/audio/favourite-place-liz-lochhead
Title: Re: Scottish Poetry
Post by: Stirling Thompson on October 02, 2014, 09:16:19 AM
Because it fits...

The Scottish Borders (Our Ancestral Home)
revised edition

William Denholm
Edinburgh, Scotland
2001

I decided to take my children out for the day
And show them where theyre ancestors used to stay
So we got in the car and drove to the Scottish Borders
First stop Melrose Abbey, the place of holy ancient orders
This magnificent ruin still stands fast
A constant reminder of Scotlands bloody past
Within its walls lies the Heart of Robert the Bruce
The gallant King who brought freedom's truce

We got back in the car
And passed by the Rymers stone
I knew at that point it wouldnt be long till
We reached Denholms ancestral home
We took a wrong turn
And ended up in Ancrum instead
I cant imagine our most ancient
Would have made this Tory heartland his bed
At that point I didnt know what to do
When Lindsay said, Dad, look at the sign post,
It might give us a clue.
I looked at the signpost and it read
DENHOLM, five miles ahead

We arrived at the village
Where I took photographs of the children
At the DENHOLM village sign
To remind them of their visit in a future time
We then went down to the village green
Where a monument to Sir John Layden can be seen
Lindsay and Lauren played in the park for a while
The one thing that always guaranteed to make them smile
I looked around and not another soul could I see
Well it was Sunday afternoon
Maybe they were having their tea

We got back in the car
And crossed the Dean Burn
And we ended up in Hawick
Somewhere along the line
I had taken another wrong turn
We were passing through Selkirk
When we heard an almighty roar
The 'Rugby Sevens' were on
And someone kicked a conversion to score

By the time we got to Peebles
The Children were starving
And these Children I had to feed
So we stopped the car and bought our Suppers
And ate them by the Banks of the River Tweed
Lauren found another park
Where they both played a little longer
I can only hope after this visit
Their border roots will become stronger,
Love Dad
Title: Re: Scottish Poetry
Post by: Stirling Thompson on October 08, 2014, 07:21:26 AM
Glasgow published in 1857


Sing, Poet, tis a merry world;
That cottage smoke is rolled and curled
            In sport, that every moss
Is happy, every inch of soil;
Before me runs a road of toil
            With my grave cut across.
Sing, trailing showers and breezy downs
I know the tragic hearts of towns.

City! I am true son of thine;
Neer dwelt I where great mornings shine
            Around the bleating pens;
Neer by the rivulets I strayed,
And neer upon my childhood weighed
            The silence of the glens.
Instead of shores where ocean beats,
I hear the ebb and flow of streets.

Afar, one summer, I was borne;
Through golden vapours of the morn,
          I heard the hills of sheep:
I trod with a wild ecstasy
The bright fringe of the living sea:
            And on a ruined keep
I sat, and watched an endless plain
Blacken beneath the gloom of rain.

O fair the lightly sprinkled waste,
Oer which a laughing shower has raced!
            O fair the April shoots!
O fair the woods on summer days,
While a blue hyacinthine haze
            Is dreaming round the roots!
In thee, O city! I discern
Another beauty, sad and stern.

Draw thy fierce streams of blinding ore,
Smite on a thousand anvils, roar
            Down to the harbour-bars;
Smoulder in smoky sunsets, flare
On rainy nights, while street and square
            Lie empty to the stars.
From terrace proud to alley base,
I know thee as my mothers face.

When sunset bathes thee in his gold,
In wreaths of bronze thy sides are rolled,
            Thy smoke is dusty fire;
And from the glory round thee poured,
A sunbeam like an angels sword
            Shivers upon a spire.
Thus have I watched thee, Terror! Dream!
While the blue Night crept up the stream...

But all these sights and sounds are strange;
Then wherefore from thee should I range?
            Thou hast my kith and kin;
My childhood, youth, and manhood brave;
Thou hast that unforgotten grave
            Within thy central din.
A sacredness of love and death
Dwells in thy noise and smoky breath.

Alexander Smith
Title: Re: Scottish Poetry
Post by: Stirling Thompson on October 28, 2014, 06:49:18 AM
The Star o' Rabbie Burns
Words: James Thomson
Music: James Booth

There is a star whose beaming ray
Is shed on every clime.
It shines by night, it shines by day,
And ne'er grows dim wi' time.
It rose upon the banks o' Ayr,
It shone on Doon's clear stream.
A hundred years are gane and mair,
Yet brighter grows its beam.

Refrain:
Let kings and courtiers rise and fa'
This world has mony turns,
But brightly beams abune them aw'
The Star o' Rabbie Burns.

Though he was but a ploughman lad
And wore the hodden grey,
Auld Scotland's sweetest bard was bred
Aneath a roof o' strae.
To sweep the strings o' Scotia's lyre,
It needs nae classic lore;
It's mither wit an' native fire
That warms the bosom's core.

Refrain:
Let kings and courtiers rise and fa'
This world has mony turns,
But brightly beams abune them aw'
The Star o' Rabbie Burns.

On fame's emblazon'd page enshrin'd
His name is foremost now,
And many a costly wreath's been twin'd
To grace his honest brow.
And Scotland's heart expands wi' joy
Whene'er the day returns
That gave the world its peasant boy
Immortal Rabbie Burns.

Refrain:
Let kings and courtiers rise and fa'
This world has mony turns,
But brightly beams abune them aw'
The Star o' Rabbie Burns.
Title: Re: Scottish Poetry
Post by: Stirling Thompson on March 12, 2015, 06:38:55 AM
Come ferry me o'er to Charlie By John Milne

                                                Come ferry me o'er, come ferry me o'er
                                                Come ferry me o'er to Charlie;
                                                I'll gie John Ross anither bawbee
                                                To ferry me o'er to Charlie.
 
                                                Though Cumberland is marching North,
                                                He'll find we winna parley;
                                                Wi' Lewie Gordon at our head,
                                                We a' will fecht for Charlie.
 
                                                To deal a blow at good Fa'kirk
                                                 I last did cross the ferry;
                                                Though 'twere to do ten times again,
                                                There's no a man would tarry.
 
                                                Aboyne is up! Glentanner's up!
                                                And left unsown their barley;
                                                Come here, John Ross! - anither bawbee -
                                                An' ferry me o'er to Charlie!   
Title: Re: Scottish Poetry
Post by: Stirling Thompson on March 17, 2015, 02:55:55 PM
Robert Burns - Tam o' Shanter

https://www.youtube.com/watch?v=PJ-xw3oBCeY
Title: Re: Scottish Poetry
Post by: Stirling Thompson on March 27, 2015, 11:09:41 AM
To a Mouse - Robert Burns

https://www.youtube.com/watch?v=cy8lehO7nqg
Title: Re: Scottish Poetry
Post by: Stirling Thompson on July 05, 2015, 10:47:04 AM
The Watergaw

in the original Scottish vernacular
   

by Hugh MacDiarmid (1892-1978)

   
The Watergaw
   

            Ae weet forenicht i the yow-trummle
            I saw yon antrin thing,
            A watergaw wi its chitterin licht
            Ayont the on-ding;
            An I thocht o the last wild look ye gied
            Afore ye deed!

            There was nae reek i the laverocks hoose
            That nichtan nane i mine;
            But I hae thocht o that foolish licht
            Ever sin syne;
            An I think that mebbe at last I ken
            What your look meant then.

 
translated from the Scotts Gaelic version by Hugh MacDiarmid

The Watergaw
   

            One wet, early evening in the sheep-shearing season
            I saw that occasional, rare thing
            A broken shaft of a rainbow with its trembling light
            Beyond the downpour of the rain
            And I thought of the last, wild look you gave
            Before you died.

            The skylarks nest was dark and desolate,
            My heart was too
            But I have thought of that foolish light
            Ever since then
            And I think that perhaps at last I know
            What your look meant then.